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Charles A Perrone

Biographic Data

ID154183
NAMECharles A Perrone
GIVEN NAMESCharles A
FAMILY NAMEPerrone
SIGNATUREPERRONE C A
AFFILIATIONSUniversity of Florida
ORCID0000-0002-8555-2482
VERIFIEDYes
TOTAL WORKS34
TOTAL CITATIONS28
AUTHOR COUNT32
EDITOR COUNT1
FIRST PUBLICATION YEAR1982
LATEST PUBLICATION YEAR2025
H-INDEX3
  • Macunaíma

    Charles A Perrone•ARTICLE•Review Literature and Arts of the…•2025

  • Four Sonnets

    Glauco Mattoso, Charles A Perrone•ARTICLE•Review Literature and Arts of the…•2024

  • Dissonância e dissidência

    Open Access•Charles A Perrone•ARTICLE•Literatura e Sociedade•2024

    Dissonância e dissidência: a dramaturgia musical de Chico Buarque". Além de cancionista e ficcionista, Chico Buarque se destacou como dramaturgo. Entre 1965 e 1979 compôs músicas para textos dramáticos próprios e alheios, e escreveu peças, duas vezes em parceria, que marcaram época durante a ditadura militar no Brasil. Todas as peças contêm fortes elementos de comentário sócio-histórico

  • Chico Buarque’s First Chico Buarque

    Charles A Perrone, Jason Stanyek•BOOK•Chico Buarque’s First Chico Buarque•2022

    Chico Buarque comprises a critical appreciation of the self-titled album (1978), which is one of the Brazilian artist’s most representative. This vibrant collection displays the singer-songwriter’s singular talents as a composer/poet of song with both popular appeal and keen analytical skills. The eleven tracks include both up-beat sambas and lyrical compositions: witty tunes, dramatic laments, international items, and, especially, epochal protes…

  • Celebrando os noventa anos de Augusto de Campos

    Open Access•Charles A Perrone•ARTICLE•Revista da Anpoll•2021

    Depoimento de Charles A. Perrone sobre os noventa anos de Augusto de Campos

  • Tropical Travels

    Open Access•Charles A Perrone•ARTICLE•Bulletin of Latin American Research•2019

  • Brazilian Jive

    Charles A Perrone•ARTICLE•Hispanic Research Journal•2016

  • Contemporary Carioca

    Open Access•Charles A Perrone•ARTICLE•Bulletin of Latin American Research•2014

  • Brazilian Popular Music and Globalization

    Charles A Perrone, Christopher Dunn•BOOK•Brazilian Popular Music and…•2013•Cited by: 15

  • First World Third Class and Other Tales of the Global Mix

    Adria Frizzi, Regina Rheda et al.•BOOK•First World Third Class and Other…•2005

    Regina Rheda is a contemporary award-winning Brazilian writer whose original voice and style have won her many admirers. First World Third Class and Other Tales of the Global Mix presents some of her finest and most representative work to an English-speaking readership. Stories from the Copan Building consists of eight tales set in a famous residential building in São Paulo. The stories, like the apartment complex, are a microcosm of modern-day u…

  • Signs of Intercourse

    Open Access•Charles A Perrone•ARTICLE•Gragoatá•2004

    Rich implementations of expressive alterities within the domain of eroticism and sexuality occur in contemporary experimental poetries in Brazil, including poesia concreta, poema processo, criação intersemiótica or intersignos, and the catch-all name, poesia visual. The designation material poetry emphasizes the clearly pertinent physical qualities of language in this thematic domain and alludes to a noted title in related cultural studies, The M…

  • Brazilian Popular Music and Globalization

    Steven F Butterman, Charles A Perrone et al.•ARTICLE•Rocky Mountain Review of Language…•2003

  • Que se danem ou nao

    Charles A Perrone•ARTICLE•Luso-Brazilian Review•2003

  • Presentation and Representation of Self and City in Paulicéia Desvairada

    Open Access•Charles A Perrone•ARTICLE•Chasqui•2002

    While having historically occupied positions on geopolitical, socioeconomic and cultural peripheries of the Western world, Brazil has participated vigorously in transcontinental schemes of development and paradigmatic exercises of aesthetic behavior. The major changes and innova? tions in the arts of the early twentieth century in Europe and North America had surface or immediate reflections in Brazil, as well as more profound original implementa…

  • Brutality Garden

    Kenneth Maxwell, Christopher Dunn et al.•ARTICLE•Foreign Affairs•2002

  • Brazilian Popular Music and Globalization

    Open Access•Charles A Perrone, Christopher Dunn•ARTICLE•Journal of Popular Music Studies•2002•Cited by: 4

  • Performing Sao Paulo

    Charles A Perrone•ARTICLE•Latin American Music Review•2002•Cited by: 3

    In the twentieth century, São Paulo experienced successive waves of development schemes, modernization, and artistic response. In the 1920s, this site of ever-increasing industrialization and urban evolution witnessed the emergence of nationalist aesthetic thought in modernismo, or Brazilian Modernism. The inaugural publication and œuvre par excellence of the combative phase of this movement was Paulicéia desvairada (1922) by Mário de Andrade. Th…

