Kay Gu
Biographic Data
| ID | 4909413 |
|---|---|
| NAME | Kay Gu |
| GIVEN NAMES | Kay |
| FAMILY NAME | Gu |
| SIGNATURE | GU K |
| AFFILIATIONS | RMIT University |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 10 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2012 |
| H-INDEX | 1 |
The iPhone and Communication
Since its emergence in the late 1970s, the signifi cance of the mobile phone for communication has been widely debated. People have been fascinated about how the mobile phone has changed human communication, what kinds of new communication practices have emerged, and what exactly the cultural implications of this technology might be. Not only has the mobile phone become an extraordinarily ubiquitous and versatile communication device-an emblem of…
The place of emplaced visualities
As camera phones become more commonplace in the explosion of smartphones – along with new contexts for image distribution like microblogging and location-based services (LBS) – we are witnessing emergent types of visuality. In particular, through LBS such as Facebook Places we see ways in which users create new contexts for the overlay between place, ambient images, and geographic locations. While globally camera phone genres like self-portraitur…
The place of emplaced visualities
As camera phones become more commonplace in the explosion of smartphones – along with new contexts for image distribution like microblogging and location-based services (LBS) – we are witnessing emergent types of visuality. In particular, through LBS such as Facebook Places we see ways in which users create new contexts for the overlay between place, ambient images, and geographic locations. While globally camera phone genres like self-portraitur…
The iPhone and Communication
Since its emergence in the late 1970s, the signifi cance of the mobile phone for communication has been widely debated. People have been fascinated about how the mobile phone has changed human communication, what kinds of new communication practices have emerged, and what exactly the cultural implications of this technology might be. Not only has the mobile phone become an extraordinarily ubiquitous and versatile communication device-an emblem of…
The place of emplaced visualities
As camera phones become more commonplace in the explosion of smartphones – along with new contexts for image distribution like microblogging and location-based services (LBS) – we are witnessing emergent types of visuality. In particular, through LBS such as Facebook Places we see ways in which users create new contexts for the overlay between place, ambient images, and geographic locations. While globally camera phone genres like self-portraitur…
Computer Science (2 works) · Media Studies and Communication (2 works) · Advertising (1 works) · Aesthetics (1 works) · Art (1 works) · Business (1 works) · Camera phone (1 works) · China (1 works) · Context (archaeology (1 works) · Digital Communication and Language (1 works)