Rodrigo Ferrada Stoehrel
Biographic Data
| ID | 3693099 |
|---|---|
| NAME | Rodrigo Ferrada Stoehrel |
| GIVEN NAMES | Rodrigo Ferrada |
| FAMILY NAME | Stoehrel |
| SIGNATURE | STOEHREL R F |
| AFFILIATIONS | Umeå University |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 8 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 2 |
The regime’s worst nightmare
In spite of not even being officially registered three months before the European Parliament Elections of 2014, the Spanish upstart party Podemos captured almost 8 percent of the vote, while barely nine months after its formation, in October 2014, social surveys were citing the party as the leading force in national politics. The overall purpose of this paper is to explore how Podemos’ aesthetic and its discursive strategies are being used to mob…
For the Lulz
The focus of this paper is on different but connected areas of power – relating to things such as economic globalisation, surveillance, censorship/freedom, ‘terrorism’ and/or specific military activity – visually represented through online media, and intentionally produced to inform a wide spectrum of individuals and interest groups about global and local social injustices. Or, more importantly, produced and distributed with the purpose of provid…
Politics, pleasure, violence
In recent years, the Swedish Armed Forces have produced and distributed highly edited video clips on YouTube that show moving images of military activity. Alongside this development, mobile phone apps have emerged as an important channel through which the user can experience and take an interactive part in the staging of contemporary armed conflict. This article examines the way in which the aesthetic and affective experience of Swedish defence a…
Politics, pleasure, violence
In recent years, the Swedish Armed Forces have produced and distributed highly edited video clips on YouTube that show moving images of military activity. Alongside this development, mobile phone apps have emerged as an important channel through which the user can experience and take an interactive part in the staging of contemporary armed conflict. This article examines the way in which the aesthetic and affective experience of Swedish defence a…
For the Lulz
The focus of this paper is on different but connected areas of power – relating to things such as economic globalisation, surveillance, censorship/freedom, ‘terrorism’ and/or specific military activity – visually represented through online media, and intentionally produced to inform a wide spectrum of individuals and interest groups about global and local social injustices. Or, more importantly, produced and distributed with the purpose of provid…
Politics, pleasure, violence
In recent years, the Swedish Armed Forces have produced and distributed highly edited video clips on YouTube that show moving images of military activity. Alongside this development, mobile phone apps have emerged as an important channel through which the user can experience and take an interactive part in the staging of contemporary armed conflict. This article examines the way in which the aesthetic and affective experience of Swedish defence a…
For the Lulz
The focus of this paper is on different but connected areas of power – relating to things such as economic globalisation, surveillance, censorship/freedom, ‘terrorism’ and/or specific military activity – visually represented through online media, and intentionally produced to inform a wide spectrum of individuals and interest groups about global and local social injustices. Or, more importantly, produced and distributed with the purpose of provid…
The regime’s worst nightmare
In spite of not even being officially registered three months before the European Parliament Elections of 2014, the Spanish upstart party Podemos captured almost 8 percent of the vote, while barely nine months after its formation, in October 2014, social surveys were citing the party as the leading force in national politics. The overall purpose of this paper is to explore how Podemos’ aesthetic and its discursive strategies are being used to mob…
Media studies (3 works) · Political science (3 works) · Politics (3 works) · Sociology (3 works) · Aesthetics (2 works) · Art (2 works) · Law (2 works) · Law (2 works) · Power (physics (2 works) · Psychology (2 works)