  • Rhythms of Resistance

    Jesse Samba Wheeler, Peter Fryer et al.•ARTICLE•Ethnomusicology•2002

  • Seven Faces; Brazilian Poetry since Modernism

    Open Access•Bruce Dean Willis, Charles A Perrone•ARTICLE•Chasqui•1999

    Brazil, perhaps more than any other nation of the Americas, has placed poetry at the forefront of dialogue and debate about the limits and uses of art, the social duties of artists, and the nature of nationalism and national identity. In Seven Faces, Charles A. Perrone charts the course of Brazilian poetry in the contemporary period through the principal currents, multiple tendencies, and aesthetic tensions that have made the Brazilian lyric so c…

  • Seven Faces. Brazilian Poetry since Modernismo

    Carlota Caulfield, Charles A Perrone•ARTICLE•Hispania•1998

  • Beyond the Page

    Harry Polkinhorn, Charles A Perrone•ARTICLE•Poetics Today•1998

  • Cronicas Brasileiras

    Melvin S Arrington, Richard A Preto-Rodas et al.•ARTICLE•Hispania•1995

  • Popular Musics of the Non-Western World

    Open Access•Charles A Perrone•ARTICLE•Popular Music•1991•Cited by: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Masters of Contemporary Brazilian Song

    Samuel Araújo, Charles A Perrone•ARTICLE•Ethnomusicology•1991

  • The Music of Brazil

    Bobby J Chamberlain, David P Appleby et al.•ARTICLE•Hispania•1990

Next
  • Brazilian Popular Music and Globalization

    Charles A Perrone, Christopher Dunn•BOOK•Brazilian Popular Music and…•2013•Cited by: 15

  • Brazilian Popular Music and Globalization

    Open Access•Charles A Perrone, Christopher Dunn•ARTICLE•Journal of Popular Music Studies•2002•Cited by: 4

  • Performing Sao Paulo

    Charles A Perrone•ARTICLE•Latin American Music Review•2002•Cited by: 3

    In the twentieth century, São Paulo experienced successive waves of development schemes, modernization, and artistic response. In the 1920s, this site of ever-increasing industrialization and urban evolution witnessed the emergence of nationalist aesthetic thought in modernismo, or Brazilian Modernism. The inaugural publication and œuvre par excellence of the combative phase of this movement was Paulicéia desvairada (1922) by Mário de Andrade. Th…

  • Poesia concreta e tropicalismo

    Open Access•Charles A Perrone, Charles Perrone•ARTICLE•Revista USP•1990•Cited by: 2

  • An Annotated Interdisciplinary Bibliography and Discography of Brazilian Popular Music

    Charles A Perrone•ARTICLE•Latin American Music Review•1986•Cited by: 2

  • Popular Musics of the Non-Western World

    Open Access•Charles A Perrone•ARTICLE•Popular Music•1991•Cited by: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • "From Noigandres to "Milagre da Alegria

    Charles A Perrone•ARTICLE•Latin American Music Review•1985•Cited by: 1

    Charles A. Perrone, From Noigandres to "Milagre da Alegria": The Concrete Poets and Contemporary Brazilian Popular Music, Latin American Music Review / Revista de Música Latinoamericana, Vol. 6, No. 1 (Spring - Summer, 1985), pp. 58-79

  • A Musica Popular num Romance Brasileiro de Trinta

    Charles A Perrone•ARTICLE•Latin American Music Review•1982

  • Variation in Pretonic /e/ in Brazilian Portuguese

    Charles A Perrone, Linda Ledford-Miller et al.•ARTICLE•Hispania•1985

    Charles A. Perrone, Linda Ledford-Miller, Variation in Pretonic /e/ in Brazilian Portuguese: Preliminary Studies with Popular Music of the Northeast and Rio de Janeiro, Hispania, Vol. 68, No. 1 (Mar., 1985), pp. 154-159

  • "From Noigandres to "Milagre da Alegria

    Charles A Perrone•ARTICLE•Latin American Music Review•1985•Cited by: 1

    Charles A. Perrone, From Noigandres to "Milagre da Alegria": The Concrete Poets and Contemporary Brazilian Popular Music, Latin American Music Review / Revista de Música Latinoamericana, Vol. 6, No. 1 (Spring - Summer, 1985), pp. 58-79

  • An Annotated Interdisciplinary Bibliography and Discography of Brazilian Popular Music

    Charles A Perrone•ARTICLE•Latin American Music Review•1986•Cited by: 2

  • Brazil

    Open Access•Charles A Perrone•ARTICLE•Popular Music•1987•References: 8

    With its blends of Amerindian, African and European sources, Brazil has one of the richest and most diverse musical cultures in the world. Primitive tribal musics flourish in the Amazon, rural and urban regions practise many folk/traditional forms, and cosmopolitan art music has been produced since before the time of Villa-Lobos. Various musics that can be considered popular reflect both this wide national spectrum and the impact of international…

