Josefina Pérez-Arantegui
Datos Biográficos
| ID | 114831 |
|---|---|
| NOMBRE | Josefina Pérez-Arantegui |
| NOMBRES | Josefina |
| APELLIDO | Pérez-Arantegui |
| FIRMA | PÉREZ-ARANTEGUI J |
| AFILIACIONES | Universidad de Zaragoza |
| ORCID | 0000-0002-4681-3934 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 13 |
| TOTAL DE CITAS | 89 |
| TOTAL COMO AUTOR | 13 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1996 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2024 |
| ÍNDICE H | 5 |
Looking at the Iron Age in the inland Iberia and the Mediterranean influences
The archaeological site called El Pueyo de Marcuello (Huesca, Spain) is an Iron Age urban settlement, geographically situated in inland Iberia, and dated of the second half of the first millennium BCE. The nature and manufacture of their archaeological remains allow identifying this site as a contact point for relevant exchanges, with remarkable connections with Central and Western Mediterranean cultures. These cultural influences and exchanges w…
Goya dans les musées de Saragosse (Espagne)
Les musées de Saragosse, en Espagne, conservent des peintures de Francisco de Goya suffisamment significatives pour permettre de mieux connaître son œuvre et d’approfondir son emploi des matériaux picturaux. Une recherche menée sur plusieurs tableaux a été développée, principalement avec une méthodologie analytique non invasive fondée sur l’imagerie hyperspectrale, combinée avec d’autres techniques telles que la spectroscopie Raman et la fluoresc…
Not only wall paintings-pigments for cosmetics
First evidence of purple pigment production and dyeing in southern Arabia (Sumhuram, Sultanate of Oman) revealed by mass spectrometric and chromatographic techniques
Studying a Funerary Roman Vessel Glass Collection from Patras, Greece
In a rescue excavation of a Roman funerary complex located at the city of Patras, Achaia, Greece, an assemblage of high quality glass vessels of the 2nd-3rd c. AD was recovered. Here we present the results from the physicochemical examination of the collection using a combination of non-destructive techniques, namely optical microscopy, portable X-Ray Fluorescence, Scanning Electron Microscopy and Infrared spectroscopy (IR) techniques. The analys…
Characterization of an ancient ‘chemical’ preparation
Lustre Colour and Shine From the Olleries Xiques Workshop in Paterna (Spain), 13th Century Ad
Lustre is a medieval ceramic decoration, corresponding to a nanostructured thin layer formed by metallic copper and silver nanocrystals embedded in a glass matrix, which required deep knowledge on the part of the artisans with regard to the raw materials used and the kiln conditions. Their empirical knowledge led to the achievement of colourful lustre decorations ranging from reddish to yellowish or even greenish, some of them with a metallic shi…
Chemical and Textural Characterization of Tin Glazes in Islamic Ceramics from Eastern Spain
Lustre Recipes from A Medieval Workshop in Paterna
The discovery of the workshop ‘Les Olleries Xiques’ in Paterna has provided a unique opportunity to analyse the raw materials, and in particular the recipes used in the production of the lustre decorations. Chemical and phase analyses of lustre raw materials and of lustre decorations belonging to the workshop pottery are shown. A comparison with existing ancient documentation on lustre recipes is also presented
Characterization of Red‐coloured Slips (Almagra) on Islamic Ceramics in Muslim Spain
Small objects found in Islamic (eleventh‐century) kilns excavated in Zaragoza (Spain) were studied to determine the nature of the red coating of almagra pottery. Ceramics with almagra decoration were completely coated with a glossy deep‐red layer, a slip, applied to the body before firing. Chemical and mineralogical studies were carried out, together with analysis of a surface treatment with organic compounds. The results of this study confirm th…
Examination of the ‘Cuerda Seca’ Decoration Technique on Islamic Ceramics from al-Andalus (Spain)
Analysis of the Products Contained in Two Roman Glass from the Colony of (Spain)
Roman Glazed Ceramics in the Western Mediterranean
Chemical and Textural Characterization of Tin Glazes in Islamic Ceramics from Eastern Spain
Not only wall paintings-pigments for cosmetics
Examination of the ‘Cuerda Seca’ Decoration Technique on Islamic Ceramics from al-Andalus (Spain)
Analysis of the Products Contained in Two Roman Glass from the Colony of (Spain)
Roman Glazed Ceramics in the Western Mediterranean
Lustre Recipes from A Medieval Workshop in Paterna
The discovery of the workshop ‘Les Olleries Xiques’ in Paterna has provided a unique opportunity to analyse the raw materials, and in particular the recipes used in the production of the lustre decorations. Chemical and phase analyses of lustre raw materials and of lustre decorations belonging to the workshop pottery are shown. A comparison with existing ancient documentation on lustre recipes is also presented
Looking at the Iron Age in the inland Iberia and the Mediterranean influences
The archaeological site called El Pueyo de Marcuello (Huesca, Spain) is an Iron Age urban settlement, geographically situated in inland Iberia, and dated of the second half of the first millennium BCE. The nature and manufacture of their archaeological remains allow identifying this site as a contact point for relevant exchanges, with remarkable connections with Central and Western Mediterranean cultures. These cultural influences and exchanges w…
Characterization of an ancient ‘chemical’ preparation
Lustre Colour and Shine From the Olleries Xiques Workshop in Paterna (Spain), 13th Century Ad
Lustre is a medieval ceramic decoration, corresponding to a nanostructured thin layer formed by metallic copper and silver nanocrystals embedded in a glass matrix, which required deep knowledge on the part of the artisans with regard to the raw materials used and the kiln conditions. Their empirical knowledge led to the achievement of colourful lustre decorations ranging from reddish to yellowish or even greenish, some of them with a metallic shi…
Characterization of Red‐coloured Slips (Almagra) on Islamic Ceramics in Muslim Spain
Small objects found in Islamic (eleventh‐century) kilns excavated in Zaragoza (Spain) were studied to determine the nature of the red coating of almagra pottery. Ceramics with almagra decoration were completely coated with a glossy deep‐red layer, a slip, applied to the body before firing. Chemical and mineralogical studies were carried out, together with analysis of a surface treatment with organic compounds. The results of this study confirm th…
Analysis of the Products Contained in Two Roman Glass from the Colony of (Spain)
Roman Glazed Ceramics in the Western Mediterranean
Examination of the ‘Cuerda Seca’ Decoration Technique on Islamic Ceramics from al-Andalus (Spain)
Characterization of Red‐coloured Slips (Almagra) on Islamic Ceramics in Muslim Spain
Small objects found in Islamic (eleventh‐century) kilns excavated in Zaragoza (Spain) were studied to determine the nature of the red coating of almagra pottery. Ceramics with almagra decoration were completely coated with a glossy deep‐red layer, a slip, applied to the body before firing. Chemical and mineralogical studies were carried out, together with analysis of a surface treatment with organic compounds. The results of this study confirm th…
Chemical and Textural Characterization of Tin Glazes in Islamic Ceramics from Eastern Spain
Lustre Recipes from A Medieval Workshop in Paterna
The discovery of the workshop ‘Les Olleries Xiques’ in Paterna has provided a unique opportunity to analyse the raw materials, and in particular the recipes used in the production of the lustre decorations. Chemical and phase analyses of lustre raw materials and of lustre decorations belonging to the workshop pottery are shown. A comparison with existing ancient documentation on lustre recipes is also presented
Lustre Colour and Shine From the Olleries Xiques Workshop in Paterna (Spain), 13th Century Ad
Lustre is a medieval ceramic decoration, corresponding to a nanostructured thin layer formed by metallic copper and silver nanocrystals embedded in a glass matrix, which required deep knowledge on the part of the artisans with regard to the raw materials used and the kiln conditions. Their empirical knowledge led to the achievement of colourful lustre decorations ranging from reddish to yellowish or even greenish, some of them with a metallic shi…
Characterization of an ancient ‘chemical’ preparation
First evidence of purple pigment production and dyeing in southern Arabia (Sumhuram, Sultanate of Oman) revealed by mass spectrometric and chromatographic techniques
Studying a Funerary Roman Vessel Glass Collection from Patras, Greece
In a rescue excavation of a Roman funerary complex located at the city of Patras, Achaia, Greece, an assemblage of high quality glass vessels of the 2nd-3rd c. AD was recovered. Here we present the results from the physicochemical examination of the collection using a combination of non-destructive techniques, namely optical microscopy, portable X-Ray Fluorescence, Scanning Electron Microscopy and Infrared spectroscopy (IR) techniques. The analys…
Not only wall paintings-pigments for cosmetics
Goya dans les musées de Saragosse (Espagne)
Les musées de Saragosse, en Espagne, conservent des peintures de Francisco de Goya suffisamment significatives pour permettre de mieux connaître son œuvre et d’approfondir son emploi des matériaux picturaux. Une recherche menée sur plusieurs tableaux a été développée, principalement avec une méthodologie analytique non invasive fondée sur l’imagerie hyperspectrale, combinée avec d’autres techniques telles que la spectroscopie Raman et la fluoresc…
Looking at the Iron Age in the inland Iberia and the Mediterranean influences
The archaeological site called El Pueyo de Marcuello (Huesca, Spain) is an Iron Age urban settlement, geographically situated in inland Iberia, and dated of the second half of the first millennium BCE. The nature and manufacture of their archaeological remains allow identifying this site as a contact point for relevant exchanges, with remarkable connections with Central and Western Mediterranean cultures. These cultural influences and exchanges w…
Archaeology (11 obras) · Cultural Heritage Materials Analysis (11 obras) · Building materials and conservation (8 obras) · Geography (8 obras) · Mineralogy (8 obras) · Materials Science (7 obras) · Art (6 obras) · Chemistry (6 obras) · Metallurgy (6 obras) · Geology (5 obras)