Emily Hauser
Biographic Data
| ID | 3979801 |
|---|---|
| NAME | Emily Hauser |
| GIVEN NAMES | Emily |
| FAMILY NAME | Hauser |
| SIGNATURE | HAUSER E |
| AFFILIATIONS | Yale University |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 17 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 3 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 2 |
Back from the silence with something to say’
This article explores the power of silence in the feminist recovery of classical texts to open up engaged spaces for women’s creative reworkings, taking as a case study Lavinia and her reception in Ursula Le Guin’s (2008) novel of the same name. By re-evaluating silence in dialogue with feminist and classical reception scholarship, I argue that Le Guin is able to bring a different angle to the reception of classical literary women, focusing on th…
How Women Became Poets
The Thucydidean Turn
The emergence of Thucydides as an influential political thinker in the first half of the twentieth century has been astonishingly neglected by modern scholars. This volume examines how, why, and when the Athenian historical came to occupy such a prominent position in political discourse in the US and Europe today. It argues that in the years before, during, and after the Great War Thucydides’ History of the Peloponnesian War was mined for the ins…
Putting an End to Song
This is the author accepted manuscript. The final version is available from Texas Tech University Press via the DOI in this record
The Classics in Modernist Translation
This volume sheds new light on a wealth of early 20th-century engagement with literature of Graeco-Roman antiquity that significantly shaped the work of anglophone literary modernism. The essays spotlight ‘translation’, a concept the modernists themselves used to reckon with the Classics and to denote a range of different kinds of reception – from more literal to more liberal translation work, as well as forms of what contemporary reception studi…
Antipodean Antiquities
"Leading and emerging, early career scholars in Classical Reception Studies come together in this volume to explore the under-represented area of the Australasian Classical Tradition. They interrogate the interactions between Mediterranean Antiquity and the antipodean worlds of New Zealand and Australia through the lenses of literature, film, theatre and fine art. Of interest to scholars across the globe who research the influence of antiquity on…
Marginality, Canonicity, Passion
In recent years the discipline of classics has been experiencing a profound transformation, which affects not only methodologies and hermeneutic practices (i.e. how classicists read and interpret ancient literature) but also, and more importantly, the objects of study themselves (i.e. what they read and interpret). One of the most important factors has been the establishment of reception studies. The reception of classical literature and culture …
There is another story’
In this article, I explore how Margaret Atwood’s The Penelopiad (2005) provides a retrospective vision of an Odyssey that has already happened — and, by so doing, opens up an extended investigation of what it means to receive the texts and myths of the classical past. By responding to and reformulating the tale of the Odyssey after the event, Penelope’s storytelling mirrors the process of reception — what James Porter has called a ‘retrospective’…
Optima tu proprii nominis auctor
This paper explores evidence for female authorship terminology in extant poetic texts written in Latin by women. It begins by first considering male authorship in Latin literature, before moving on to three case studies of women’s writing: an elegy by Sulpicia, an anonymous graffito from Pompeii, and the Virgilian cento of Proba. By foregrounding the ‘subversive mask’ of female poetic speech in Rome, the paper uncovers a subtextual rhetoric of au…
Marginality, Canonicity, Passion
In recent years the discipline of classics has been experiencing a profound transformation, which affects not only methodologies and hermeneutic practices (i.e. how classicists read and interpret ancient literature) but also, and more importantly, the objects of study themselves (i.e. what they read and interpret). One of the most important factors has been the establishment of reception studies. The reception of classical literature and culture …
Putting an End to Song
This is the author accepted manuscript. The final version is available from Texas Tech University Press via the DOI in this record
Antipodean Antiquities
"Leading and emerging, early career scholars in Classical Reception Studies come together in this volume to explore the under-represented area of the Australasian Classical Tradition. They interrogate the interactions between Mediterranean Antiquity and the antipodean worlds of New Zealand and Australia through the lenses of literature, film, theatre and fine art. Of interest to scholars across the globe who research the influence of antiquity on…
Optima tu proprii nominis auctor
This paper explores evidence for female authorship terminology in extant poetic texts written in Latin by women. It begins by first considering male authorship in Latin literature, before moving on to three case studies of women’s writing: an elegy by Sulpicia, an anonymous graffito from Pompeii, and the Virgilian cento of Proba. By foregrounding the ‘subversive mask’ of female poetic speech in Rome, the paper uncovers a subtextual rhetoric of au…
Optima tu proprii nominis auctor
This paper explores evidence for female authorship terminology in extant poetic texts written in Latin by women. It begins by first considering male authorship in Latin literature, before moving on to three case studies of women’s writing: an elegy by Sulpicia, an anonymous graffito from Pompeii, and the Virgilian cento of Proba. By foregrounding the ‘subversive mask’ of female poetic speech in Rome, the paper uncovers a subtextual rhetoric of au…
There is another story’
In this article, I explore how Margaret Atwood’s The Penelopiad (2005) provides a retrospective vision of an Odyssey that has already happened — and, by so doing, opens up an extended investigation of what it means to receive the texts and myths of the classical past. By responding to and reformulating the tale of the Odyssey after the event, Penelope’s storytelling mirrors the process of reception — what James Porter has called a ‘retrospective’…
Marginality, Canonicity, Passion
In recent years the discipline of classics has been experiencing a profound transformation, which affects not only methodologies and hermeneutic practices (i.e. how classicists read and interpret ancient literature) but also, and more importantly, the objects of study themselves (i.e. what they read and interpret). One of the most important factors has been the establishment of reception studies. The reception of classical literature and culture …
The Classics in Modernist Translation
This volume sheds new light on a wealth of early 20th-century engagement with literature of Graeco-Roman antiquity that significantly shaped the work of anglophone literary modernism. The essays spotlight ‘translation’, a concept the modernists themselves used to reckon with the Classics and to denote a range of different kinds of reception – from more literal to more liberal translation work, as well as forms of what contemporary reception studi…
Antipodean Antiquities
"Leading and emerging, early career scholars in Classical Reception Studies come together in this volume to explore the under-represented area of the Australasian Classical Tradition. They interrogate the interactions between Mediterranean Antiquity and the antipodean worlds of New Zealand and Australia through the lenses of literature, film, theatre and fine art. Of interest to scholars across the globe who research the influence of antiquity on…
The Thucydidean Turn
The emergence of Thucydides as an influential political thinker in the first half of the twentieth century has been astonishingly neglected by modern scholars. This volume examines how, why, and when the Athenian historical came to occupy such a prominent position in political discourse in the US and Europe today. It argues that in the years before, during, and after the Great War Thucydides’ History of the Peloponnesian War was mined for the ins…
Putting an End to Song
This is the author accepted manuscript. The final version is available from Texas Tech University Press via the DOI in this record
How Women Became Poets
Back from the silence with something to say’
This article explores the power of silence in the feminist recovery of classical texts to open up engaged spaces for women’s creative reworkings, taking as a case study Lavinia and her reception in Ursula Le Guin’s (2008) novel of the same name. By re-evaluating silence in dialogue with feminist and classical reception scholarship, I argue that Le Guin is able to bring a different angle to the reception of classical literary women, focusing on th…
Art (8 works) · History (6 works) · Literature (6 works) · Classical Antiquity Studies (5 works) · History (4 works) · Classics (3 works) · Linguistics (3 works) · Philosophy (3 works) · Classical literature (2 works) · Classical literature, history and criticism (2 works)