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Ritu Gairola Khanduri

Biographic Data

ID217787
NAMERitu Gairola Khanduri
GIVEN NAMESRitu Gairola
FAMILY NAMEKhanduri
SIGNATUREKHANDURI R G
AFFILIATIONSRussian State Agrarian Correspondence University
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS8
AUTHOR COUNT7
EDITOR COUNT0
FIRST PUBLICATION YEAR2009
LATEST PUBLICATION YEAR2014
H-INDEX1
  • Caricaturing Culture in India

    Ritu Gairola Khanduri•BOOK•Caricaturing Culture in India•2014

  • The realm of the polemic

    Ronie Parciack, R K Gairola et al.•ARTICLE•South Asian Popular Culture•2013•References: 1

    A gaping chasm lies between the original context in which the concept of terror was defined and the ways this term is employed in contemporary socio-cultural frameworks. Whereas diverse forms of vi

  • Terror myths and scenes of violence

    Ritu Gairola Khanduri•ARTICLE•South Asian Popular Culture•2013•Cited by: 1•References: 3

    This essay brings attention to the representation of terror, to highlight the visual engagement with terror discourses. By looking at a spectrum of images that evoke revolutionary politics, the Gulf War, 9/11 and 26/11 (the Mumbai attack), and an Anti-Terrorist Squad interrogation, this essay focuses on a colonial chromolithograph, submissions to an amateur cartoon contest, sand sculptures, and an illustration of torture testimony in India. These…

  • G andhi and the Satyagraha of Newspaper Cartoons

    Open Access•Ritu Gairola Khanduri•ARTICLE•Visual Anthropology Review•2013•References: 7

    Newspaper cartoons are significant because their inherent ambiguity withstands scrutiny as historical and anthropological texts. This article focuses on G andhi's writings and analysis of newspaper cartoons published in the S outh A frican press. Addressing the I ndian community in a period of growing resistance, G andhi situated cartoons as a part of the necessary vocabulary for understanding the B ritish mind. Serving a pedagogical role, throug…

  • Some things about Gandhi

    Ritu Gairola Khanduri•ARTICLE•Contemporary South Asia•2012•Cited by: 1•References: 10

    This article focuses on Gandhi's things as a point of intersection – a contact zone of divine and market logics, sensory reality, and subaltern and elite routes of access. Gandhi memorials, his autograph, his ashes, an auction, and the special Gandhi edition Montblanc luxury pen evoke the magic that embraces ordinary things, rendering them extraordinary and desirable. Drawing upon episodes from historical and contemporary contexts, this article p…

  • Picturing India

    Ritu Gairola Khanduri•ARTICLE•Visual Anthropology•2012•References: 16

    This article explores the popular Indian cartoonist R. K. Laxman's daily newspaper “pocket cartoon” as a visual narrative of the modern nation, and a space to think through the place of corruption in democratic politics. In his cartoons the figures of the politician and the ordinary citizen, as well as the trope of air travel, picture a nation where the anomalies of a developmental agenda are evident every day. Despite this gloomy image, newspape…

  • Vernacular Punches

    Ritu Gairola Khanduri•ARTICLE•History and Anthropology•2009•Cited by: 6•References: 21

    Why has the story of the vernacular cartoon‐based newspapers in colonial India, which were versions of the British Punch, remained obscure? Specifically, what does the story of the Urdu Punch and Hindi Punch among other vernacular Punches tell us about colonial politics? Approaching memory and history as forms of knowledge, this article draws upon archival research to construct an alternate history of Punch and the vernacular Punches in colonial …

  • Vernacular Punches

    Ritu Gairola Khanduri•ARTICLE•History and Anthropology•2009•Cited by: 6•References: 21

    Why has the story of the vernacular cartoon‐based newspapers in colonial India, which were versions of the British Punch, remained obscure? Specifically, what does the story of the Urdu Punch and Hindi Punch among other vernacular Punches tell us about colonial politics? Approaching memory and history as forms of knowledge, this article draws upon archival research to construct an alternate history of Punch and the vernacular Punches in colonial …

  • Terror myths and scenes of violence

    Ritu Gairola Khanduri•ARTICLE•South Asian Popular Culture•2013•Cited by: 1•References: 3

