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Sigrid Weigel

Biographic Data

ID308382
NAMESigrid Weigel
GIVEN NAMESSigrid
FAMILY NAMEWeigel
SIGNATUREWEIGEL S
AFFILIATIONSLeibniz-Zentrum für Literatur- und Kulturforschung
VERIFIEDNo
TOTAL WORKS57
TOTAL CITATIONS36
AUTHOR COUNT54
EDITOR COUNT3
FIRST PUBLICATION YEAR1981
LATEST PUBLICATION YEAR2026
H-INDEX3
  • Philosophische Schriften

    Susan Taubes, Johannes Steizinger et al.•BOOK•Philosophische Schriften•2026

    Der zweite Band der Edition der Schriften von Susan Taubes umfasst ihre 1956 abgeschlossene, bisher unveröffentlichte Dissertation Der abwesende Gott. Eine Studie über Simone Weil sowie ihre Aufsätze und Rezensionen, die zwischen 1951 und 1959 in renommierten Zeitschriften wie The Journal of Religion oder The Review of Metaphysics erschienen sind. Ausgehend von den Grundlinien der Moderne untersucht Susan Taubes in ihren philosophischen Schriften…

  • Wegbereiter, Stichwortgeber, Antipode. Die Stellung Nietzsches in der „Ersten Kulturwissenschaft“

    Open Access•Sigrid Weigel•ARTICLE•Nietzsche Studien•2026

    Pioneer, Stooge, Antipode. Nietzsche’s Position in the “First Cultural Science.” The term “ Erste Kulturwissenschaft ” refers to a constellation in intellectual history around 1900 that was characterized by work on boundary concepts and in border areas between disciplines and cultures. Although it does not represent a homogeneous movement, authors such as Freud, Warburg, Simmel, Benjamin, and Plessner – often belonging to the assimilated German-J…

  • Handling og erindring, håb og skyld

    Open Access•Sigrid Weigel, Sigrid Weigel Sigrid Weigel•ARTICLE•Slagmark - Tidsskrift for…•2021

    SIGRID WEIGEL: ACTING AND MEMORY, HOPE AND GUILT: HERITAGE AS THE BOND OF GENERATIONS IN ARENDT, BENJAMIN, HEINE, AND FREUD The article discusses different but related figures of trans-generational heritage in the writings of Hannah Arendt, Walter Benjamin, Heinrich Heine, and Sigmund Freud. The common ground of these German-Jewish authors is an interpretative pattern within the theory of history/memory based in the idea of a strong bond of subse…

  • The Epistemic Advantage of Self-Analysis for Cultural-Historical Insights

    Open Access•Sigrid Weigel•ARTICLE•MODOS Revista de História da Arte•2020•References: 2

    The article is devoted to analyze different versions and drafts of the 1923 Warburg’s Lecture, held in Kreuzlingen in 1923, on his travel to the United States in 1895/96, at the end of his long convalescence in the sanatorium of Ludwig Binswanger, as well as the respective lectures of 1897. This essay focuses on how the dispersion of these texts, their different dates and interferences in publications over decades had epistemological implications…

  • In Paul’s Mask

    Sigrid Weigel, Joel Golb•CHAPTER•Genealogies of the Secular•2019

  • In Paul’s Mask

    Sigrid Weigel, Joel Golb•CHAPTER•Genealogies of the Secular•2019

  • The “Distance to Revelation” and the Difference between Divine and Worldly Order

    Sigrid Weigel•CHAPTER•Genealogies of the Secular•2019

  • The “Distance to Revelation” and the Difference between Divine and Worldly Order

    Sigrid Weigel•CHAPTER•Genealogies of the Secular•2019

  • The Readability of Images (And) of History

    Sigrid Weigel, Michiel Rys et al.•ARTICLE•Angelaki•2018•References: 1

    This text was delivered as the laudatory speech on the occasion of Didi-Huberman’s receipt of the Adorno prize in 2015. The influence of Adorno’s work on Didi-Huberman’s methodology is clarified, especially Adorno’s reflections on montage, the essayistic style and the anachronism of time. Didi-Huberman thematizes and analyses anachronism as a specific time structure of images. His works stress the similarity of images with the literary montage te…

