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Barbara Kirshenblatt-Gimblett

Biographic Data

ID505458
NAMEBarbara Kirshenblatt-Gimblett
GIVEN NAMESBarbara
FAMILY NAMEKirshenblatt-Gimblett
SIGNATUREKIRSHENBLATT-GIMBLETT B
AFFILIATIONSNew York University
ORCID0000-0002-4786-8283
VERIFIEDYes
TOTAL WORKS33
TOTAL CITATIONS421
AUTHOR COUNT30
EDITOR COUNT3
FIRST PUBLICATION YEAR1969
LATEST PUBLICATION YEAR2024
H-INDEX6
  • Anticipatory Heritage

    Barbara Kirshenblatt-Gimblett•ARTICLE•Journal of American Folklore•2024•Cited by: 6•References: 3

    Folklorists are uniquely positioned at the nexus of historical and heritage consciousness, with a keen eye for emergent cultural practices, often ephemeral, which may draw on tradition or represent something entirely new. Collecting the present, or what has been called contemporary collecting or rapid-response collecting, is called for in anticipation of a future when the present, experienced as already historical, will have become past

  • AHR Conversation

    Open Access•Ana Lucia Araujo, Alice L Conklin et al.•ARTICLE•The American Historical Review•2019

    Since 2006, the AHR has published eleven “Conversations” on a wide range of topics. By now, we have a standard format: the Editor convenes a group of scholars with an interest in the topic who, via e-mail over the course of several months, conduct a conversation that is then lightly edited and footnoted, finally appearing in the December issue. The aim is to provide readers with a wide-ranging and accessible consideration of a topic at a high lev…

  • Marshall Sklare Award Lecture—An Ethnographer in the Museum

    Open Access•Barbara Kirshenblatt-Gimblett•ARTICLE•Contemporary Jewry•2016

  • A Theatre of History

    Barbara Kirshenblatt-Gimblett•ARTICLE•TDR/The Drama Review•2015

    Opened in Warsaw in April 2013, POLIN Museum of the History of Polish Jews tells the story of the thousand years of continuous Jewish presence in this part of the world, a history largely overshadowed, understandably, by the Holocaust. While the exhibition avoids a master narrative, it enacts a theatre of history founded on 12 metahistorical principles outlining POLIN’s curatorial, pedagogic, and performative storytelling strategies

  • Inside the Museum

    Barbara Kirshenblatt-Gimblett•ARTICLE•East European Jewish Affairs•2015•Cited by: 4

    The reception of the core exception of POLIN Museum of the History of Polish Jews, which opened in Warsaw on 28 October 2014, is the focus of this essay. While eschewing a master narrative, the exhibition is guided by metahistorical principles and a distinctive approach to mode of narration. Both have proven controversial as evidenced by answers to the following questions. What is the difference between a history of Polish Jews and a history of P…

  • New Jewish museums in post-communist Europe

    Olga Gershenson, Barbara Kirshenblatt-Gimblett•ARTICLE•East European Jewish Affairs•2015•Cited by: 1

    In 2013 Tamar Latzman, a young Israeli artist, held an art residency in Vilnius. The city, known as the “Jerusalem of Lithuania,” was once her family's home. Although she went to the city as an art

  • Appendix

    Open Access•Lee Haring, Louis Asekoff et al.•CHAPTER•How to Read a Folktale•2013

    Two decades after it was first published, a powerful oral epic from Madagascar is once again available to a global readership, in print and online.How to Read a Folktale: The Ibonia Epic from Madagascar is the story of a story; a compelling Malagasy tale of love and power, brought to life by Lee Haring.Throughout this carefully updated text, Haring is our expert guide and witness.He provides helpful historical background and deep exegesis; but he…

  • The Art of Being Jewish in Modern Times

    Barbara Kirshenblatt-Gimblett, Jonathan Karp•BOOK•Art of Being Jewish in Modern Times•2008

    This richly illustrated volume illuminates how the arts have helped Jews confront the challenges of modernity. There truly is an art to being Jewish in the modern world—or, alternatively, an art to being modern in the Jewish world—and this collection fully captures its range, diversity, and historical significance

  • Towards a Post-Disciplinary Jewish Subject

    Barbara Kirshenblatt-Gimblett•ARTICLE•Images•2007

    By inviting contributions dealing with any kind of visual material from any disciplinary perspective, Images opens up the possibility that art might be studied from any disciplinary perspective and that visual culture might be studied from an art historical point of view. Given the orphan status of Jewish art and visual culture as an object of study, how might the study of Jewish visual culture alter the fields brought to bear on it? Herein lays …

  • Jewish children's museum a virtual roundtable on material religion

    Ayala Fader, Henry Goldschmidt et al.•ARTICLE•Material Religion•2007•Cited by: 1•References: 3

  • World Heritage and Cultural Economics

    Open Access•Barbara Kirshenblatt-Gimblett•CHAPTER•Museum Frictions•2006

  • World Heritage and Cultural Economics

    Open Access•Barbara Kirshenblatt-Gimblett•CHAPTER•Museum Frictions•2006

  • The Corporeal Turn

    Barbara Kirshenblatt-Gimblett•ARTICLE•The Jewish Quarterly Review•2005•Cited by: 6

    The Corporeal Turn Barbara Kirshenblatt-Gimblett, University Professor, and Professor of Performance Studies, Affiliated Professor of Hebrew and Judaic Studies What has been called the "corporeal turn" in recent Jewish studies is provoking anxiety. If "Judaism's mind has been more interesting and more influential than Judaism's body," a distinction worthy of study in its own right, critics are calling for "a swing back to its more traditional moo…

  • Intangible Heritage as Metacultural Production1

    Open Access•Barbara Kirshenblatt-Gimblett•ARTICLE•Museum International•2004

  • Kodak Moments, Flashbulb Memories

    Barbara Kirshenblatt-Gimblett•ARTICLE•TDR/The Drama Review•2003

    The catastrophe of 9/11 transformed life in New York City. Grassroots responses were spontaneous, improvised, and ubiquitous. Every surface was blanketed with candles, flowers, flags, and missing persons' posters that became the focal point of shrines memorializing the missing and presumed deceased. The catastrophe produced a series of equivocal situations: Kodak moment or surrogate body? Crime scene or tourist attraction? Missing person notice o…

  • Destination Culture

    Gretchen Sullivan Sorin, Barbara Kirshenblatt-Gimblett•ARTICLE•Journal of American History•2000•Cited by: 1

    Journal Article Destination Culture: Tourism, Museums, and Heritage. By Barbara Kirshenblatt-Gimblett. (Berkeley: University of California Press, 1998. xviii, 326 pp. Cloth, $55.00, ISBN 0-520-20467-0. Paper, $24.95, ISBN 0-520-20966-4.) Get access Gretchen Sullivan Sorin Gretchen Sullivan Sorin Cooperstown Graduate Program, Cooperstown, New York Search for other works by this author on: Oxford Academic Google Scholar Journal of American History,…

  • Destination Culture

    Barbara Kirshenblatt-Gimblett•BOOK•Destination Culture•1999•Cited by: 151

    Destination Culture takes the reader on an eye-opening journey from ethnological artifacts to kitsch. Posing the question, "What does it mean to show?" Barbara Kirshenblatt-Gimblett explores the agency of display in a variety of settings: museums, festivals, world's fairs, historical re-creations, memorials, and tourist attractions. She talks about how objects—and people—are made to "perform" their meaning for us by the very fact of being collect…

  • Folklore's Crisis

    Barbara Kirshenblatt-Gimblett•ARTICLE•Journal of American Folklore•1998•Cited by: 16

    The field of folklore is experiencing topic drift, as the gap widens between the name of the field and what it now signifies. This article traces the history of a mutating disciplinary subject and its relationship to the discipline's formation, institutionalization, and name. Three themes are of special importance: folklore's temporality or the problem of a contemporary subject, orality and the question of technology, and folklore as a mode of cu…

  • Alicia Rios

    Barbara Kirshenblatt-Gimblett, Alicia Rios et al.•ARTICLE•TDR/The Drama Review•1997

    Cardiff, 1994. (Photo by Jaakko Rahola) In the damp grayness of a Welsh winter, we found ourselves digging for our food. It was time for lunch on the third day of Points of Contact: Performance, Food, and Cookery, a conference organized by the Center for Performance Research in Cardiff (13-16 January 1994). Responding to the summons please be prompt, we assembled at 1:30 P.M. for a performance buffet. Its creator, Alicia Rios, was ready for an af…

