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Fred R Myers

Biographic Data

ID77212
NAMEFred R Myers
GIVEN NAMESFred R
FAMILY NAMEMyers
SIGNATUREMYERS F R
AFFILIATIONSNew York University
VERIFIEDNo
TOTAL WORKS56
TOTAL CITATIONS1144
AUTHOR COUNT55
EDITOR COUNT1
FIRST PUBLICATION YEAR1979
LATEST PUBLICATION YEAR2024
H-INDEX13
  • Six Paintings from Papunya

    F Myers, Fred R Myers et al.•BOOK•Six Paintings from Papunya•2024

  • Emotions and the Self A Theory of Personhood and Political Order Among Pintupi Aborigines

    F Myers, Fred R Myers•CHAPTER•The Emotions•2024

    Between 1973 and 1975 I did field work with the Pintupi at a settlement called Yayayi, 180 miles west of Alice Springs. 1 At this time, the Pintupi were no longer living a traditional hunting-gathering life in the desert; for the past 40 years, the Pintupi have been drifting eastward from the Gibson Desert homeland, although the majority “came in” the 200–400 miles to European missions or settlements between 1954 and 1966. They were living, then,…

  • Growing Up in Central Australia

    Dennis Brooks, David Brooks et al.•BOOK•Growing up in Central Australia•2022

    Surprisingly little research has been carried out about how Australian Aboriginal children and teenagers experience life, shape their social world and imagine the future. This volume presents recent and original studies of life experiences outside the institutional settings of childcare and education, of those growing up in contemporary Central Australia or with strong links to the region. Focusing on the remote communities – roughly 1,200 across…

  • Pintupi Country, Pintupi Self

    F Myers, Fred R Myers•BOOK•Pintupi Country, Pintupi Self•2022•Cited by: 305

  • Refiguring Art and Anthropology, For Whom? A conversation with George E. Marcus and Fred R. Myers

    Open Access•Karin Zitzewitz, M Ciotti et al.•ARTICLE•Journal of Material Culture•2022

  • Chapter 4. Fathers and Sons, Trajectories of Self

    F Myers, Fred R Myers•CHAPTER•Growing up in Central Australia•2022

  • Always Ask

    F Myers, Fred R Myers•CHAPTER•Resource Managers•2019

    This chapter addresses the relationship between boundaries, band organization, and territoriality through an individual oriented, processual approach to mobility, land use, and land ownership among Pintupi Aborigines of the Gibson Desert in Australia. Here territorial organization is not the division of people into discrete, mobile, permanent "bands." Rather, "bands" are fluctuating, on-the-ground residential groups that differ from "bands" as la…

  • The Anthropology of Art, After the End of Art

    E Kisin, F Myers et al.•ARTICLE•Annual Review of Anthropology•2019•Cited by: 3•References: 102

    We focus on the anthropology of art from the mid-1980s to the present, a period of disturbance and significant transformation in the field of anthropology. The field can be understood to be responding to the destabilization of the category of "art" itself. Inaugural moments lie in the reaction to the Museum of Modern Art's 1984 exhibition "Primitivism" in 20th Century Art, the increasing crisis of representation, the influence of "postmodernism,"…

  • The Cultural Basis of Politics in Pintupi Life

    Open Access•F Myers, Fred R Myers•ARTICLE•Mankind•2010•Cited by: 24•References: 7

  • A Broken Code

    Open Access•F Myers, Fred R Myers•ARTICLE•Mankind•2010•Cited by: 19•References: 10

  • Materiality

    Fred R Myers, Lynn Meskell et al.•BOOK•Materiality•2005

  • Collecting Aboriginal Art in the Australian Nation

    Open Access•F Myers, Fred R Myers•ARTICLE•Visual Anthropology Review•2005•Cited by: 1•References: 12

    How Aboriginal acrylic painting came to be reframed as “high art” is an interesting ethnohistorical question. Scholars have traced the increasing frequency of the exhibition of Aboriginal Australian acrylic painting and the increasing emphasis on the framework of fine art and contemporary fine art in these exhibitions. Individual artists come prominently into attention, both in the press and also—eventually—with one‐person exhibitions. In this ar…

  • Unsettled Business

    F Myers, Fred R Myers•ARTICLE•Visual Anthropology•2004•Cited by: 6•References: 30