  • Genealogia - ikonografia i retoryka pewnej figury epistemologicznej

    Open Access•Sigrid Weigel•ARTICLE•Teksty Drugie•2016

    Tekst ukazuje historię genealogii rozumianej jako historia pojęcia i historia pewnej dziedziny nauki. Zgodnie z przekonaniem o istnieniu ścisłego związku między metodami genealogii i jej przedmiotem zainteresowania, autorka prowadzi czytelnika po historii kultury europejskiej, wskazując na główne momenty transformacji metod genealogii i form jej przedstawienia, korespondujące z przemianami historycznymi, społecznymi, kulturalnymi Europy. Wiele mi…

  • Das Leben vom Tode her

    Katrin Solhdju, Ulrike Vedder et al.•BOOK•Das Leben vom Tode her•2015

  • Genealogie und Genetik

    Sigrid Weigel•BOOK•Genealogie und Genetik•2015

  • Interkulturelle Schauplätze in der Großstadt

    Christian Moser, Sigrid Weigel et al.•BOOK•Interkulturelle Schauplätze in…•2015

    Die Großstädte wachsen. Vor allem in Asien und Südamerika stellen sie herkömmliche urbanistische Konzepte in Frage. Zugleich sind sie die kulturellen Räume, in denen sich nationale Orientierungen auflösen und interkulturelle Begegnungen mit anderen Traditionen, Sprachen und Ritualen vorgezogen werden. Den Zusammenhang zwischen metropolitanen Schauplätzen als Bedingungen für ein transnationales, plurales, hybrides Selbstverständnis und den kulture…

  • The Flash of Knowledge and the Temporality of Images

    Sigrid Weigel, Chadwick Truscott Smith et al.•ARTICLE•Critical Inquiry•2015•Cited by: 10•References: 3

  • Bonds

    Dieter Schnaas, Enrico Esposito et al.•BOOK•Bonds•2014

    Die seit fünf Jahren aktuelle Finanz- und Schuldenkrise wird häufig moralisch kommentiert. Diese verbreitete Praxis bezieht sich auf die Gewissheit, dass manche Straftaten durch Geldzahlungen gesühnt werden können, also durch Verwandlung einer rechtlich-moralischen in eine finanzielle Schuld, und umgekehrt versäumte Geldzahlungen – zum Beispiel Steuerhinterziehungen – durch Haftstrafen geahndet werden können. Ökonomische sind häufig moralische En…

  • Nachmärz

    Klaus Briegleb, Thomas Koebner et al.•BOOK•Nachmärz•2013

  • Warburg’s “Goddess in Exile”

    Sigrid Weigel•ARTICLE•Critical Horizons•2013•Cited by: 2•References: 3

    As regards Aby Warburg’s oeuvre, it is fascinating that three unfinished or unpublished projects have come to represent the very theorems now appearing of most interest for cultural historians and theorists: The Mnemosyne Atlas representing pictorial memory; the Serpent Ritual as theorem for a cultural-anthropological reading of pagan cultures; and the Nymph Fragment as a foundational figure of modern iconology. This essay undertakes an analysis …

  • Epistemology of Wandering, Tree and Taxonomy

    Open Access•Sigrid Weigel•ARTICLE•Images re-vues•2013•Cited by: 1

    Aby Warburg’s Bilderatlas Mnemosyne makes use of a very specific form of the genre and medium of atlas. Instead of projecting geographical knowledge onto a two-dimensional plane as the conventional cartographic map does, his atlas consists of a number of plates each of which is a configuration of reproduced images, which are collected under a common heading or leitmotif. Gertrude Bing later supplemented these headings with a short explanation, - …

  • Le Rituel du Serpent d'Aby Warburg. Correspondances entre la lecture de textes culturels et de textes écrits1

    Open Access•Sigrid Weigel•ARTICLE•Trivium•2012•References: 2

    Nous remercions Sigrid Weigel de nous avoir accord l'autorisation de traduire ce texte pour

  • Zeugnis und Zeugenschaft

    Beate Fricke, Daniel Weidner et al.•BOOK•Zeugnis und Zeugenschaft•2011

    Zeugnisse machen Erfahrungswerte für Mitglieder einer Gesellschaft verfügbar, die nicht an der Erfahrungssituation selbst beteiligt sind oder waren. Innerhalb der kulturellen Profilierung von Gesellschaften steuern sie die Prozesse der Manifestation und Tradierung und haben so einen entscheidenden Anteil an Historiographie, Memoria und Wissenstransfer. Der interdisziplinär angelegte Band vereinigt Perspektiven aus Historiographie, Kunst, Literatu…