  • Confusing Pleasures

    Barbara Kirshenblatt-Gimblett•CHAPTER•Traffic in Culture•1996

  • Theorizing Heritage

    Barbara Kirshenblatt-Gimblett•ARTICLE•Ethnomusicology•1995•Cited by: 81

  • On Difference

    Barbara Kirshenblatt-Gimblett•ARTICLE•Journal of American Folklore•1994•Cited by: 1

  • Maasai on the Lawn

    Open Access•Edward M Bruner, Barbara Kirshenblatt-Gimblett•ARTICLE•Cultural Anthropology•1994•Cited by: 125•References: 24

  • Spaces of Dispersal

    Open Access•Barbara Kirshenblatt-Gimblett•ARTICLE•Cultural Anthropology•1994•Cited by: 17•References: 3

  • Mistaken Dichotomies

    Barbara Kirshenblatt-Gimblett•ARTICLE•Journal of American Folklore•1988•Cited by: 11

Next
  • Destination Culture

    Barbara Kirshenblatt-Gimblett•BOOK•Destination Culture•1999•Cited by: 151

    Destination Culture takes the reader on an eye-opening journey from ethnological artifacts to kitsch. Posing the question, "What does it mean to show?" Barbara Kirshenblatt-Gimblett explores the agency of display in a variety of settings: museums, festivals, world's fairs, historical re-creations, memorials, and tourist attractions. She talks about how objects—and people—are made to "perform" their meaning for us by the very fact of being collect…

  • Maasai on the Lawn

    Open Access•Edward M Bruner, Barbara Kirshenblatt-Gimblett•ARTICLE•Cultural Anthropology•1994•Cited by: 125•References: 24

  • Theorizing Heritage

    Barbara Kirshenblatt-Gimblett•ARTICLE•Ethnomusicology•1995•Cited by: 81

  • Spaces of Dispersal

    Open Access•Barbara Kirshenblatt-Gimblett•ARTICLE•Cultural Anthropology•1994•Cited by: 17•References: 3

  • Folklore's Crisis

    Barbara Kirshenblatt-Gimblett•ARTICLE•Journal of American Folklore•1998•Cited by: 16

    The field of folklore is experiencing topic drift, as the gap widens between the name of the field and what it now signifies. This article traces the history of a mutating disciplinary subject and its relationship to the discipline's formation, institutionalization, and name. Three themes are of special importance: folklore's temporality or the problem of a contemporary subject, orality and the question of technology, and folklore as a mode of cu…

  • Mistaken Dichotomies

    Barbara Kirshenblatt-Gimblett•ARTICLE•Journal of American Folklore•1988•Cited by: 11

  • Anticipatory Heritage

    Barbara Kirshenblatt-Gimblett•ARTICLE•Journal of American Folklore•2024•Cited by: 6•References: 3

    Folklorists are uniquely positioned at the nexus of historical and heritage consciousness, with a keen eye for emergent cultural practices, often ephemeral, which may draw on tradition or represent something entirely new. Collecting the present, or what has been called contemporary collecting or rapid-response collecting, is called for in anticipation of a future when the present, experienced as already historical, will have become past

  • The Corporeal Turn

    Barbara Kirshenblatt-Gimblett•ARTICLE•The Jewish Quarterly Review•2005•Cited by: 6

    The Corporeal Turn Barbara Kirshenblatt-Gimblett, University Professor, and Professor of Performance Studies, Affiliated Professor of Hebrew and Judaic Studies What has been called the "corporeal turn" in recent Jewish studies is provoking anxiety. If "Judaism's mind has been more interesting and more influential than Judaism's body," a distinction worthy of study in its own right, critics are calling for "a swing back to its more traditional moo…

  • Inside the Museum

    Barbara Kirshenblatt-Gimblett•ARTICLE•East European Jewish Affairs•2015•Cited by: 4

    The reception of the core exception of POLIN Museum of the History of Polish Jews, which opened in Warsaw on 28 October 2014, is the focus of this essay. While eschewing a master narrative, the exhibition is guided by metahistorical principles and a distinctive approach to mode of narration. Both have proven controversial as evidenced by answers to the following questions. What is the difference between a history of Polish Jews and a history of P…

  • New Jewish museums in post-communist Europe

    Olga Gershenson, Barbara Kirshenblatt-Gimblett•ARTICLE•East European Jewish Affairs•2015•Cited by: 1