    This essay brings attention to the representation of terror, to highlight the visual engagement with terror discourses. By looking at a spectrum of images that evoke revolutionary politics, the Gulf War, 9/11 and 26/11 (the Mumbai attack), and an Anti-Terrorist Squad interrogation, this essay focuses on a colonial chromolithograph, submissions to an amateur cartoon contest, sand sculptures, and an illustration of torture testimony in India. These…

  • Some things about Gandhi

    Ritu Gairola Khanduri•ARTICLE•Contemporary South Asia•2012•Cited by: 1•References: 10

    This article focuses on Gandhi's things as a point of intersection – a contact zone of divine and market logics, sensory reality, and subaltern and elite routes of access. Gandhi memorials, his autograph, his ashes, an auction, and the special Gandhi edition Montblanc luxury pen evoke the magic that embraces ordinary things, rendering them extraordinary and desirable. Drawing upon episodes from historical and contemporary contexts, this article p…

  • Vernacular Punches

    Ritu Gairola Khanduri•ARTICLE•History and Anthropology•2009•Cited by: 6•References: 21

    Why has the story of the vernacular cartoon‐based newspapers in colonial India, which were versions of the British Punch, remained obscure? Specifically, what does the story of the Urdu Punch and Hindi Punch among other vernacular Punches tell us about colonial politics? Approaching memory and history as forms of knowledge, this article draws upon archival research to construct an alternate history of Punch and the vernacular Punches in colonial …

  • Some things about Gandhi

    Ritu Gairola Khanduri•ARTICLE•Contemporary South Asia•2012•Cited by: 1•References: 10

    This article focuses on Gandhi's things as a point of intersection – a contact zone of divine and market logics, sensory reality, and subaltern and elite routes of access. Gandhi memorials, his autograph, his ashes, an auction, and the special Gandhi edition Montblanc luxury pen evoke the magic that embraces ordinary things, rendering them extraordinary and desirable. Drawing upon episodes from historical and contemporary contexts, this article p…

  • Picturing India

    Ritu Gairola Khanduri•ARTICLE•Visual Anthropology•2012•References: 16

    This article explores the popular Indian cartoonist R. K. Laxman's daily newspaper “pocket cartoon” as a visual narrative of the modern nation, and a space to think through the place of corruption in democratic politics. In his cartoons the figures of the politician and the ordinary citizen, as well as the trope of air travel, picture a nation where the anomalies of a developmental agenda are evident every day. Despite this gloomy image, newspape…

  • The realm of the polemic

    Ronie Parciack, R K Gairola et al.•ARTICLE•South Asian Popular Culture•2013•References: 1

    A gaping chasm lies between the original context in which the concept of terror was defined and the ways this term is employed in contemporary socio-cultural frameworks. Whereas diverse forms of vi

  • Terror myths and scenes of violence

    Ritu Gairola Khanduri•ARTICLE•South Asian Popular Culture•2013•Cited by: 1•References: 3

    This essay brings attention to the representation of terror, to highlight the visual engagement with terror discourses. By looking at a spectrum of images that evoke revolutionary politics, the Gulf War, 9/11 and 26/11 (the Mumbai attack), and an Anti-Terrorist Squad interrogation, this essay focuses on a colonial chromolithograph, submissions to an amateur cartoon contest, sand sculptures, and an illustration of torture testimony in India. These…

  • G andhi and the Satyagraha of Newspaper Cartoons

    Open Access•Ritu Gairola Khanduri•ARTICLE•Visual Anthropology Review•2013•References: 7

    Newspaper cartoons are significant because their inherent ambiguity withstands scrutiny as historical and anthropological texts. This article focuses on G andhi's writings and analysis of newspaper cartoons published in the S outh A frican press. Addressing the I ndian community in a period of growing resistance, G andhi situated cartoons as a part of the necessary vocabulary for understanding the B ritish mind. Serving a pedagogical role, throug…

  • Caricaturing Culture in India

    Ritu Gairola Khanduri•BOOK•Caricaturing Culture in India•2014

Art (6 works) · Law (6 works) · Political science (6 works) · Aesthetics (5 works) · Law (5 works) · Sociology (5 works) · History (4 works) · Literature (4 works) · Media studies (4 works) · Politics (4 works)

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