El Hadji Moustapha Diop
Biographic Data
| ID | 679072 |
|---|---|
| NAME | El Hadji Moustapha Diop |
| GIVEN NAMES | El Hadji Moustapha |
| FAMILY NAME | Diop |
| SIGNATURE | DIOP H M |
| AFFILIATIONS | Macalester College |
| ORCID | 0000-0002-3676-2600 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Mamadou Dia, dir. Nafi’s Father. 2019. Original title
An abstract is not available for this content. As you have access to this content, full HTML content is provided on this page. A PDF of this content is also available in through the ‘Save PDF’ action button
From environmental degradation to the waste economy of postcolonial desire
There is a tendency, among Mambety critics, to overemphasize his formal innovations and parodic contents, his virtuosic collages and subtle nods to auteur and genre cinema, at the expense of a sustained engagement with the acute environmental sensibility running through all his films, notably at the start of a film career that is contemporaneous with the Great Sahel Drought of the late 1960s and early 1970s. This article focuses on the ecocritica…
Translating Frantz Fanon across continents and languages
Doomi Golo—The Hidden Notebooks
From environmental degradation to the waste economy of postcolonial desire
There is a tendency, among Mambety critics, to overemphasize his formal innovations and parodic contents, his virtuosic collages and subtle nods to auteur and genre cinema, at the expense of a sustained engagement with the acute environmental sensibility running through all his films, notably at the start of a film career that is contemporaneous with the Great Sahel Drought of the late 1960s and early 1970s. This article focuses on the ecocritica…
Doomi Golo—The Hidden Notebooks
Doomi Golo—The Hidden Notebooks
Translating Frantz Fanon across continents and languages
From environmental degradation to the waste economy of postcolonial desire
There is a tendency, among Mambety critics, to overemphasize his formal innovations and parodic contents, his virtuosic collages and subtle nods to auteur and genre cinema, at the expense of a sustained engagement with the acute environmental sensibility running through all his films, notably at the start of a film career that is contemporaneous with the Great Sahel Drought of the late 1960s and early 1970s. This article focuses on the ecocritica…
Mamadou Dia, dir. Nafi’s Father. 2019. Original title
An abstract is not available for this content. As you have access to this content, full HTML content is provided on this page. A PDF of this content is also available in through the ‘Save PDF’ action button
African history and culture studies (3 works) · Art (3 works) · History (2 works) · History (2 works) · Sociology (2 works) · Aesthetics (1 works) · African Botany and Ecology Studies (1 works) · Anthropology (1 works) · Comparative and World Literature (1 works) · Content (measure theory) (1 works)