Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Gaye Sculthorpe

Biographic Data

ID157996
NAMEGaye Sculthorpe
GIVEN NAMESGaye
FAMILY NAMESculthorpe
SIGNATURESCULTHORPE G
AFFILIATIONSDeakin University
ORCID0000-0002-0881-8961
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS5
AUTHOR COUNT8
EDITOR COUNT0
FIRST PUBLICATION YEAR2005
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Rikawa

    Open Access•Stéphanie Leclerc-Caffarel, Gaye Sculthorpe et al.•ARTICLE•Artefact•2024

    Water containers made of kelp from lutruwita (Tasmania) are one of the rarest object types found in ethnographic museum collections. Only two, well-documented, historic examples still exist. The British Museum holds one given to it in 1851, after the Great Exhibition of London. An older example, which formed part of the collections of a French naturalist engaged on the d’Entrecasteaux expedition in southern lutruwita in the early 1790s, was locat…

  • The New Protectionism

    Open Access•Nick Thieberger, Michael Aird et al.•ARTICLE•Archives and Manuscripts•2024

    This article discusses the problems encountered in accessing archival Indigenous language records, both by Indigenous people looking for information on their own languages and by non-Indigenous researchers supporting language work. It is motivated by Indigenous people not being able to access materials in archives, libraries, and museums that they need for heritage reasons, for personal reasons, or for revitalisation of language or cultural perfo…

  • Connecting Collections

    Open Access•Jason M Gibson, Gaye Sculthorpe et al.•ARTICLE•Museum Worlds•2024

    Australia's vast collections of biological, natural history, ethnographic, and social-historical materials remain largely disconnected from each other and from the public. Connecting these distributed collections, currently dispersed in local, state, national, and global locales, is critically important to generate new knowledge for national and global benefit. The vision of making these collections accessible at scale, alongside innovative metho…

  • Will my boomerang come back? New insights into Aboriginal material culture of early Sydney and affiliated coastal zone from British collections

    Open Access•Gaye Sculthorpe, Daniel Simpson•ARTICLE•Australian Archaeology•2023•References: 10

    Aboriginal material culture of the Sydney region has been analysed extensively by Australian archaeologists, notably Vincent Megaw and Val Attenbrow, yet many new insights can be obtained through the examination of hitherto unidentified and unexamined museum objects and dispersed archival documentation in Britain and Ireland. Close engagement with these sources permits a more informed explication of the variety of objects in use in colonial Sydne…

  • A Shield Loaded with History

    Maria Nugent, Gaye Sculthorpe•ARTICLE•Australian Historical Studies•2018•Cited by: 4

    This article discusses an Aboriginal shield in the British Museum which is widely believed to have been used in the first encounter between Lieutenant James Cook's expedition and the Gweagal people at Botany Bay in late April 1770. It traces the ways in which the shield became ‘Cook-related’, and increasingly represented and exhibited in that way. In the wake of its exhibition at the National Museum of Australia in late 2015 and early 2016, the s…

  • A corroboree for the Countess of Kintore

    Open Access•Gaye Sculthorpe•ARTICLE•Aboriginal History Journal•2018•References: 9

    This paper discusses a corroboree performed in Darwin in 1893 to illustrate the potential of British ethnographic collections for researching overlooked historical events. The performance was brought to light after a collection of Aboriginal artefacts used in it was noted and examined by the author in the collections of Marischal Museum, Aberdeen, in 2016. The description of the performance and associated objects extends understanding of the natu…

  • Dialogue des cultures et circulations des œuvres

    Emmanuel Kasarhérou, Kasarhérou Emmanuel et al.•ARTICLE•Les actes de colloques du musée…•2017

    Emmanuel Kasarherou, Gaye Sculthorpe, Nicolas Thomas, Michel Coté et Vincent Négri © musée du quai Branly - Jacques Chirac, photo Cyril Zannettacci M. Emmanuel KASARHEROU Je suis l’adjoint au directeur du patrimoine et des collections. Je suis en poste à Branly depuis cinq ans. J’étais auparavant directeur du Centre culturel Tjibaou en Nouvelle-Calédonie, qui est une autre architecture et un autre centre culturel intéressant aux antipodes de ce m…

  • Recognising Difference

    Gaye Sculthorpe•ARTICLE•Anthropological Forum•2005•Cited by: 1•References: 2

  • A Shield Loaded with History

    Maria Nugent, Gaye Sculthorpe•ARTICLE•Australian Historical Studies•2018•Cited by: 4

