Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Dominique Jullien

Biographic Data

ID3604402
NAMEDominique Jullien
GIVEN NAMESDominique
FAMILY NAMEJullien
SIGNATUREJULLIEN D
AFFILIATIONSUniversity of California, Santa Barbara
ORCID0000-0002-9830-0997
VERIFIEDYes
TOTAL WORKS15
TOTAL CITATIONS3
AUTHOR COUNT15
EDITOR COUNT0
FIRST PUBLICATION YEAR1988
LATEST PUBLICATION YEAR2022
H-INDEX1
  • Roberto Bolaño in Context

    Bolaño Roberto, María Inés Lagos et al.•BOOK•Roberto Bolaño in Context•2022

  • Vernacular, unacknowledged multilingualism, and esoteric code

    Dominique Jullien•ARTICLE•Textual Practice•2020

    This essay focuses on the idea that the vernacular (conceived as a context-dependent relation between socially unequal languages) can sometimes enable a form of communication that excludes the socially superior non-speaker, a kind of secret language or “dark tongue” (Heller-Roazen), of which parables, whose quotidian appearance serves both to reveal and conceal an esoteric message, provide a template. As a language shared by the disenfranchised y…

  • Quelque chose de rouge”

    Dominique Jullien•ARTICLE•Modern Language Notes•2013

    Franais English L'criture de Flaubert dans Salammb est gouverne par un principe analogue au tableau vivant, qui tire le roman vers les arts visuels et les arts du spectacle. Le tableau vivant, pratique culturelle qui atteint sa plus grande popularit au cours du Second Empire, traverse la fois le thtre, la peinture, la photographie et la sculpture, arts avec lesquels l'criture de Flaubert entretient une relation d'imitation ou de rivalit. La quest…

  • Entre psychiatrie et philosophie

    Dominique Jullien•ARTICLE•Littérature•2011

    À partir d'« Adieu » de Balzac, histoire d'un traumatisme de guerre et d'une expérience thérapeutique radicale, on analyse la manière dont le texte hésite entre le discours clinique (place du savoir médical, en particulier les fondateurs de la psychiatrie moderne, Pinel et Esquirol), l'intuition scientifique (à certains égards déjà proche de Freud), et le symbolisme ambigu qui justifie l'inclusion de la nouvelle dans les Études philosophiques don…

  • Anecdotes, Faits Divers, and the Literary

    Dominique Jullien•ARTICLE•SubStance•2009•Cited by: 2•References: 2

    Anecdotes, Faits Divers, and the Literary Dominique Jullien (bio) Anecdotes, the dictionaries tell us, are narratives that concern a singular event. They are supposed to be memorable or at least interesting.1 Although they are supposedly based on real life, they are not considered fit to be a serious basis for a philosophical discussion or scholarly elaboration, though they could open the way for one. In fact, one could apply to the anecdote what…

  • Travestissement et contre-pouvoir dans le roman-feuilleton

    Dominique Jullien•ARTICLE•Littérature•2009•References: 1

    Le motif du prince déguisé, dérivé de l'orientalisme et des Mille et Une Nuits (le calife Haroun al-Raschid s'y promène déguisé en marchand dans les rues de Bagdad à la recherche d'aventures et de torts à redresser) sert dans le roman populaire à proposer un modèle de contre-pouvoir qui subvertit les institutions en place. Touché par la misère du peuple, et décidé à remédier personnellement à l'injustice sociale, l'archiduc Rodolphe de Gerolstein…

  • Echenoz's Modern-Day Mystics

    Dominique Jullien•ARTICLE•SubStance•2006

    Echenoz's Modern-Day Mystics Dominique Jullien University of California, Santa Barbara Back in 1988, in an article on Echenoz published in a special issue of Yale French Studies devoted to contemporary French novelists, I wrote: "Although the Médicis prize awarded to him for his second novel, Cherokee, has begun to familiarize the public with his work, Jean Echenoz is still a new name in contemporary French fiction. No critical studies are availa…

  • Bug-Jargal

    Dominique Jullien•ARTICLE•Littérature•2005

    Bug-Jargal: Revolution and its Doubles Hugo's first novel, which we know mainly in its later 1 826 version, shows an ambivalence and fascination with the notion of Revolution, and a pessi- mistic vision of inconclusive heroic sacrifice, which link it with a similarly ambivalent novel of the Revolution and similarly inconclusive figure of heroic self-sacrifice, Hugo's last, Quatre-vingt treize (Ninety-three

  • La Cuisine de Georges Perec

    Dominique Jullien•ARTICLE•Littérature•2003•Cited by: 1

    Cooking and Georges Perec Beyond the importance of food and eating in Perec's works, appears an analogy, between the art of cooking and that of writing, which owes much to Proust - not so much to the edibility of Proust's work, which has to do with the melding together af many ingredients whereas Perec's work is about lists and separate elements, as to the figure of the artist as ascetic, even anorexic, cook

  • Cynthie ou la réécriture de l'élégie dans les Mémoires d'outre-tombe

    Dominique Jullien•ARTICLE•Littérature•1997•References: 1

    Cynthie : Rewriting Elegy in "Memoirs from Beyond the Grave". Chateaubriand, displacing this invocation from the time of its composition (his tenure as embassador in Rome), to his return to Paris from a failed mission in Prague in 1833, points to a reading beyond the pastiche of elegy to its deep affinity with death - an epitome of the "Memoirs

  • L'érotisme spirituel dans La Chartreuse de Parme

    Dominique Jullien•ARTICLE•Littérature•1995

    Spiritual eroticism in the charterhouse of Parma : Fabrice and Saint Jérome. When Fabrice sends Clelia's uncle a fine edition of Saint Jerome's Works (his anotations have ned the chaplain 's copy) she asks to compare the copies, and reads Fabrice's love in his pious glosses. However, Saint Jerome is in himself important to the novel

  • Of Stories and Women

    Dominique Jullien•ARTICLE•SubStance•1991

    in its reader, seducing her away from her virtuous needlework. A Gallehaut, that book, and he who wrote it, too: one of the most famous pairs of lovers in Western literature, Paolo and Francesca of Dante's Inferno, bear witness to love being a literary emotion, since they fall in love because they read a love story, and not vice-versa. Reading of Lancelot and Queen Guinevere's adulterous love affair, they act out the story in real life, kiss when…

  • Intertextuality as Labyrinth

    Dominique Jullien•ARTICLE•Yale French Studies•1989

  • Renaud Camus

    Pierre Force, Dominique Jullien•ARTICLE•Yale French Studies•1988

  • Jean Echenoz

    Dominique Jullien•ARTICLE•Yale French Studies•1988

  • Anecdotes, Faits Divers, and the Literary

    Dominique Jullien•ARTICLE•SubStance•2009•Cited by: 2•References: 2

    Anecdotes, Faits Divers, and the Literary Dominique Jullien (bio) Anecdotes, the dictionaries tell us, are narratives that concern a singular event. They are supposed to be memorable or at least interesting.1 Although they are supposedly based on real life, they are not considered fit to be a serious basis for a philosophical discussion or scholarly elaboration, though they could open the way for one. In fact, one could apply to the anecdote what…

  • La Cuisine de Georges Perec

    Dominique Jullien•ARTICLE•Littérature•2003•Cited by: 1

    Cooking and Georges Perec Beyond the importance of food and eating in Perec's works, appears an analogy, between the art of cooking and that of writing, which owes much to Proust - not so much to the edibility of Proust's work, which has to do with the melding together af many ingredients whereas Perec's work is about lists and separate elements, as to the figure of the artist as ascetic, even anorexic, cook

  • Renaud Camus

    Pierre Force, Dominique Jullien•ARTICLE•Yale French Studies•1988

  • Jean Echenoz

    Dominique Jullien•ARTICLE•Yale French Studies•1988

  • Intertextuality as Labyrinth

    Dominique Jullien•ARTICLE•Yale French Studies•1989

  • Of Stories and Women

    Dominique Jullien•ARTICLE•SubStance•1991

    in its reader, seducing her away from her virtuous needlework. A Gallehaut, that book, and he who wrote it, too: one of the most famous pairs of lovers in Western literature, Paolo and Francesca of Dante's Inferno, bear witness to love being a literary emotion, since they fall in love because they read a love story, and not vice-versa. Reading of Lancelot and Queen Guinevere's adulterous love affair, they act out the story in real life, kiss when…

  • L'érotisme spirituel dans La Chartreuse de Parme

    Dominique Jullien•ARTICLE•Littérature•1995

    Spiritual eroticism in the charterhouse of Parma : Fabrice and Saint Jérome. When Fabrice sends Clelia's uncle a fine edition of Saint Jerome's Works (his anotations have ned the chaplain 's copy) she asks to compare the copies, and reads Fabrice's love in his pious glosses. However, Saint Jerome is in himself important to the novel

  • Cynthie ou la réécriture de l'élégie dans les Mémoires d'outre-tombe

    Dominique Jullien•ARTICLE•Littérature•1997•References: 1

    Cynthie : Rewriting Elegy in "Memoirs from Beyond the Grave". Chateaubriand, displacing this invocation from the time of its composition (his tenure as embassador in Rome), to his return to Paris from a failed mission in Prague in 1833, points to a reading beyond the pastiche of elegy to its deep affinity with death - an epitome of the "Memoirs