    In 2013 Tamar Latzman, a young Israeli artist, held an art residency in Vilnius. The city, known as the “Jerusalem of Lithuania,” was once her family's home. Although she went to the city as an art

  • Jewish children's museum a virtual roundtable on material religion

    Ayala Fader, Henry Goldschmidt et al.•ARTICLE•Material Religion•2007•Cited by: 1•References: 3

  • Destination Culture

    Gretchen Sullivan Sorin, Barbara Kirshenblatt-Gimblett•ARTICLE•Journal of American History•2000•Cited by: 1

    Journal Article Destination Culture: Tourism, Museums, and Heritage. By Barbara Kirshenblatt-Gimblett. (Berkeley: University of California Press, 1998. xviii, 326 pp. Cloth, $55.00, ISBN 0-520-20467-0. Paper, $24.95, ISBN 0-520-20966-4.) Get access Gretchen Sullivan Sorin Gretchen Sullivan Sorin Cooperstown Graduate Program, Cooperstown, New York Search for other works by this author on: Oxford Academic Google Scholar Journal of American History,…

  • On Difference

    Barbara Kirshenblatt-Gimblett•ARTICLE•Journal of American Folklore•1994•Cited by: 1

  • Man Sues over Warlock Charge

    Open Access•Barbara Kirshenblatt-Gimblett•ARTICLE•Western Folklore•1969

  • A Parable in Context

    Barbara Kirshenblatt-Gimblett•CHAPTER•Folklore•1975

  • Speech Play

    Barbara Kirshenblatt-Gimblett•BOOK•Speech Play•1976

    From riddles to proverbs, from jingles to jokes, from mnemonics to pig Latin to dueling with words, speech play is central to social life in all of its forms. These essays describe a variety of speech play genres, formulate the "rules" for play with language, and discuss the relevance of speech play to current issues in linguistic theory, cognitive development, and the ethnography of speaking.

  • Speech Play

    Karen Ann Watson-Gegeo, Karen Ann Watson‐gegeo et al.•ARTICLE•Language•1977

  • The Hasidim

    Barbara Kirshenblatt-Gimblett, Vincent R Tortora•ARTICLE•Journal of American Folklore•1977

  • Contraband

    Open Access•Barbara Kirshenblatt-Gimblett•ARTICLE•The Drama Review TDR•1980

    In the fifth century B.C., the Jews of Persia were saved from a plot to murder them. Their deliverance, narrated in the Scroll of Esther, is celebrated each year on the holiday of Purim in the Hebrew month of Adar (February/March). The holiday includes a variety of performances: masquerade, pranks, intoxication and general licentiousness pervade the holiday and contribute to the inversion of the social order that is its hallmark. One major perfor…

  • Di folkloristik

    Barbara Kirshenblatt-Gimblett•ARTICLE•Journal of American Folklore•1985

  • Tourism in New York City Introduction

    Open Access•Barbara Kirshenblatt-Gimblett, Barbara Kirshenblatt‐Gimblett•ARTICLE•Journal of American Culture•1987

  • Mistaken Dichotomies

    Barbara Kirshenblatt-Gimblett•ARTICLE•Journal of American Folklore•1988•Cited by: 11

  • On Difference

    Barbara Kirshenblatt-Gimblett•ARTICLE•Journal of American Folklore•1994•Cited by: 1

  • Maasai on the Lawn

    Open Access•Edward M Bruner, Barbara Kirshenblatt-Gimblett•ARTICLE•Cultural Anthropology•1994•Cited by: 125•References: 24

  • Spaces of Dispersal

    Open Access•Barbara Kirshenblatt-Gimblett•ARTICLE•Cultural Anthropology•1994•Cited by: 17•References: 3

  • Theorizing Heritage

    Barbara Kirshenblatt-Gimblett•ARTICLE•Ethnomusicology•1995•Cited by: 81

  • Confusing Pleasures

    Barbara Kirshenblatt-Gimblett•CHAPTER•Traffic in Culture•1996

  • Alicia Rios

    Barbara Kirshenblatt-Gimblett, Alicia Rios et al.•ARTICLE•TDR/The Drama Review•1997

    Cardiff, 1994. (Photo by Jaakko Rahola) In the damp grayness of a Welsh winter, we found ourselves digging for our food. It was time for lunch on the third day of Points of Contact: Performance, Food, and Cookery, a conference organized by the Center for Performance Research in Cardiff (13-16 January 1994). Responding to the summons please be prompt, we assembled at 1:30 P.M. for a performance buffet. Its creator, Alicia Rios, was ready for an af…