    This article discusses an Aboriginal shield in the British Museum which is widely believed to have been used in the first encounter between Lieutenant James Cook's expedition and the Gweagal people at Botany Bay in late April 1770. It traces the ways in which the shield became ‘Cook-related’, and increasingly represented and exhibited in that way. In the wake of its exhibition at the National Museum of Australia in late 2015 and early 2016, the s…

  • Recognising Difference

    Gaye Sculthorpe•ARTICLE•Anthropological Forum•2005•Cited by: 1•References: 2

  • Recognising Difference

    Gaye Sculthorpe•ARTICLE•Anthropological Forum•2005•Cited by: 1•References: 2

  • Dialogue des cultures et circulations des œuvres

    Emmanuel Kasarhérou, Kasarhérou Emmanuel et al.•ARTICLE•Les actes de colloques du musée…•2017

    Emmanuel Kasarherou, Gaye Sculthorpe, Nicolas Thomas, Michel Coté et Vincent Négri © musée du quai Branly - Jacques Chirac, photo Cyril Zannettacci M. Emmanuel KASARHEROU Je suis l’adjoint au directeur du patrimoine et des collections. Je suis en poste à Branly depuis cinq ans. J’étais auparavant directeur du Centre culturel Tjibaou en Nouvelle-Calédonie, qui est une autre architecture et un autre centre culturel intéressant aux antipodes de ce m…

  • A Shield Loaded with History

    Maria Nugent, Gaye Sculthorpe•ARTICLE•Australian Historical Studies•2018•Cited by: 4

    This article discusses an Aboriginal shield in the British Museum which is widely believed to have been used in the first encounter between Lieutenant James Cook's expedition and the Gweagal people at Botany Bay in late April 1770. It traces the ways in which the shield became ‘Cook-related’, and increasingly represented and exhibited in that way. In the wake of its exhibition at the National Museum of Australia in late 2015 and early 2016, the s…

  • A corroboree for the Countess of Kintore

    Open Access•Gaye Sculthorpe•ARTICLE•Aboriginal History Journal•2018•References: 9

    This paper discusses a corroboree performed in Darwin in 1893 to illustrate the potential of British ethnographic collections for researching overlooked historical events. The performance was brought to light after a collection of Aboriginal artefacts used in it was noted and examined by the author in the collections of Marischal Museum, Aberdeen, in 2016. The description of the performance and associated objects extends understanding of the natu…

  • Will my boomerang come back? New insights into Aboriginal material culture of early Sydney and affiliated coastal zone from British collections

    Open Access•Gaye Sculthorpe, Daniel Simpson•ARTICLE•Australian Archaeology•2023•References: 10

    Aboriginal material culture of the Sydney region has been analysed extensively by Australian archaeologists, notably Vincent Megaw and Val Attenbrow, yet many new insights can be obtained through the examination of hitherto unidentified and unexamined museum objects and dispersed archival documentation in Britain and Ireland. Close engagement with these sources permits a more informed explication of the variety of objects in use in colonial Sydne…

  • Rikawa

    Open Access•Stéphanie Leclerc-Caffarel, Gaye Sculthorpe et al.•ARTICLE•Artefact•2024

    Water containers made of kelp from lutruwita (Tasmania) are one of the rarest object types found in ethnographic museum collections. Only two, well-documented, historic examples still exist. The British Museum holds one given to it in 1851, after the Great Exhibition of London. An older example, which formed part of the collections of a French naturalist engaged on the d’Entrecasteaux expedition in southern lutruwita in the early 1790s, was locat…

  • The New Protectionism

    Open Access•Nick Thieberger, Michael Aird et al.•ARTICLE•Archives and Manuscripts•2024

    This article discusses the problems encountered in accessing archival Indigenous language records, both by Indigenous people looking for information on their own languages and by non-Indigenous researchers supporting language work. It is motivated by Indigenous people not being able to access materials in archives, libraries, and museums that they need for heritage reasons, for personal reasons, or for revitalisation of language or cultural perfo…

  • Connecting Collections

    Open Access•Jason M Gibson, Gaye Sculthorpe et al.•ARTICLE•Museum Worlds•2024

    Australia's vast collections of biological, natural history, ethnographic, and social-historical materials remain largely disconnected from each other and from the public. Connecting these distributed collections, currently dispersed in local, state, national, and global locales, is critically important to generate new knowledge for national and global benefit. The vision of making these collections accessible at scale, alongside innovative metho…

Cultural Heritage Management and Preservation (5 works) · Art (4 works) · Art history (4 works) · History (4 works) · Sociology (4 works) · Archaeology (3 works) · History (3 works) · Law (3 works) · Political science (3 works) · Visual arts (3 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae