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Daniel J Crowley

Biographic Data

ID78613
NAMEDaniel J Crowley
GIVEN NAMESDaniel J
FAMILY NAMECrowley
SIGNATURECROWLEY D J
AFFILIATIONSUniversity of California, Davis
VERIFIEDNo
TOTAL WORKS134
TOTAL CITATIONS97
AUTHOR COUNT134
EDITOR COUNT0
FIRST PUBLICATION YEAR1954
LATEST PUBLICATION YEAR2003
H-INDEX6
  • Africa

    Monni Adams, Mary Jo Arnoldi et al.•CHAPTER•2003

  • Africa

    Daniel J Crowley•CHAPTER•2003

  • The Sacred and The Profane in African and African-Derived Carnivals

    Open Access•Daniel J Crowley•ARTICLE•Western Folklore•1999•Cited by: 5

    In keeping with the announced subject of this session, I have modified my paper to consider how the Sacred might impact on that most Profane of festivals, the utterly secular Carnival of the Christian liturgical calendar which celebrates earthly vitality and defiance of restraint just before the long penitential period of Lent. Carnival has deep roots in the European Middle Ages and even in the Classical Mediterranean, but has now spread to all t…

  • Carnivals, Carnival, and Carnivalization, or How to Make a Living without Actually Working

    Open Access•Daniel J Crowley•ARTICLE•Western Folklore•1999•Cited by: 1

    A certain critic of mine, who shall be nameless, is quoted as having remarked that Crowley doesn't know Bakhtin (the Russian philosopher and sociolinguist) from Bactine, disinfectant. Following paradigm of man who didn't know shit from Shinola, and whose shoes as a result were quite a mess, it can be said that this address may be theoretically naive, but at least it will be clean, even antiseptic, and perhaps just a bit slick. But before I face u…

  • Orixás

    Daniel J Crowley, Abdias Do Nascimento•ARTICLE•African Arts•1998

  • More about Politics and Folklore in Turkey

    Daniel J Crowley•ARTICLE•Journal of American Folklore•1998

  • Ethiopian Folk Art

    Daniel J Crowley•ARTICLE•Journal of American Folklore•1998

  • The Assam Dragon

    Daniel J Crowley•ARTICLE•Journal of American Folklore•1997•Cited by: 1

    attempt to survey folkloristic research in greater Assam, including major institutions, scholars, subjects, and theoretical approaches. But first, let me confess that the somewhat tired play on words in my title, originally the name of a World War II warplane in the Burma Theater of War, justly applies only to my own research predicament (and inability to resist a gag), and not the status of Assamese folklore research. In

  • Brazilian Folk Narrative Scholarship

    Open Access•Daniel J Crowley, Mary Macgregor-Villarreal•ARTICLE•Western Folklore•1996

  • Music in Human Life

    Daniel J Crowley, John E Kaemmer•ARTICLE•Ethnohistory•1996

  • The Art of the Turkish Tale

    Daniel J Crowley, Barbara K Walker•ARTICLE•Western Folklore•1995•Cited by: 2

  • Four views of the Brazilian colossus

    Daniel J Crowley•ARTICLE•Reviews in Anthropology•1994

    DaMatta, Roberto. Carnivals, Rogues, and Heroes: An Interpretation of the Brazilian Dilemma. John Drury, translator. Notre Dame, IN: University of Notre Dame Press, 1991. xii + 279 pp. including references. $24.95 cloth. Parker, Richard G. Bodies, Pleasures, and Passions: Sexual Culture in Contemporary Brazil. Boston: Beacon Press, 1991. xi + 203 pp. including notes, bibliography, and index. $24.95 cloth. von Graeve, Bernard. The Pacaa Nova: Clas…

  • Calypso Pioneers

    Daniel J Crowley, Richard K Spottswood•ARTICLE•Latin American Music Review•1990•Cited by: 1

  • Bahamian Narrative as Art and as Communication

    Open Access•Daniel J Crowley•ARTICLE•Western Folklore•1990

  • The Carnival of Guinea-Bissau

    Daniel J Crowley•ARTICLE•TDR/The Drama Review•1989•Cited by: 2

    Copenhagen and London, the northernmost one I have yet observed being Akureyri, Iceland, on a fjord facing the Arctic Sea. Private carnival festivities take place in homes, schools, and clubs in virtually every Latin city, both in the Old World and in the New, where the Spanish, Portuguese, and French introduced carnival a half-millennium ago, one of the few aspects of colonialism that was welcomed by the aboriginal peoples. The greatest of all c…