  • Folklore's Crisis

    Barbara Kirshenblatt-Gimblett•ARTICLE•Journal of American Folklore•1998•Cited by: 16

    The field of folklore is experiencing topic drift, as the gap widens between the name of the field and what it now signifies. This article traces the history of a mutating disciplinary subject and its relationship to the discipline's formation, institutionalization, and name. Three themes are of special importance: folklore's temporality or the problem of a contemporary subject, orality and the question of technology, and folklore as a mode of cu…

  • Destination Culture

    Barbara Kirshenblatt-Gimblett•BOOK•Destination Culture•1999•Cited by: 151

    Destination Culture takes the reader on an eye-opening journey from ethnological artifacts to kitsch. Posing the question, "What does it mean to show?" Barbara Kirshenblatt-Gimblett explores the agency of display in a variety of settings: museums, festivals, world's fairs, historical re-creations, memorials, and tourist attractions. She talks about how objects—and people—are made to "perform" their meaning for us by the very fact of being collect…

  • Destination Culture

    Gretchen Sullivan Sorin, Barbara Kirshenblatt-Gimblett•ARTICLE•Journal of American History•2000•Cited by: 1

    Journal Article Destination Culture: Tourism, Museums, and Heritage. By Barbara Kirshenblatt-Gimblett. (Berkeley: University of California Press, 1998. xviii, 326 pp. Cloth, $55.00, ISBN 0-520-20467-0. Paper, $24.95, ISBN 0-520-20966-4.) Get access Gretchen Sullivan Sorin Gretchen Sullivan Sorin Cooperstown Graduate Program, Cooperstown, New York Search for other works by this author on: Oxford Academic Google Scholar Journal of American History,…

  • Kodak Moments, Flashbulb Memories

    Barbara Kirshenblatt-Gimblett•ARTICLE•TDR/The Drama Review•2003

    The catastrophe of 9/11 transformed life in New York City. Grassroots responses were spontaneous, improvised, and ubiquitous. Every surface was blanketed with candles, flowers, flags, and missing persons' posters that became the focal point of shrines memorializing the missing and presumed deceased. The catastrophe produced a series of equivocal situations: Kodak moment or surrogate body? Crime scene or tourist attraction? Missing person notice o…

  • Intangible Heritage as Metacultural Production1

    Open Access•Barbara Kirshenblatt-Gimblett•ARTICLE•Museum International•2004

  • The Corporeal Turn

    Barbara Kirshenblatt-Gimblett•ARTICLE•The Jewish Quarterly Review•2005•Cited by: 6

    The Corporeal Turn Barbara Kirshenblatt-Gimblett, University Professor, and Professor of Performance Studies, Affiliated Professor of Hebrew and Judaic Studies What has been called the "corporeal turn" in recent Jewish studies is provoking anxiety. If "Judaism's mind has been more interesting and more influential than Judaism's body," a distinction worthy of study in its own right, critics are calling for "a swing back to its more traditional moo…

  • World Heritage and Cultural Economics

    Open Access•Barbara Kirshenblatt-Gimblett•CHAPTER•Museum Frictions•2006

  • World Heritage and Cultural Economics

    Open Access•Barbara Kirshenblatt-Gimblett•CHAPTER•Museum Frictions•2006

  • Towards a Post-Disciplinary Jewish Subject

    Barbara Kirshenblatt-Gimblett•ARTICLE•Images•2007

    By inviting contributions dealing with any kind of visual material from any disciplinary perspective, Images opens up the possibility that art might be studied from any disciplinary perspective and that visual culture might be studied from an art historical point of view. Given the orphan status of Jewish art and visual culture as an object of study, how might the study of Jewish visual culture alter the fields brought to bear on it? Herein lays …

  • Jewish children's museum a virtual roundtable on material religion

    Ayala Fader, Henry Goldschmidt et al.•ARTICLE•Material Religion•2007•Cited by: 1•References: 3

History (25 works) · Art (16 works) · Archaeology (15 works) · Sociology (12 works) · Philosophy (11 works) · Computer Science (9 works) · History (9 works) · Judaism (8 works) · Art history (7 works) · Political science (7 works)

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