Rebecca Mcswain
Biographic Data
| ID | 3845320 |
|---|---|
| NAME | Rebecca Mcswain |
| GIVEN NAMES | Rebecca |
| FAMILY NAME | Mcswain |
| SIGNATURE | MCSWAIN R |
| AFFILIATIONS | University of Arizona |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 19 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1982 |
| LATEST PUBLICATION YEAR | 2000 |
| H-INDEX | 2 |
Instruments of Desire
In a striking display of cultural-technological interaction, Bob Dylan picked up an electric guitar at Newport, Rhode Island, in 1965, and forever changed his position in popular culture. It was then, Steve Waksman says, that the electric guitar was defined "as an object invested with deep significance" (p. 2). The goal of his study is to explain that significance. Technology is backgrounded; foregrounded are key individuals in the history of the…
The power of the electric guitar
A Comparative Evaluation of the Producer-Consumer Model for Lithic Exchange in Northern Belize, Central America
New lithic data from the early Maya site of Cuello in northern Belize provide a basis for examining a production-consumption model for intersite exchange of stone tools. Comparison of lithic evidence from Cuello, Pulltrouser Swamp, and Cerros, putative consumer communities, with evidence from Colhá, the production community, suggests that during the Late Preclassic two highly standardized formal tools were manufactured at Colhá and distributed to…
A Consideration of Observational Error in Lithic Use Wear Analysis
(1982). A Consideration of Observational Error in Lithic Use Wear Analysis. Lithic Technology: Vol. 11, No. 3, pp. 59-63
A Comparative Evaluation of the Producer-Consumer Model for Lithic Exchange in Northern Belize, Central America
New lithic data from the early Maya site of Cuello in northern Belize provide a basis for examining a production-consumption model for intersite exchange of stone tools. Comparison of lithic evidence from Cuello, Pulltrouser Swamp, and Cerros, putative consumer communities, with evidence from Colhá, the production community, suggests that during the Late Preclassic two highly standardized formal tools were manufactured at Colhá and distributed to…
A Consideration of Observational Error in Lithic Use Wear Analysis
(1982). A Consideration of Observational Error in Lithic Use Wear Analysis. Lithic Technology: Vol. 11, No. 3, pp. 59-63
The power of the electric guitar
A Consideration of Observational Error in Lithic Use Wear Analysis
(1982). A Consideration of Observational Error in Lithic Use Wear Analysis. Lithic Technology: Vol. 11, No. 3, pp. 59-63
A Comparative Evaluation of the Producer-Consumer Model for Lithic Exchange in Northern Belize, Central America
New lithic data from the early Maya site of Cuello in northern Belize provide a basis for examining a production-consumption model for intersite exchange of stone tools. Comparison of lithic evidence from Cuello, Pulltrouser Swamp, and Cerros, putative consumer communities, with evidence from Colhá, the production community, suggests that during the Late Preclassic two highly standardized formal tools were manufactured at Colhá and distributed to…
The power of the electric guitar
Instruments of Desire
In a striking display of cultural-technological interaction, Bob Dylan picked up an electric guitar at Newport, Rhode Island, in 1965, and forever changed his position in popular culture. It was then, Steve Waksman says, that the electric guitar was defined "as an object invested with deep significance" (p. 2). The goal of his study is to explain that significance. Technology is backgrounded; foregrounded are key individuals in the history of the…
Archaeology (2 works) · Art (2 works) · Guitar (2 works) · History (2 works) · Pleistocene-Era Hominins and Archaeology (2 works) · Acoustics (1 works) · Active listening (1 works) · Aesthetics (1 works) · Archaeology and ancient environmental studies (1 works) · Biology (1 works)