    Acrylic painting in Australian Indigenous communities is one of the sites in which the conundrum of "tradition" is faced. While this painting has particularly challenged the conception of cultural traditions as bounded, its status has also been challenged in terms of authenticity; but I argue that a framework emphasizing culture-making is more productive. This article explores the scandals and rumors that have accompanied the movement of acrylic …

  • Materializing Culture and the New Internationalism

    Open Access•F Myers, Fred R Myers et al.•CHAPTER•Painting Culture•2002

  • After the Fall

    Open Access•F Myers, Fred R Myers et al.•CHAPTER•Painting Culture•2002

  • Performing Aboriginality at the Asia Society Gallery

    Open Access•F Myers, Fred R Myers et al.•CHAPTER•Painting Culture•2002

  • Making a Market

    Open Access•F Myers, Fred R Myers et al.•CHAPTER•Painting Culture•2002

  • Postprimitivism

    F Myers, Fred R Myers et al.•CHAPTER•Painting Culture•2002

  • Practices of Painting

    Open Access•F Myers, Fred R Myers et al.•CHAPTER•Painting Culture•2002

  • Truth or Beauty

    Open Access•F Myers, Fred R Myers et al.•CHAPTER•Painting Culture•2002

  • The “Industry”

    Open Access•F Myers, Fred R Myers et al.•CHAPTER•Painting Culture•2002

  • Unsettled Business

    Open Access•F Myers, Fred R Myers et al.•CHAPTER•Painting Culture•2002

  • Recontextualizations

    Open Access•F Myers, Fred R Myers et al.•CHAPTER•Painting Culture•2002

  • The Aesthetic Function and the Practice of Pintupi Painting

    Open Access•F Myers, Fred R Myers et al.•CHAPTER•Painting Culture•2002

  • Index

    Fred R Myers, Nicholas Thomas•CHAPTER•Painting Culture•2002

Next
  • Pintupi Country, Pintupi Self

    F Myers, Fred R Myers•BOOK•Pintupi Country, Pintupi Self•2022•Cited by: 305

  • Painting Culture

    F Myers, Fred R Myers et al.•BOOK•Painting Culture•2002•Cited by: 170

    Charley Tjaruru Tjungurrayi is to his side.Photo by Fred Myers.moves that were highly publicized (Lockwood 1964; Long 1964a Long , 1964b;; Thomson 1975) and equally controversial (Nathan and Leichleitner 1983; Long 1993).They were settled on government reserves, principally at Papunya in the Northern Territory, where approximately one thousand Aboriginal people of different language groups had come to live in a project of directed assimilation or…

  • The empire of things

    Fred R Myers•BOOK•The empire of things•2001•Cited by: 146

  • Dangerous words

    Donald L Brenneis, Fred R Myers•BOOK•Dangerous words•1984•Cited by: 111

  • Emotions and the Self

    Open Access•F Myers, Fred R Myers•ARTICLE•Ethos•1979•Cited by: 88•References: 8

  • Culture-Making

    Open Access•F Myers, Fred R Myers•ARTICLE•American Ethnologist•1994•Cited by: 66•References: 26

    This article presents and analyzes the construction and performance of Australian Aboriginal cultural practice, a sandpainting, at a major art exhibition at the Asia Society in New York. Drawing on an ethnography for which anthropological knowledge is part of the event itself, I examine the multiple constructions of Aboriginal identity in the performance. Such intercultural performances represent an important form of cultural production and const…

  • Reflections on a Meeting

    Open Access•F Myers, Fred R Myers•ARTICLE•American Ethnologist•1986•Cited by: 39•References: 18

    Careful attention to the importance of language shows it to be a constitutive part of Pintupi social life. Accounting for the value and form of this activity leads to reconceptualizing the nature of politics and the polity in an Australian Aboriginal society. Implications of these structural features for the practical experience of a cultural subject are explored through comparison with other societies. The existence of systematic variation argue…

  • Locating Ethnographic Practice

    Open Access•F Myers, Fred R Myers•ARTICLE•American Ethnologist•1988•Cited by: 38•References: 13

