Gabriela Vigil
Dados Biográficos
| ID | 121417 |
|---|---|
| NOME | Gabriela Vigil |
| PRENOMES | Gabriela |
| SOBRENOME | Vigil |
| ASSINATURA | VIGIL G |
| AFILIAÇÕES | Universidad Carlos III de Madrid |
| ORCID | 0000-0001-9795-1897 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 2 |
| TOTAL DE CITAÇÕES | 0 |
| TOTAL COMO AUTOR | 2 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2019 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2026 |
| ÍNDICE H | 0 |
Drivers of global civil repair
This article examines how social media users engaged in civil repair actions following the 2017 Mexico City earthquake. Drawing on cultural trauma theory, the study investigates audience responses to mediated distant suffering from three user profiles of different nationalities and locations, to analyse their cosmopolitan disposition. Through 29 interviews, we explored how users actively participated in short and long-term actions to mitigate the…
Transnational, Digital, Mexican Cinema?Fogo(Yulene Olaizola, 2012) andPlaca Madre(Bruno Varela, 2016)
Two modes of transition are much discussed in contemporary film scholarship: geopolitical/affective (national to transnational) and technological (analogue to digital). While both movements are often taken as a given in film production and academic discourses, this article reads two recent Mexico-based independent productions that both embody and interrogate the digital transnationality of contemporary Latin American cinema from the interstices o…
Sem obras proeminentes nesta página.
Transnational, Digital, Mexican Cinema?Fogo(Yulene Olaizola, 2012) andPlaca Madre(Bruno Varela, 2016)
Two modes of transition are much discussed in contemporary film scholarship: geopolitical/affective (national to transnational) and technological (analogue to digital). While both movements are often taken as a given in film production and academic discourses, this article reads two recent Mexico-based independent productions that both embody and interrogate the digital transnationality of contemporary Latin American cinema from the interstices o…
Drivers of global civil repair
This article examines how social media users engaged in civil repair actions following the 2017 Mexico City earthquake. Drawing on cultural trauma theory, the study investigates audience responses to mediated distant suffering from three user profiles of different nationalities and locations, to analyse their cosmopolitan disposition. Through 29 interviews, we explored how users actively participated in short and long-term actions to mitigate the…
Aesthetics (1 obras) · Art (1 obras) · Art history (1 obras) · Cinema and Media Studies (1 obras) · Digital Games and Media (1 obras) · Digital media (1 obras) · Disaster Management and Resilience (1 obras) · Geopolitics (1 obras) · Globality (1 obras) · Globalization (1 obras)