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Keith Nicklin

Biographic Data

ID266111
NAMEKeith Nicklin
GIVEN NAMESKeith
FAMILY NAMENicklin
SIGNATURENICKLIN K
AFFILIATIONSUCL Australia
VERIFIEDNo
TOTAL WORKS18
TOTAL CITATIONS71
AUTHOR COUNT18
EDITOR COUNT0
FIRST PUBLICATION YEAR1971
LATEST PUBLICATION YEAR2005
H-INDEX4
  • Hippies of Elmina

    Keith Nicklin, Jill Salmons•ARTICLE•African Arts•2005•Cited by: 1

  • African Assortment

    Keith Nicklin, Michael Pennie•ARTICLE•African Arts•1993

  • Cross River Studies

    Keith Nicklin•ARTICLE•African Arts•1984

    tivelv little-known area. Moreover, I had a convenient pretext. Jill Salmons and I were about to complete an article, based on fieldwork conducted during the 1970s, on the sculptural styles of the region as a whole, and we felt that such a presentation might exercise a unifying effect upon a collection of writings that could reasonably be expected to be highly varied, though describing a specific part of the world. Great emphasis was placed upon …

  • Cross River Art Styles

    Keith Nicklin, Jill Salmons•ARTICLE•African Arts•1984•Cited by: 4

  • The Hausa of Northern Nigeria

    Keith Nicklin, Dale Idiens•ARTICLE•African Arts•1983

  • Kuyu Sculpture at the Powell-Cotton Museum

    Keith Nicklin•ARTICLE•African Arts•1983

    O0n November 16, 1926, the English naturalist and traveler Major P.H.G. Powell-Cotton' arrived in Leopoldville on the Elizabethville. This heralded the beginning of one of the many expeditions he mounted to the remoter parts of Africa and Asia. On this trip he was in pursuit of, among other things, specimens of gorilla and of the sitatunga and bongo antelopes for the museum he had established at Quex Park near Birchington-on-Sea in east Kent. The…

  • On Ekkpe, Ekpe, Ekpo, Ogbom

    Keith Nicklin, Jill Salmons•ARTICLE•African Arts•1982

  • The Nigerian Musical Pot

    Keith Nicklin•ARTICLE•African Arts•1981

  • L'Art Eket

    Keith Nicklin, Francois Neyt•ARTICLE•African Arts•1980

  • Skin-Covered Masks of Cameroon

    Keith Nicklin•ARTICLE•African Arts•1979•Cited by: 5

  • The Location of Pottery Manufacture

    Keith Nicklin•ARTICLE•Man•1979•Cited by: 20•References: 15

  • Guide to the National Museum, Oron

    Dale Idiens, Keith Nicklin•ARTICLE•African Arts•1978

  • S. J. Akpan of Nigeria

    Keith Nicklin, Jill Salmons•ARTICLE•African Arts•1977

  • Ibibio Metalwork

    Keith Nicklin•ARTICLE•African Arts•1976

  • The Rape of Nigeria's Antiquities

    Keith Nicklin•ARTICLE•African Arts•1975•Cited by: 1

  • Nigerian Skin-Covered Masks

    Keith Nicklin•ARTICLE•African Arts•1974•Cited by: 6

  • The Ibibio Musical Pot

    Keith Nicklin•ARTICLE•African Arts•1973•Cited by: 3

  • Stability and innovation in pottery manufacture

    Keith Nicklin•ARTICLE•World Archaeology•1971•Cited by: 31•References: 25

    The ethnographic evidence of long‐distance transport and the effects of market demand are examined. The efficiency of various methods of production; the stimulus provided by the individual potter; the cultural significance of some methods of pottery manufacture; and the results of non‐economic sanctions are all shown to cause or inhibit innovation in ceramic technology. The use of the potter's wheel, and similar devices, and the reasons for its a…

  • Stability and innovation in pottery manufacture

    Keith Nicklin•ARTICLE•World Archaeology•1971•Cited by: 31•References: 25

    The ethnographic evidence of long‐distance transport and the effects of market demand are examined. The efficiency of various methods of production; the stimulus provided by the individual potter; the cultural significance of some methods of pottery manufacture; and the results of non‐economic sanctions are all shown to cause or inhibit innovation in ceramic technology. The use of the potter's wheel, and similar devices, and the reasons for its a…

  • The Location of Pottery Manufacture

    Keith Nicklin•ARTICLE•Man•1979•Cited by: 20•References: 15

  • Nigerian Skin-Covered Masks

    Keith Nicklin•ARTICLE•African Arts•1974•Cited by: 6

  • Skin-Covered Masks of Cameroon

    Keith Nicklin•ARTICLE•African Arts•1979•Cited by: 5

  • Cross River Art Styles

    Keith Nicklin, Jill Salmons•ARTICLE•African Arts•1984•Cited by: 4

  • The Ibibio Musical Pot

    Keith Nicklin•ARTICLE•African Arts•1973•Cited by: 3

  • Hippies of Elmina

    Keith Nicklin, Jill Salmons•ARTICLE•African Arts•2005•Cited by: 1

  • The Rape of Nigeria's Antiquities

    Keith Nicklin•ARTICLE•African Arts•1975•Cited by: 1

  • Stability and innovation in pottery manufacture

    Keith Nicklin•ARTICLE•World Archaeology•1971•Cited by: 31•References: 25

    The ethnographic evidence of long‐distance transport and the effects of market demand are examined. The efficiency of various methods of production; the stimulus provided by the individual potter; the cultural significance of some methods of pottery manufacture; and the results of non‐economic sanctions are all shown to cause or inhibit innovation in ceramic technology. The use of the potter's wheel, and similar devices, and the reasons for its a…

  • The Ibibio Musical Pot

    Keith Nicklin•ARTICLE•African Arts•1973•Cited by: 3

  • Nigerian Skin-Covered Masks

    Keith Nicklin•ARTICLE•African Arts•1974•Cited by: 6

  • The Rape of Nigeria's Antiquities

    Keith Nicklin•ARTICLE•African Arts•1975•Cited by: 1

  • Ibibio Metalwork

    Keith Nicklin•ARTICLE•African Arts•1976

  • S. J. Akpan of Nigeria

    Keith Nicklin, Jill Salmons•ARTICLE•African Arts•1977

  • Guide to the National Museum, Oron

    Dale Idiens, Keith Nicklin•ARTICLE•African Arts•1978

  • Skin-Covered Masks of Cameroon

    Keith Nicklin•ARTICLE•African Arts•1979•Cited by: 5

  • The Location of Pottery Manufacture

    Keith Nicklin•ARTICLE•Man•1979•Cited by: 20•References: 15

  • L'Art Eket

    Keith Nicklin, Francois Neyt•ARTICLE•African Arts•1980

  • The Nigerian Musical Pot

    Keith Nicklin•ARTICLE•African Arts•1981

  • On Ekkpe, Ekpe, Ekpo, Ogbom

    Keith Nicklin, Jill Salmons•ARTICLE•African Arts•1982

  • The Hausa of Northern Nigeria

    Keith Nicklin, Dale Idiens•ARTICLE•African Arts•1983

  • Kuyu Sculpture at the Powell-Cotton Museum

    Keith Nicklin•ARTICLE•African Arts•1983

    O0n November 16, 1926, the English naturalist and traveler Major P.H.G. Powell-Cotton' arrived in Leopoldville on the Elizabethville. This heralded the beginning of one of the many expeditions he mounted to the remoter parts of Africa and Asia. On this trip he was in pursuit of, among other things, specimens of gorilla and of the sitatunga and bongo antelopes for the museum he had established at Quex Park near Birchington-on-Sea in east Kent. The…

  • Cross River Studies

    Keith Nicklin•ARTICLE•African Arts•1984

    tivelv little-known area. Moreover, I had a convenient pretext. Jill Salmons and I were about to complete an article, based on fieldwork conducted during the 1970s, on the sculptural styles of the region as a whole, and we felt that such a presentation might exercise a unifying effect upon a collection of writings that could reasonably be expected to be highly varied, though describing a specific part of the world. Great emphasis was placed upon …

  • Cross River Art Styles

    Keith Nicklin, Jill Salmons•ARTICLE•African Arts•1984•Cited by: 4

  • African Assortment

    Keith Nicklin, Michael Pennie•ARTICLE•African Arts•1993

  • Hippies of Elmina

    Keith Nicklin, Jill Salmons•ARTICLE•African Arts•2005•Cited by: 1

Art (13 works) · Geography (9 works) · Archaeology (6 works) · Visual arts (5 works) · History (4 works) · Archaeological Research and Protection (3 works) · African history and culture analysis (2 works) · African history and culture studies (2 works) · American Environmental and Regional History (2 works) · Ancient Mediterranean Archaeology and History (2 works)

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