  • Between the Philosophy of Religion and Cultural History

    Sigrid Weigel•ARTICLE•Telos•2010•Cited by: 1

    The caesura of tragedy, more precisely tragedy as the scene of a caesura upon which an interruption occurs in the relation between divine grounds and human will, stands at the center of Susan Taubes's confrontation with tragedy. Moving beyond an explication of generic history, she analyzed the “Nature of Tragedy” (1953) as a phenomenon emerging from a cultural-historical threshold situation, illuminating tragedy's origins in the framework of her …

  • Magie und Religion

    Jan Assmann, Harald Strohm et al.•BOOK•Magie und Religion•2010

    Die Magie ist nicht tot zu kriegen: Bis heute prägt sie Religion und Alltag mehr, als uns manchmal bewusst ist. Obwohl die neuen ›sekundären‹ Religionen alles Magische entschieden verdammten und bekämpften, lebte nicht nur vieles davon fort, es etablierten sich neben und über den alten auch neue Formen des Magischen. Ihnen wird in den facettenreichen Beiträgen von Aleida Ass mann, Renate Lachmann, Martin Mulsow, Elisabeth von Samsonow, Diethard S…

  • Grammatologie der Bilder

    Sigrid Weigel

  • Die Stimme der Medusa

    Sigrid Weigel

  • Sicherheit und Risiko

    Eigene Der, Gott Gott et al.

    Die Allgegenwart von Unsicherheit und Risiko ist nicht erst seit der jüngsten Finanzkrise die Signatur unserer Zeit. Prominente Stimmen geben aktuelle Antworten auf die vielfältigen Facetten dieses grundlegenden Problems

Next
  • Generation” as a Symbolic Form

    Sigrid Weigel•ARTICLE•The Germanic Review Literature…•2002•Cited by: 15

  • The Flash of Knowledge and the Temporality of Images

    Sigrid Weigel, Chadwick Truscott Smith et al.•ARTICLE•Critical Inquiry•2015•Cited by: 10•References: 3

  • On the ‘Topographical Turn’

    Open Access•Sigrid Weigel•ARTICLE•European Review•2009•Cited by: 3•References: 2

    Addressing the ‘topographical turn’ in cultural theory which emphasizes spatial constellations and sites, the article discusses concepts of space both in Anglo-American Cultural Theory and in European Culture Studies in order to develop their differences. Within Cultural Studies the program to ‘spatialize’ historical narratives has created a whole language of symbolic topographical figures which function as a counter-discourse for minorities. To …

  • Warburg’s “Goddess in Exile”

    Sigrid Weigel•ARTICLE•Critical Horizons•2013•Cited by: 2•References: 3

    As regards Aby Warburg’s oeuvre, it is fascinating that three unfinished or unpublished projects have come to represent the very theorems now appearing of most interest for cultural historians and theorists: The Mnemosyne Atlas representing pictorial memory; the Serpent Ritual as theorem for a cultural-anthropological reading of pagan cultures; and the Nymph Fragment as a foundational figure of modern iconology. This essay undertakes an analysis …

  • Poetics as a Presupposition of Philosophy

    Sigrid Weigel•ARTICLE•Telos•2009•Cited by: 2

    The Denktagebuch, kept by Hannah Arendt from 1950 until 1973, is not only a fascinating parergon, or secondary work, containing many reflections, observations, and notes on other articles that had not, or not yet, taken on their finished form as essays or books. It presents the foundations and premises of her writing that originate from her notebooks—foundations in a literal sense, i.e., those writings that preceded the author's work in political…

  • Epistemology of Wandering, Tree and Taxonomy

    Open Access•Sigrid Weigel•ARTICLE•Images re-vues•2013•Cited by: 1

    Aby Warburg’s Bilderatlas Mnemosyne makes use of a very specific form of the genre and medium of atlas. Instead of projecting geographical knowledge onto a two-dimensional plane as the conventional cartographic map does, his atlas consists of a number of plates each of which is a configuration of reproduced images, which are collected under a common heading or leitmotif. Gertrude Bing later supplemented these headings with a short explanation, - …

  • Between the Philosophy of Religion and Cultural History

    Sigrid Weigel•ARTICLE•Telos•2010•Cited by: 1

    The caesura of tragedy, more precisely tragedy as the scene of a caesura upon which an interruption occurs in the relation between divine grounds and human will, stands at the center of Susan Taubes's confrontation with tragedy. Moving beyond an explication of generic history, she analyzed the “Nature of Tragedy” (1953) as a phenomenon emerging from a cultural-historical threshold situation, illuminating tragedy's origins in the framework of her …

