Gerard B Amp Eacute Hague
Biographic Data
| ID | 3448169 |
|---|---|
| NAME | Gerard B Amp Eacute Hague |
| GIVEN NAMES | Gerard B Amp Eacute |
| FAMILY NAME | Hague |
| SIGNATURE | HAGUE G B A E |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 5 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2006 |
| H-INDEX | 2 |
A Performance and Listener-Centered Approach to Musical Analysis
A Performance and Listener-Centered Approach to Musical Analysis:Some Theoretical and Methodological Factors Gerard Béhague In traditional musicological studies, performance practice has tended to be treated separately from the main musical parameters that retain the analyst's attention. Musicologists have defined performance practice as "the way music is and has been performed (especially as regards the relationship between the written notes and…
Música 'erudita', 'folclórica' e 'popular' do Brasil
State of Research of Brazilian Music Música "erudita", "folclórica" e "popular" do Brasil: Interações e inferências para a musicologia e etnomusicologia modernas Gerard Béhague Lisboa (octubre 98) Nos seus famosos "desafios à musicologia", o professor Joseph Kerman (Contemplating Music, 1985) dedica um capítulo à etnomusicologia e "musicologia cultural" (um termo um tanto infeliz proposto em 1968 por Gilbert Chase numa das conferências inaugurais…
La problemática de la posición socio-política del compositor en la música nueva en Latinoamérica
La problemática de la posición socio-política del compositor en la música nueva en Latinoamérica Gerard Béhague La visión etnocéntrica europea del mundo y de la cultura tuvo una influencia muy negativa para el desarrollo de la música de tradición culta en Latinoamérica durante el siglo XX. Además de las consecuencias nefastas de la colonización, esta visión ha impedido durante casi todo el siglo una verdadera comprensión por parte de los composit…
Regional and National Trends in Afro-Brazilian Religious Musics
Regional and National Trends in Afro-Brazilian Religious Musics:A Case of Cultural Pluralism Gerard Béhague One may wonder how music can be considered a reflection of cultural values and of worldviews in general. Ethnomusicology has taught us for some time now that musical styles are frequently the result of specific cultural determinants emanating from social and ethnohistorical factors of various kinds. Ethnomusicology concerns itself essential…
Rap, Reggae, Rock, or Samba
Rap, Reggae, Rock, or Samba:The Local and the Global in Brazilian Popular Music (1985–95) Gerard Béhague The notion of the global village and of the globalization of pop culture in the 1980s and 1990s has been perhaps overtaxed; the word "globalization" itself keeps losing its edge and thus needs to be re-sharpened periodically. In tackling the Western impact on world music in the 1980s, Bruno Nettl reached the indisputable conclusion that our ce…
Perspectivas atuais na pesquisa musical e estratégias analíticas da Música Popular Brasileira
Perspectivas atuais na pesquisa musical e estratégias analíticas da Música Popular Brasileira Gerard Béhague É sabido que a música popular brasileira dos últimos 40 anos teve repercussão internacional que só se pode comparar com a das músicas caribenhas (especialmente Cuba e Jamaica). Desde o aparecimento da Bossa Nova, seguindo-se a tropicália, a música nordestina, as várias expressões do samba, a música sertaneja e as inúmeras variedades urbana…
Indianism in Latin American Art-Music Composition of the 1920s to 1940s
Indianism in Latin American Art-Music Composition of the 1920s to 1940s:Case Studies from Mexico, Peru, and Brazil Gerard Béhague Strictly speaking, the concept of art music is anything but native in Latin America and the Caribbean, if by native we understand a tradition of expressive culture that originated and developed in "New World" territory. Historically, art music in Latin America is a reflection and an extension of the Western European tr…
La problemática de la identidad cultural en la música culta hispano-caribeña
La problemática de la identidad cultural en la música culta hispanocaribeña Gerard Béhague La trayectoria de la música de la llamada tradición culta en el Caribe de cultura hispánica desde los años 60 ha tenido bastante dificultad en cuanto a la identidad cultural de la mayoría de los compositores. Con unas poquísimas excepciones, la composición caribeña de vanguardia ha sufrido una crisis de identidad cuyos factores merecen una consideración pro…
Diversity and the Arts
Diversity and the Arts:Issues and Strategies Gerard Béhague Today, we are on the eve of a new century. The arts and humanities are more essential than ever to the endurance of our democratic values of tolerance, pluralism, and freedom, and to our understanding of where we are and where we need to go. At a momentous time in our history like this when so much is happening to change the way we work and live, the way we relate to one another and the …
Rap, Reggae, Rock, or Samba
Rap, Reggae, Rock, or Samba:The Local and the Global in Brazilian Popular Music (1985–95) Gerard Béhague The notion of the global village and of the globalization of pop culture in the 1980s and 1990s has been perhaps overtaxed; the word "globalization" itself keeps losing its edge and thus needs to be re-sharpened periodically. In tackling the Western impact on world music in the 1980s, Bruno Nettl reached the indisputable conclusion that our ce…
Indianism in Latin American Art-Music Composition of the 1920s to 1940s
Indianism in Latin American Art-Music Composition of the 1920s to 1940s:Case Studies from Mexico, Peru, and Brazil Gerard Béhague Strictly speaking, the concept of art music is anything but native in Latin America and the Caribbean, if by native we understand a tradition of expressive culture that originated and developed in "New World" territory. Historically, art music in Latin America is a reflection and an extension of the Western European tr…
Regional and National Trends in Afro-Brazilian Religious Musics
Regional and National Trends in Afro-Brazilian Religious Musics:A Case of Cultural Pluralism Gerard Béhague One may wonder how music can be considered a reflection of cultural values and of worldviews in general. Ethnomusicology has taught us for some time now that musical styles are frequently the result of specific cultural determinants emanating from social and ethnohistorical factors of various kinds. Ethnomusicology concerns itself essential…
A Performance and Listener-Centered Approach to Musical Analysis
A Performance and Listener-Centered Approach to Musical Analysis:Some Theoretical and Methodological Factors Gerard Béhague In traditional musicological studies, performance practice has tended to be treated separately from the main musical parameters that retain the analyst's attention. Musicologists have defined performance practice as "the way music is and has been performed (especially as regards the relationship between the written notes and…
Música 'erudita', 'folclórica' e 'popular' do Brasil
State of Research of Brazilian Music Música "erudita", "folclórica" e "popular" do Brasil: Interações e inferências para a musicologia e etnomusicologia modernas Gerard Béhague Lisboa (octubre 98) Nos seus famosos "desafios à musicologia", o professor Joseph Kerman (Contemplating Music, 1985) dedica um capítulo à etnomusicologia e "musicologia cultural" (um termo um tanto infeliz proposto em 1968 por Gilbert Chase numa das conferências inaugurais…
La problemática de la posición socio-política del compositor en la música nueva en Latinoamérica
La problemática de la posición socio-política del compositor en la música nueva en Latinoamérica Gerard Béhague La visión etnocéntrica europea del mundo y de la cultura tuvo una influencia muy negativa para el desarrollo de la música de tradición culta en Latinoamérica durante el siglo XX. Además de las consecuencias nefastas de la colonización, esta visión ha impedido durante casi todo el siglo una verdadera comprensión por parte de los composit…
Regional and National Trends in Afro-Brazilian Religious Musics
Regional and National Trends in Afro-Brazilian Religious Musics:A Case of Cultural Pluralism Gerard Béhague One may wonder how music can be considered a reflection of cultural values and of worldviews in general. Ethnomusicology has taught us for some time now that musical styles are frequently the result of specific cultural determinants emanating from social and ethnohistorical factors of various kinds. Ethnomusicology concerns itself essential…
Rap, Reggae, Rock, or Samba
Rap, Reggae, Rock, or Samba:The Local and the Global in Brazilian Popular Music (1985–95) Gerard Béhague The notion of the global village and of the globalization of pop culture in the 1980s and 1990s has been perhaps overtaxed; the word "globalization" itself keeps losing its edge and thus needs to be re-sharpened periodically. In tackling the Western impact on world music in the 1980s, Bruno Nettl reached the indisputable conclusion that our ce…
Perspectivas atuais na pesquisa musical e estratégias analíticas da Música Popular Brasileira
Perspectivas atuais na pesquisa musical e estratégias analíticas da Música Popular Brasileira Gerard Béhague É sabido que a música popular brasileira dos últimos 40 anos teve repercussão internacional que só se pode comparar com a das músicas caribenhas (especialmente Cuba e Jamaica). Desde o aparecimento da Bossa Nova, seguindo-se a tropicália, a música nordestina, as várias expressões do samba, a música sertaneja e as inúmeras variedades urbana…
Indianism in Latin American Art-Music Composition of the 1920s to 1940s
Indianism in Latin American Art-Music Composition of the 1920s to 1940s:Case Studies from Mexico, Peru, and Brazil Gerard Béhague Strictly speaking, the concept of art music is anything but native in Latin America and the Caribbean, if by native we understand a tradition of expressive culture that originated and developed in "New World" territory. Historically, art music in Latin America is a reflection and an extension of the Western European tr…
La problemática de la identidad cultural en la música culta hispano-caribeña
La problemática de la identidad cultural en la música culta hispanocaribeña Gerard Béhague La trayectoria de la música de la llamada tradición culta en el Caribe de cultura hispánica desde los años 60 ha tenido bastante dificultad en cuanto a la identidad cultural de la mayoría de los compositores. Con unas poquísimas excepciones, la composición caribeña de vanguardia ha sufrido una crisis de identidad cuyos factores merecen una consideración pro…
Diversity and the Arts
Diversity and the Arts:Issues and Strategies Gerard Béhague Today, we are on the eve of a new century. The arts and humanities are more essential than ever to the endurance of our democratic values of tolerance, pluralism, and freedom, and to our understanding of where we are and where we need to go. At a momentous time in our history like this when so much is happening to change the way we work and live, the way we relate to one another and the …
Art (8 works) · Diverse Musicological Studies (5 works) · Music History and Culture (5 works) · Humanities (4 works) · Philosophy (4 works) · Literature (3 works) · Musical (3 works) · Musicology and Musical Analysis (3 works) · Aesthetics (2 works) · Anthropology (2 works)