  • La Cuisine de Georges Perec

    Dominique Jullien•ARTICLE•Littérature•2003•Cited by: 1

    Cooking and Georges Perec Beyond the importance of food and eating in Perec's works, appears an analogy, between the art of cooking and that of writing, which owes much to Proust - not so much to the edibility of Proust's work, which has to do with the melding together af many ingredients whereas Perec's work is about lists and separate elements, as to the figure of the artist as ascetic, even anorexic, cook

  • Bug-Jargal

    Dominique Jullien•ARTICLE•Littérature•2005

    Bug-Jargal: Revolution and its Doubles Hugo's first novel, which we know mainly in its later 1 826 version, shows an ambivalence and fascination with the notion of Revolution, and a pessi- mistic vision of inconclusive heroic sacrifice, which link it with a similarly ambivalent novel of the Revolution and similarly inconclusive figure of heroic self-sacrifice, Hugo's last, Quatre-vingt treize (Ninety-three

  • Echenoz's Modern-Day Mystics

    Dominique Jullien•ARTICLE•SubStance•2006

    Echenoz's Modern-Day Mystics Dominique Jullien University of California, Santa Barbara Back in 1988, in an article on Echenoz published in a special issue of Yale French Studies devoted to contemporary French novelists, I wrote: "Although the Médicis prize awarded to him for his second novel, Cherokee, has begun to familiarize the public with his work, Jean Echenoz is still a new name in contemporary French fiction. No critical studies are availa…

  • Anecdotes, Faits Divers, and the Literary

    Dominique Jullien•ARTICLE•SubStance•2009•Cited by: 2•References: 2

    Anecdotes, Faits Divers, and the Literary Dominique Jullien (bio) Anecdotes, the dictionaries tell us, are narratives that concern a singular event. They are supposed to be memorable or at least interesting.1 Although they are supposedly based on real life, they are not considered fit to be a serious basis for a philosophical discussion or scholarly elaboration, though they could open the way for one. In fact, one could apply to the anecdote what…

  • Travestissement et contre-pouvoir dans le roman-feuilleton

    Dominique Jullien•ARTICLE•Littérature•2009•References: 1

    Le motif du prince déguisé, dérivé de l'orientalisme et des Mille et Une Nuits (le calife Haroun al-Raschid s'y promène déguisé en marchand dans les rues de Bagdad à la recherche d'aventures et de torts à redresser) sert dans le roman populaire à proposer un modèle de contre-pouvoir qui subvertit les institutions en place. Touché par la misère du peuple, et décidé à remédier personnellement à l'injustice sociale, l'archiduc Rodolphe de Gerolstein…

  • Entre psychiatrie et philosophie

    Dominique Jullien•ARTICLE•Littérature•2011

    À partir d'« Adieu » de Balzac, histoire d'un traumatisme de guerre et d'une expérience thérapeutique radicale, on analyse la manière dont le texte hésite entre le discours clinique (place du savoir médical, en particulier les fondateurs de la psychiatrie moderne, Pinel et Esquirol), l'intuition scientifique (à certains égards déjà proche de Freud), et le symbolisme ambigu qui justifie l'inclusion de la nouvelle dans les Études philosophiques don…

  • Quelque chose de rouge”

    Dominique Jullien•ARTICLE•Modern Language Notes•2013

    Franais English L'criture de Flaubert dans Salammb est gouverne par un principe analogue au tableau vivant, qui tire le roman vers les arts visuels et les arts du spectacle. Le tableau vivant, pratique culturelle qui atteint sa plus grande popularit au cours du Second Empire, traverse la fois le thtre, la peinture, la photographie et la sculpture, arts avec lesquels l'criture de Flaubert entretient une relation d'imitation ou de rivalit. La quest…

  • Vernacular, unacknowledged multilingualism, and esoteric code

    Dominique Jullien•ARTICLE•Textual Practice•2020

    This essay focuses on the idea that the vernacular (conceived as a context-dependent relation between socially unequal languages) can sometimes enable a form of communication that excludes the socially superior non-speaker, a kind of secret language or “dark tongue” (Heller-Roazen), of which parables, whose quotidian appearance serves both to reveal and conceal an esoteric message, provide a template. As a language shared by the disenfranchised y…

  • Roberto Bolaño in Context

    Bolaño Roberto, María Inés Lagos et al.•BOOK•Roberto Bolaño in Context•2022

Art (15 works) · Philosophy (11 works) · Humanities (9 works) · Literature (8 works) · Philosophy (8 works) · Art history (5 works) · French Literature and Critical Theory (4 works) · French Literature and Criticism (4 works) · History (4 works) · Linguistics (3 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae