Evelyn B Harrison
Biographic Data
| ID | 1058461 |
|---|---|
| NAME | Evelyn B Harrison |
| GIVEN NAMES | Evelyn B |
| FAMILY NAME | Harrison |
| SIGNATURE | HARRISON E B |
| AFFILIATIONS | University of Stirling |
| VERIFIED | No |
| TOTAL WORKS | 36 |
| TOTAL CITATIONS | 58 |
| AUTHOR COUNT | 36 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1955 |
| LATEST PUBLICATION YEAR | 2008 |
| H-INDEX | 4 |
Ancient Portraits from the Athenian Agora
A Late Bronze Age Landscape at South Hornchurch, Essex
A 2.5 ha open area excavation at South Hornchurch, Essex (London Borough of Havering) has revealed an extensive Late Bronze Age settlement on the Thames terrace gravels. The site is particularly significant because of the association of a circular ditched enclosure or ringwork with a contemporary field system, as well as clusters of enclosed and unenclosed circular structures. Two enclosures were formed by rings of pits or large post-holes. Place…
Eumolpos Arrives in Eleusis
Peter Heinrich von Blanckenhagen, 1909-1990
Greek Footwear and the Dating of Sculpture
Katherine Dohan Morrow s study represents the first comprehensive guide to the history of ancient Greek footwear and the chronology of its development. Her thorough research answers some long-standing questions about the originality, iconography, and identification of various Greek sculptures and provides, through its clear chronology, an indispensable tool for dating Greek sculpture. The result is an authoritative, long overdue work that will se…
"Theseum" East Frieze
Evelyn B. Harrison, "Theseum" East Frieze: Color Traces and Attachment Cuttings, Hesperia: The Journal of the American School of Classical Studies at Athens, Vol. 57, No. 4 (Oct. - Dec., 1988), pp. 339-349
A Pheidian Head of Aphrodite Ourania
A Classical Maiden from the Athenian Agora
Motifs of the City-Siege on the Shield of Athena Parthenos
The article is in four parts. Part I is a preliminary publication of sarcophagus fragments found at Aphrodisias in 1975. Nos. 1–7 almost certainly belong to one sarcophagus. No. 8 probably comes from a second similar one. These fragments depict an Amazonomachy composed of figures copied from the Shield of Athena Parthenos at the same scale as the Neo-Attic copies from the Piraeus, presumably the scale of the original figures. The style of the rel…
Necrology
Alkamenes' Sculptures for the Hephaisteion
Alkamenes' Sculptures for the Hephaisteion
All previous attempts to visualize and understand the group of two statues made by Alkamenes for the Hephaisteion in the years 421–415 B.C. have proceeded on the assumption that the so-called Theseum is in fact the Hephaisteion. Here the attempt is made without this assumption. One must begin with the fragments of the accounts for the making of the statues (IG I2, 370/371). The quantity of metal purchased for the element called "the anthemon" is …
Alkamenes' Sculptures for the Hephaisteion
The South Frieze of the Nike Temple and the Marathon Painting in the Painted Stoa
A New Fragment from the North Frieze of the Nike Temple
Die Metopen des Parthenon
Notes on the Nike Temple Frieze
The Attic Stamnos
Athena and Athens in the East Pediment of the Parthenon
The Athenian Agora
The Composition of the Amazonomachy on the Shield of Athena Parthenos
Evelyn B. Harrison, The Composition of the Amazonomachy on the Shield of Athena Parthenos, Hesperia: The Journal of the American School of Classical Studies at Athens, Vol. 35, No. 2 (Apr. - Jun., 1966), pp. 107-133
Mégara Hyblaea. 2
The Athenian Agora
Greek Art
Hesperides and Heroes
Evelyn B. Harrison, Hesperides and Heroes: A Note on the Three-Figure Reliefs, Hesperia: The Journal of the American School of Classical Studies at Athens, Vol. 33, No. 1 (Jan. - Mar., 1964), pp. 76-82
Alkamenes' Sculptures for the Hephaisteion
Motifs of the City-Siege on the Shield of Athena Parthenos
The article is in four parts. Part I is a preliminary publication of sarcophagus fragments found at Aphrodisias in 1975. Nos. 1–7 almost certainly belong to one sarcophagus. No. 8 probably comes from a second similar one. These fragments depict an Amazonomachy composed of figures copied from the Shield of Athena Parthenos at the same scale as the Neo-Attic copies from the Piraeus, presumably the scale of the original figures. The style of the rel…
A Late Bronze Age Landscape at South Hornchurch, Essex