  • Les images, acteurs majeurs de la connaissance

    Open Access•Sigrid Weigel•ARTICLE•Trivium•2008•Cited by: 1•References: 4

    Un deluge d'images De toute part, des plaintes sur l'avalanche d'images qui nous assaille sont audibles. De sombres pronostics annoncent meme la fin proche de la litterature, si ce n'est de l'ensemble de la culture de l'ecrit. Par ailleurs, il est question partout a la ronde et particulierement dans les sciences , d'un iconic ou pictorial turn qui a nourri des aspirations a une nouvelle science interdisciplinaire de l'image. Mais simultanement es…

  • The Martyr and the Sovereign

    Sigrid Weigel, Georgina Paul•ARTICLE•CR The New Centennial Review•2004•Cited by: 1

    The Martyr and the Sovereign:Scenes from a Contemporary Tragic Drama, Read through Walter Benjamin and Carl Schmitt Sigrid Weigel (bio) Translated by Georgina Paul (bio) In the site of a theater auditorium chosen by chechen terrorists as the location for their hostage-taking in Moscow, the significance of spectacular dramatization for the current politics of suicide attacks was symbolically condensed: the politics of violence as bloody theater. U…

  • Flugschriftenliteratur 1848 in Berlin. Geschichte und Offentlichkeit einer volkstumlichen Gattung

    Ruth-Ellen Boetcher Joeres, Sigrid Weigel•ARTICLE•The German Quarterly•1981

  • "Und selbst im Kerker frei….!" Schreiben im Gefangnis

    Leslie A Adelson, Leslie Adelson et al.•ARTICLE•New German Critique•1982

  • Woman Begins Relating to Herself

    Sigrid Weigel, Luke Springman•ARTICLE•New German Critique•1984

    Sigrid Weigel, Luke Springman, "Woman Begins Relating to Herself": Contemporary German Women's Literature (Part One), New German Critique, No. 31, West German Culture and Politics (Winter, 1984), pp. 53-94

  • Overcoming Absence

    Sigrid Weigel, Amy Kepple•ARTICLE•New German Critique•1984

    1. Group portrait without lady: the photograph depicts a group of men between the ages of 35 and 50 facing the camera. Their careless stance and clothing set this picture apart from similarly posed group photos in which heads of state or sporting clubs present their team of men (Mannschaft) to the public. body language and gestures of these men differentiate them from a triumphant-looking football team or cabinet members striking a confident and …

  • Mit Siebenmeilenstiefeln zur weiblichen All-Macht oder die kleinen Schritte aus der männlichen Ordnung. Eine Kritik literarischer Utopien von Frauen

    Sigrid Weigel•ARTICLE•Feministische Studien•1985

    Article Mit Siebenmeilenstiefeln zur weiblichen All-Macht oder die kleinen Schritte aus der männlichen Ordnung. Eine Kritik literarischer Utopien von Frauen was published on May 1, 1985 in the journal Feministische Studien (volume 4, issue 1)

  • Feministische Literaturwissenschaft

    Marie-Luise Gaettens, Inge Stephan et al.•ARTICLE•The German Quarterly•1986

  • Frauenliteratur ohne Tradition? Neun Autorinnenportrats

    Marjanne E Goozé, Inge Stephan et al.•ARTICLE•The German Quarterly•1989

  • Frauenliteratur ohne Tradition? Neun Autorinnenportrats

    Heidrun Suhr, Inge Stephan et al.•ARTICLE•German Studies Review•1989

  • Body and image space

    Sigrid Weigel•ARTICLE•Australian Feminist Studies•1990•References: 5

  • Feminist Antifeminism

    Renate Voris, Sigrid Weigel et al.•ARTICLE•The German Quarterly•1991

  • Einleitung

    Sabine Schilling, Sigrid Weigel•ARTICLE•Feministische Studien•1991

  • Fremde Kultur und Weiblichkeit in den »Karibischen Geschichten«

    Sigrid Weigel•ARTICLE•Feministische Studien•1991

  • Judasfrauen«. Sexualbilder im Opfer-Täter-Diskurs über den Nationalsozialismus. Zu Helga Schuberts Fallgeschichten

    Sigrid Weigel•ARTICLE•Feministische Studien•1992

    Article »Judasfrauen«. Sexualbilder im Opfer-Täter-Diskurs über den Nationalsozialismus. Zu Helga Schuberts Fallgeschichten was published on May 1, 1992 in the journal Feministische Studien (volume 10, issue 1)

