Denis Viva
Biographic Data
| ID | 6532771 |
|---|---|
| NAME | Denis Viva |
| GIVEN NAMES | Denis |
| FAMILY NAME | Viva |
| SIGNATURE | VIVA D |
| AFFILIATIONS | University of Trento |
| ORCID | 0000-0001-9002-8362 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
BorderArt(E)Scapes. Contemporary Art, Anthropology, and Borderscapes
Contro gli oggetti
Realizzato all’indomani della contestazione francese del maggio 1968, l’Igloo di Mario Merz, intitolato Objet cache-toi, era una peculiare combinazione tra il linguaggio della protesta—il titolo derivava da un graffito apparso in quel periodo sui muri della Sorbona—e la dematerializzazione dell’arte post-minimalista. L’articolo prova a comprendere le strategie di opposizione alla civiltà dei consumi e al feticismo delle merci messe in atto dall’A…
Unstable Borders
Molteplicità e ritratto
In 1996, the Italian artist Giulio Paolini was invited to design the cover of the book L'occhio di Calvino by Marco Belpoliti. The book was one of the first to study the role of images in Italo Calvino's production, becoming an ideal background for Paolini's cover: a collage portrait of the writer while he was proofreading one of his texts. This image raised one of the major questions which was already addressed twenty years before, when Calvino …
No prominent works on this page.
Molteplicità e ritratto
In 1996, the Italian artist Giulio Paolini was invited to design the cover of the book L'occhio di Calvino by Marco Belpoliti. The book was one of the first to study the role of images in Italo Calvino's production, becoming an ideal background for Paolini's cover: a collage portrait of the writer while he was proofreading one of his texts. This image raised one of the major questions which was already addressed twenty years before, when Calvino …
Contro gli oggetti
Realizzato all’indomani della contestazione francese del maggio 1968, l’Igloo di Mario Merz, intitolato Objet cache-toi, era una peculiare combinazione tra il linguaggio della protesta—il titolo derivava da un graffito apparso in quel periodo sui muri della Sorbona—e la dematerializzazione dell’arte post-minimalista. L’articolo prova a comprendere le strategie di opposizione alla civiltà dei consumi e al feticismo delle merci messe in atto dall’A…
Unstable Borders
BorderArt(E)Scapes. Contemporary Art, Anthropology, and Borderscapes
Italian Fascism and Post-war Society (2 works) · Public Spaces through Art (2 works) · Art (1 works) · Art Education and Development (1 works) · Art history (1 works) · Art, Politics, and Modernism (1 works) · Cinema History and Criticism (1 works) · Close reading (1 works) · Communism, Protests, Social Movements (1 works) · Culmination (1 works)