A 2.5 ha open area excavation at South Hornchurch, Essex (London Borough of Havering) has revealed an extensive Late Bronze Age settlement on the Thames terrace gravels. The site is particularly significant because of the association of a circular ditched enclosure or ringwork with a contemporary field system, as well as clusters of enclosed and unenclosed circular structures. Two enclosures were formed by rings of pits or large post-holes. Place…
Athena and Athens in the East Pediment of the Parthenon
Hesperides and Heroes
Evelyn B. Harrison, Hesperides and Heroes: A Note on the Three-Figure Reliefs, Hesperia: The Journal of the American School of Classical Studies at Athens, Vol. 33, No. 1 (Jan. - Mar., 1964), pp. 76-82
New Sculpture from the Athenian Agora, 1959
Eumolpos Arrives in Eleusis
Alkamenes' Sculptures for the Hephaisteion
All previous attempts to visualize and understand the group of two statues made by Alkamenes for the Hephaisteion in the years 421–415 B.C. have proceeded on the assumption that the so-called Theseum is in fact the Hephaisteion. Here the attempt is made without this assumption. One must begin with the fragments of the accounts for the making of the statues (IG I2, 370/371). The quantity of metal purchased for the element called "the anthemon" is …
Notes on the Nike Temple Frieze
The Composition of the Amazonomachy on the Shield of Athena Parthenos
Evelyn B. Harrison, The Composition of the Amazonomachy on the Shield of Athena Parthenos, Hesperia: The Journal of the American School of Classical Studies at Athens, Vol. 35, No. 2 (Apr. - Jun., 1966), pp. 107-133
Archaic Gravestones from the Athenian Agora
"Theseum" East Frieze
Evelyn B. Harrison, "Theseum" East Frieze: Color Traces and Attachment Cuttings, Hesperia: The Journal of the American School of Classical Studies at Athens, Vol. 57, No. 4 (Oct. - Dec., 1988), pp. 339-349
A Classical Maiden from the Athenian Agora
The South Frieze of the Nike Temple and the Marathon Painting in the Painted Stoa
A New Fragment from the North Frieze of the Nike Temple
Greek Art
Fragments of an Early Attic Kouros from the Athenian Agora
A New Fragment of Akropolis 683
A New Parthenon Fragment from the Athenian Agora
Frank Brommer, Evelyn B. Harrison, A New Parthenon Fragment from the Athenian Agora, Hesperia: The Journal of the American School of Classical Studies at Athens, Vol. 24, No. 1 (Jan. - Mar., 1955), pp. 85-87
Archaic Gravestones from the Athenian Agora
The Athenian Agora
Iconographia romana imperiale da Severo Alessandro a M. Aurelio Carino
Essays in Greek History
Greek Painted Pottery
Excavations of the Athenian Agora
New Sculpture from the Athenian Agora, 1959
A Catalogue of Cyrenaican Portrait Sculpture
Hesperides and Heroes
Evelyn B. Harrison, Hesperides and Heroes: A Note on the Three-Figure Reliefs, Hesperia: The Journal of the American School of Classical Studies at Athens, Vol. 33, No. 1 (Jan. - Mar., 1964), pp. 76-82
Greek Art
The Athenian Agora
The Composition of the Amazonomachy on the Shield of Athena Parthenos
Evelyn B. Harrison, The Composition of the Amazonomachy on the Shield of Athena Parthenos, Hesperia: The Journal of the American School of Classical Studies at Athens, Vol. 35, No. 2 (Apr. - Jun., 1966), pp. 107-133
Mégara Hyblaea. 2
The Athenian Agora
Athena and Athens in the East Pediment of the Parthenon
The Attic Stamnos
Die Metopen des Parthenon
Notes on the Nike Temple Frieze
The South Frieze of the Nike Temple and the Marathon Painting in the Painted Stoa
A New Fragment from the North Frieze of the Nike Temple
Alkamenes' Sculptures for the Hephaisteion
Alkamenes' Sculptures for the Hephaisteion
All previous attempts to visualize and understand the group of two statues made by Alkamenes for the Hephaisteion in the years 421–415 B.C. have proceeded on the assumption that the so-called Theseum is in fact the Hephaisteion. Here the attempt is made without this assumption. One must begin with the fragments of the accounts for the making of the statues (IG I2, 370/371). The quantity of metal purchased for the element called "the anthemon" is …
Art (31 works) · History (24 works) · Classical Antiquity Studies (20 works) · Ancient Mediterranean Archaeology and History (19 works) · Archaeology (19 works) · Computer Science (16 works) · Ancient history (12 works) · Art history (12 works) · Visual arts (11 works) · Agora (10 works)