  • Notes on the Constellation of Gender and Cultural Identity in Contemporary Germany

    Sigrid Weigel, Carol Ludtke Prigan•ARTICLE•New German Critique•1992

    The current situation in Germany, especially since the collapse of the East German political system, is a complicated condensation of problems of gender and cultural identities. It can be interpreted as a return of the repressed, a return of all those conditions which have been suppressed by that polished image of a successful postwar West German society currently in circulation, an image which includes the figures of the competent businessman an…

  • Gegenwartsliteratur seit 1968

    Jay J Rosellini, Klaus Briegleb et al.•ARTICLE•The German Quarterly•1993

  • "Wen kummert's, wer spricht"

    Patricia Herminghouse, Inge Stephan et al.•ARTICLE•German Studies Review•1993

  • Aby Warburg's Schlangenritual

    Sigrid Weigel, Jeremy Gaines et al.•ARTICLE•New German Critique•1995

    Sigrid Weigel, Jeremy Gaines, Rebecca Wallach, Aby Warburg's Schlangenritual: Reading Culture and Reading Written Texts, New German Critique, No. 65, Cultural History/Cultural Studies (Spring - Summer, 1995), pp. 135-153

  • Nachmärz

    Open Access•Thomas Koebner, Sigrid Weigel•BOOK•Nachmärz•1996

  • Nachmärz

    Klaus Briegleb, Sigrid Weigel et al.•BOOK•Nachmärz•1996

  • Zwischen Rauschen und Offenbarung

    Friedrich Kittler, Thomas Macho et al.•BOOK•Zwischen Rauschen und Offenbarung•2002

    In der modernen Öffentlichkeit wird die Stimme als das Medium einer demokratischen und sozialen Ordnung betrachtet. Sie steht im Zentrum eines umfangreichen Wortfeldes: Stimmrecht, Abstimmung, Volkes Stimme, eine Stimme haben oder die Stimme ergreifen. Ähnlich prominent ist die Stimme im übertragenen Sinne, in der gegenwärtigen Kultur- und Literaturtheorie. Sei es in der berühmten Frage: „Wer spricht?“, im Konzept der Polyphonie oder der Intertex…

  • Generation” as a Symbolic Form

    Sigrid Weigel•ARTICLE•The Germanic Review Literature…•2002•Cited by: 15

  • ‘Non-Philosophical Amazement - Writing in Amazement

    Sigrid Weigel•CHAPTER•Holocaust•2003

  • The Symptomatology of a Universalized Concept of Trauma

    Sigrid Weigel, Georgina Paul•ARTICLE•New German Critique•2003

    Sigrid Weigel, Georgina Paul, The Symptomatology of a Universalized Concept of Trauma: On the Failing of Freud's Reading of Tasso in the Trauma of History, New German Critique, No. 90, Taboo, Trauma, Holocaust (Autumn, 2003), pp. 85-94

  • The Martyr and the Sovereign

    Sigrid Weigel, Georgina Paul•ARTICLE•CR The New Centennial Review•2004•Cited by: 1

    The Martyr and the Sovereign:Scenes from a Contemporary Tragic Drama, Read through Walter Benjamin and Carl Schmitt Sigrid Weigel (bio) Translated by Georgina Paul (bio) In the site of a theater auditorium chosen by chechen terrorists as the location for their hostage-taking in Moscow, the significance of spectacular dramatization for the current politics of suicide attacks was symbolically condensed: the politics of violence as bloody theater. U…

  • La obra de arte como fractura. En torno a la dialéctica del orden divino y humano en “ ‘Las afinidades electivas’ de Goethe” de Walter Benjamin

    Open Access•Sigrid Weigel•ARTICLE•Acta Poética•2007

    El ensayo de Benjamin sobre “ ‘Las afinidades electivas’ de Goethe” trata la obra de arte como “lugar de fractura” en donde irrumpe algo que excede al lenguaje de la obra misma. Desde más allá de la obra de arte, algo irrumpe en su palabra y permite que se presencie el misterio que habita toda obra de arte. La tajante separación del misterio con respecto a la obra se inscribe en una dialéctica de la secularización. Dentro de esta dialéctica, Benj…

Art (33 works) · Philosophy (23 works) · German Literature and Culture Studies (13 works) · Philosophy (13 works) · Epistemology (12 works) · Literature (12 works) · History (11 works) · Sociology (10 works) · Political science (9 works) · Computer Science (8 works)

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