    This paper explores the contest over the meaning of the appearance of previously uncontacted Pintupi Aborigines in late 1984, arguing that an important site of Pintupi social action is transaction with the outside and their struggle to define their own framework of understanding. The event was interpreted by varying "audiences" in terms of their differing motivations and favored conventions for representing the Aborigine. I analyze my role as eth…

  • The Politics of Representation

    Open Access•F Myers, Fred R Myers•ARTICLE•American Ethnologist•1986•Cited by: 33•References: 3

  • The Logic and Meaning of Anger Among Pintupi Aborigines

    F Myers, Fred R Myers•ARTICLE•Man•1988•Cited by: 30

  • The Cultural Basis of Politics in Pintupi Life

    Open Access•F Myers, Fred R Myers•ARTICLE•Mankind•2010•Cited by: 24•References: 7

  • A Broken Code

    Open Access•F Myers, Fred R Myers•ARTICLE•Mankind•2010•Cited by: 19•References: 10

  • Uncertain regard

    F Myers, Fred R Myers•ARTICLE•Ethnos•1998•Cited by: 13•References: 29

    This paper is a study of one component of the recent and contemporary circulation of cultural objects, the exhibition of Australian Aboriginal acrylic paintings in a French museum. The author argues that the recent emphases on 'appropriation ' and the primitivizing gaze ' are not sufficient to understand what happens when such objects circulate. To ask what does happen in circulation, at the sites of exhibition, is to ask how they are produced, i…

  • Traffic in Culture

    Marcus/Myers Marcus/Myers, George E Marcus et al.•BOOK•Traffic in Culture•1996•Cited by: 12

    The essays in this collection signal a new relationship between anthropology and the study of art. The authors explore the boundaries and affinities between art, anthropology, representation, and culture, casting a critical, ethnographic light on the art worlds of the contemporary West and their "traffic" in non-Western objects. Starting from the premise that the traditional anthropology of art has been developed within categories and practices o…

  • Truth, beauty, and pintupi painting

    F Myers, Fred R Myers•ARTICLE•Visual Anthropology•1989•Cited by: 12•References: 7

    This paper is concerned with the historical development of acrylic painting on canvas for commercial sale by Western Desert Aboriginal people. It is argued that Pintupi paintings should be understood within a special interplay between producer and consumer as one point (among many) of accommodation and/or interpretive struggle between an Aboriginal people and broader Western society. I begin by showing how Pintupi evaluate their productions in a …

  • Pintupi Country, Pintupi Self

    Warren Shapiro, F Myers et al.•ARTICLE•Ethnohistory•1989•Cited by: 9

  • From Ethnography to Metaphor

    Open Access•F Myers, Fred R Myers•ARTICLE•Cultural Anthropology•1988•Cited by: 7•References: 9

  • Unsettled Business

    F Myers, Fred R Myers•ARTICLE•Visual Anthropology•2004•Cited by: 6•References: 30

    Acrylic painting in Australian Indigenous communities is one of the sites in which the conundrum of "tradition" is faced. While this painting has particularly challenged the conception of cultural traditions as bounded, its status has also been challenged in terms of authenticity; but I argue that a framework emphasizing culture-making is more productive. This article explores the scandals and rumors that have accompanied the movement of acrylic …

  • Ways of Place-Making

    F Myers, Fred R Myers•ARTICLE•La Ricerca Folklorica•2002•Cited by: 6

  • The Anthropology of Art, After the End of Art

    E Kisin, F Myers et al.•ARTICLE•Annual Review of Anthropology•2019•Cited by: 3•References: 102

    We focus on the anthropology of art from the mid-1980s to the present, a period of disturbance and significant transformation in the field of anthropology. The field can be understood to be responding to the destabilization of the category of "art" itself. Inaugural moments lie in the reaction to the Museum of Modern Art's 1984 exhibition "Primitivism" in 20th Century Art, the increasing crisis of representation, the influence of "postmodernism,"…

  • Question de regard

    Open Access•F Myers, Fred R Myers•ARTICLE•Terrain•1998•Cited by: 3•References: 16

    Depuis les années 1970, les aborigènes australiens produisent des peintures acryliques sur toile, objets culturels hybrides issus d'une tradition graphique et religieuse, mais utilisant des matériaux modernes. La réception de ces œuvres d'art, tel qu'est ici analysée à travers les expositions auxquelles elles ont donné lieu en France, est l'enjeu d'un conflit entre le regard ethnographique et le regard esthétique, entre la contextualisation et l'…

  • Collecting Aboriginal Art in the Australian Nation

    Open Access•F Myers, Fred R Myers•ARTICLE•Visual Anthropology Review•2005•Cited by: 1•References: 12

    How Aboriginal acrylic painting came to be reframed as “high art” is an interesting ethnohistorical question. Scholars have traced the increasing frequency of the exhibition of Aboriginal Australian acrylic painting and the increasing emphasis on the framework of fine art and contemporary fine art in these exhibitions. Individual artists come prominently into attention, both in the press and also—eventually—with one‐person exhibitions. In this ar…

  • Ethnography through Thick and Thin

    Open Access•F Myers, Fred R Myers•ARTICLE•American Anthropologist•2000•Cited by: 1

    Ethnography through Thick and Thin, George E. Marcus. Princeton, NJ: Princeton University Press, 1998. 275 pp

  • Objects on the loose

    F Myers, Fred R Myers•ARTICLE•Ethnos•1999•Cited by: 1•References: 13

    A partir d'un commentaire sur les contributions a ce numero thematique, l'A. propose une mise en perspective generale de l'anthropologie contemporaine de la culture materielle et de l'art. En reference au cadre conceptuel de la circulation et de la vie sociale des objets (A. Appadurai), il s'interroge sur les problemes de classification inherents au traitement de la culture materielle. Il suggere notamment de partir de la culture materielle comme…

  • Exhibit Review Essays

    Open Access•F Myers, Fred R Myers•ARTICLE•American Anthropologist•1995•Cited by: 1

    The Art of Memory: Holocaust Memorials in History. James E. Young, curator. The Art of Memory: Holocaust Memorials in History. James E. Young, ed

  • Emotions and the Self

    Open Access•F Myers, Fred R Myers•ARTICLE•Ethos•1979•Cited by: 88•References: 8

  • Ethnology

    Open Access•F Myers, Fred R Myers•ARTICLE•American Anthropologist•1979

  • Dangerous words

    Donald L Brenneis, Fred R Myers•BOOK•Dangerous words•1984•Cited by: 111

  • Reflections on a Meeting

    Open Access•F Myers, Fred R Myers•ARTICLE•American Ethnologist•1986•Cited by: 39•References: 18

    Careful attention to the importance of language shows it to be a constitutive part of Pintupi social life. Accounting for the value and form of this activity leads to reconceptualizing the nature of politics and the polity in an Australian Aboriginal society. Implications of these structural features for the practical experience of a cultural subject are explored through comparison with other societies. The existence of systematic variation argue…

  • The Politics of Representation

    Open Access•F Myers, Fred R Myers•ARTICLE•American Ethnologist•1986•Cited by: 33•References: 3

  • From Ethnography to Metaphor

    Open Access•F Myers, Fred R Myers•ARTICLE•Cultural Anthropology•1988•Cited by: 7•References: 9

  • Locating Ethnographic Practice

    Open Access•F Myers, Fred R Myers•ARTICLE•American Ethnologist•1988•Cited by: 38•References: 13

    This paper explores the contest over the meaning of the appearance of previously uncontacted Pintupi Aborigines in late 1984, arguing that an important site of Pintupi social action is transaction with the outside and their struggle to define their own framework of understanding. The event was interpreted by varying "audiences" in terms of their differing motivations and favored conventions for representing the Aborigine. I analyze my role as eth…

  • Accounts of Human Nature

    F Myers, Fred R Myers•ARTICLE•Anthropology Today•1988

  • The Logic and Meaning of Anger Among Pintupi Aborigines

    F Myers, Fred R Myers•ARTICLE•Man•1988•Cited by: 30

  • Candidates for Board Member-at-large State A

    Open Access•F Myers, Fred R Myers et al.•ARTICLE•Anthropology News•1989

  • Pintupi Country, Pintupi Self

    Warren Shapiro, F Myers et al.•ARTICLE•Ethnohistory•1989•Cited by: 9

  • Truth, beauty, and pintupi painting

    F Myers, Fred R Myers•ARTICLE•Visual Anthropology•1989•Cited by: 12•References: 7

    This paper is concerned with the historical development of acrylic painting on canvas for commercial sale by Western Desert Aboriginal people. It is argued that Pintupi paintings should be understood within a special interplay between producer and consumer as one point (among many) of accommodation and/or interpretive struggle between an Aboriginal people and broader Western society. I begin by showing how Pintupi evaluate their productions in a …

  • Future Directions for Cultural Anthropology

    Open Access•F Myers, Fred R Myers•ARTICLE•Anthropology News•1990

  • Djungguwan at Gurka'wuy . 1989. A film by Ian Dunlop

    Open Access•F Myers, Fred R Myers•ARTICLE•American Anthropologist•1993

  • Culture-Making

    Open Access•F Myers, Fred R Myers•ARTICLE•American Ethnologist•1994•Cited by: 66•References: 26

    This article presents and analyzes the construction and performance of Australian Aboriginal cultural practice, a sandpainting, at a major art exhibition at the Asia Society in New York. Drawing on an ethnography for which anthropological knowledge is part of the event itself, I examine the multiple constructions of Aboriginal identity in the performance. Such intercultural performances represent an important form of cultural production and const…

  • Exhibit Review Essays

    Open Access•F Myers, Fred R Myers•ARTICLE•American Anthropologist•1995•Cited by: 1

    The Art of Memory: Holocaust Memorials in History. James E. Young, curator. The Art of Memory: Holocaust Memorials in History. James E. Young, ed

  • Ancestral Connections

    Open Access•F Myers, Fred R Myers•ARTICLE•American Ethnologist•1995

  • The Traffic in Art and Culture

    George E Marcus, F Myers et al.•CHAPTER•Traffic in Culture•1996

  • Representing Culture

    F Myers, Fred R Myers•CHAPTER•Traffic in Culture•1996

  • Traffic in Culture

    Marcus/Myers Marcus/Myers, George E Marcus et al.•BOOK•Traffic in Culture•1996•Cited by: 12

    The essays in this collection signal a new relationship between anthropology and the study of art. The authors explore the boundaries and affinities between art, anthropology, representation, and culture, casting a critical, ethnographic light on the art worlds of the contemporary West and their "traffic" in non-Western objects. Starting from the premise that the traditional anthropology of art has been developed within categories and practices o…

  • Logica e significato della collera fra gli aborigeni Pintupi

    F Myers, Fred R Myers et al.•ARTICLE•La Ricerca Folklorica•1997

  • Moving the New Anthropology of Art beyond the Museum

    Open Access•F Myers, Fred R Myers•ARTICLE•American Anthropologist•1997

    Looking High and Low: Art and Cultural Identity. Brenda Jo Bright and Liza Bakewell. eds. Tucson: University of Arizona Press, 1995. 210 pp

  • Question de regard

    Open Access•F Myers, Fred R Myers•ARTICLE•Terrain•1998•Cited by: 3•References: 16

    Depuis les années 1970, les aborigènes australiens produisent des peintures acryliques sur toile, objets culturels hybrides issus d'une tradition graphique et religieuse, mais utilisant des matériaux modernes. La réception de ces œuvres d'art, tel qu'est ici analysée à travers les expositions auxquelles elles ont donné lieu en France, est l'enjeu d'un conflit entre le regard ethnographique et le regard esthétique, entre la contextualisation et l'…

  • Annette Weiner (1933-1997)

    Open Access•T O Beidelman, F Myers et al.•ARTICLE•American Anthropologist•1998

  • Uncertain regard

    F Myers, Fred R Myers•ARTICLE•Ethnos•1998•Cited by: 13•References: 29

    This paper is a study of one component of the recent and contemporary circulation of cultural objects, the exhibition of Australian Aboriginal acrylic paintings in a French museum. The author argues that the recent emphases on 'appropriation ' and the primitivizing gaze ' are not sufficient to understand what happens when such objects circulate. To ask what does happen in circulation, at the sites of exhibition, is to ask how they are produced, i…

Sociology (23 works) · Art (17 works) · History (15 works) · Cultural Heritage Management and Preservation (13 works) · Computer Science (12 works) · Law (12 works) · Political science (12 works) · Anthropology (11 works) · Aesthetics (10 works) · Art history (10 works)

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