  • Brazil Projects

    Charles A Perrone•ARTICLE•Latin American Music Review•1988

  • The Music of Brazil

    Bobby J Chamberlain, David P Appleby et al.•ARTICLE•Hispania•1990

  • Recent Publications on Brazilian Song/Popular Music

    Charles A Perrone, Lúcia Santaella et al.•ARTICLE•Latin American Music Review•1990

  • Poesia concreta e tropicalismo

    Open Access•Charles A Perrone, Charles Perrone•ARTICLE•Revista USP•1990•Cited by: 2

  • The Music of Brazil

    Dale A Olsen, David P Appleby et al.•ARTICLE•Hispanic American Historical Review•1990

  • Popular Musics of the Non-Western World

    Open Access•Charles A Perrone•ARTICLE•Popular Music•1991•Cited by: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Masters of Contemporary Brazilian Song

    Samuel Araújo, Charles A Perrone•ARTICLE•Ethnomusicology•1991

  • Cronicas Brasileiras

    Melvin S Arrington, Richard A Preto-Rodas et al.•ARTICLE•Hispania•1995

  • Seven Faces. Brazilian Poetry since Modernismo

    Carlota Caulfield, Charles A Perrone•ARTICLE•Hispania•1998

  • Beyond the Page

    Harry Polkinhorn, Charles A Perrone•ARTICLE•Poetics Today•1998

  • Seven Faces; Brazilian Poetry since Modernism

    Open Access•Bruce Dean Willis, Charles A Perrone•ARTICLE•Chasqui•1999

    Brazil, perhaps more than any other nation of the Americas, has placed poetry at the forefront of dialogue and debate about the limits and uses of art, the social duties of artists, and the nature of nationalism and national identity. In Seven Faces, Charles A. Perrone charts the course of Brazilian poetry in the contemporary period through the principal currents, multiple tendencies, and aesthetic tensions that have made the Brazilian lyric so c…

  • Presentation and Representation of Self and City in Paulicéia Desvairada

    Open Access•Charles A Perrone•ARTICLE•Chasqui•2002

    While having historically occupied positions on geopolitical, socioeconomic and cultural peripheries of the Western world, Brazil has participated vigorously in transcontinental schemes of development and paradigmatic exercises of aesthetic behavior. The major changes and innova? tions in the arts of the early twentieth century in Europe and North America had surface or immediate reflections in Brazil, as well as more profound original implementa…

  • Brutality Garden

    Kenneth Maxwell, Christopher Dunn et al.•ARTICLE•Foreign Affairs•2002

  • Brazilian Popular Music and Globalization

    Open Access•Charles A Perrone, Christopher Dunn•ARTICLE•Journal of Popular Music Studies•2002•Cited by: 4

  • Performing Sao Paulo

    Charles A Perrone•ARTICLE•Latin American Music Review•2002•Cited by: 3

    In the twentieth century, São Paulo experienced successive waves of development schemes, modernization, and artistic response. In the 1920s, this site of ever-increasing industrialization and urban evolution witnessed the emergence of nationalist aesthetic thought in modernismo, or Brazilian Modernism. The inaugural publication and œuvre par excellence of the combative phase of this movement was Paulicéia desvairada (1922) by Mário de Andrade. Th…

  • Rhythms of Resistance

    Jesse Samba Wheeler, Peter Fryer et al.•ARTICLE•Ethnomusicology•2002

  • Brazilian Popular Music and Globalization

    Steven F Butterman, Charles A Perrone et al.•ARTICLE•Rocky Mountain Review of Language…•2003

  • Que se danem ou nao

    Charles A Perrone•ARTICLE•Luso-Brazilian Review•2003

  • Signs of Intercourse

    Open Access•Charles A Perrone•ARTICLE•Gragoatá•2004

    Rich implementations of expressive alterities within the domain of eroticism and sexuality occur in contemporary experimental poetries in Brazil, including poesia concreta, poema processo, criação intersemiótica or intersignos, and the catch-all name, poesia visual. The designation material poetry emphasizes the clearly pertinent physical qualities of language in this thematic domain and alludes to a noted title in related cultural studies, The M…

  • First World Third Class and Other Tales of the Global Mix

    Adria Frizzi, Regina Rheda et al.•BOOK•First World Third Class and Other…•2005

    Regina Rheda is a contemporary award-winning Brazilian writer whose original voice and style have won her many admirers. First World Third Class and Other Tales of the Global Mix presents some of her finest and most representative work to an English-speaking readership. Stories from the Copan Building consists of eight tales set in a famous residential building in São Paulo. The stories, like the apartment complex, are a microcosm of modern-day u…

Art (22 works) · Literature, Culture, and Criticism (11 works) · Music History and Culture (11 works) · History (10 works) · Political science (9 works) · Humanities (8 works) · Law (8 works) · Literature (8 works) · Brazilian cultural history and politics (7 works) · Diverse Musicological Studies (7 works)

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