  • Ethnoart

    Daniel J Crowley, Eugene C Burt•ARTICLE•African Arts•1989

  • Art et Mythologie

    Daniel J Crowley•ARTICLE•African Arts•1989

  • Mmoetia

    Daniel J Crowley, Gabriel Bannerman-Richter•ARTICLE•African Arts•1989

  • Persuasions and Performances

    Daniel J Crowley, James W Fernandez•ARTICLE•African Arts•1987

  • The Arts of Zaire. Volume II

    Daniel J Crowley, Daniel P Biebuyck et al.•ARTICLE•African Arts•1987

  • The Epic of Son-Jara, A West African Tradition

    Daniel J Crowley, Fa-Digi Sisoko et al.•ARTICLE•Western Folklore•1987•Cited by: 8

  • Fon Brass Tableaux as Historical Documents

    Daniel J Crowley•ARTICLE•African Arts•1986

    onceived several years ago as part of a project to document objects I had collected earlier in Africa, this paper will attempt to test the historical validity of some eleven brass tableaux made up of individually cast figures in arrangements said to document historical rituals or events. The subject was chosen for this issue honoring the late Robert Plant Armstrong in memory of our never-tobe-forgotten graduate years, 1950-1956, at Northwestern U…

  • Rastafari-Kunst aus Jamaica

    Daniel J Crowley, Wolfgang Bender•ARTICLE•African Arts•1986

  • The Practice of Witchcraft in Ghana

    Daniel J Crowley, Gabriel Bannerman-Richter•ARTICLE•African Arts•1985

  • The Circumpolar Art Market

    Daniel J Crowley•ARTICLE•African Arts•1985

    In fulfillment of an ill-considered twenty-eight-year-old promise to carry his bride to ends of the earth, your indefatigable correspondent chose to do the northern end first, at least the northern reaches of commercial transportation. This meant Iceland, a side trip to coastal Greenland, the newly independent Faroe Islands (I'd visited the North Cape of Norway in 1969 en route to Ghana), then ten days awaiting Soviet visas in Helsinki, with excu…

Next
  • Afro-American Arts of the Suriname Rain Forest

    Daniel J Crowley, Richard Price et al.•ARTICLE•African Arts•1981•Cited by: 17

  • African Oral Literature

    Daniel J Crowley•ARTICLE•African Studies Review•1962•Cited by: 17

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Traditional Masques of Carnival

    Daniel J Crowley•ARTICLE•Caribbean Quarterly•1956•Cited by: 12

    (1956). The Traditional Masques of Carnival. Caribbean Quarterly: Vol. 4, No. 3-4, pp. 194-223

  • The Epic of Son-Jara, A West African Tradition

    Daniel J Crowley, Fa-Digi Sisoko et al.•ARTICLE•Western Folklore•1987•Cited by: 8

  • Differential Artistic Productivity in the Eskimo Cultural Tradition [and Comments and Reply]

    Robert Mcghee, С А Арутюнов et al.•ARTICLE•Current Anthropology•1976•Cited by: 8•References: 3

    Conditions of archaeological preservation along the Arctic coast of North America allow the recovery of objects of technology and plastic art throughout the past 4,000 years of the Eskimo cultural tradition. This situation provides a unique opportunity for approaching the question: Why is more and better art produced during certain periods in the history of a society, or, in this case, of a series of historically related societies, while at other…

  • The Contemporary-Traditional Art Market in Africa

    Daniel J Crowley•ARTICLE•African Arts•1970•Cited by: 6

  • The Sacred and The Profane in African and African-Derived Carnivals

    Open Access•Daniel J Crowley•ARTICLE•Western Folklore•1999•Cited by: 5

    In keeping with the announced subject of this session, I have modified my paper to consider how the Sacred might impact on that most Profane of festivals, the utterly secular Carnival of the Christian liturgical calendar which celebrates earthly vitality and defiance of restraint just before the long penitential period of Lent. Carnival has deep roots in the European Middle Ages and even in the Classical Mediterranean, but has now spread to all t…

  • The Celebration of Society

    Daniel J Crowley, Frank E Manning•ARTICLE•Western Folklore•1985•Cited by: 4

  • Guy Fawkes Day at Fresh Creek, Andros Island, Bahamas

    Daniel J Crowley•ARTICLE•Man•1958•Cited by: 3

  • The Art of the Turkish Tale

    Daniel J Crowley, Barbara K Walker•ARTICLE•Western Folklore•1995•Cited by: 2

  • The Carnival of Guinea-Bissau

    Daniel J Crowley•ARTICLE•TDR/The Drama Review•1989•Cited by: 2

    Copenhagen and London, the northernmost one I have yet observed being Akureyri, Iceland, on a fjord facing the Arctic Sea. Private carnival festivities take place in homes, schools, and clubs in virtually every Latin city, both in the Old World and in the New, where the Spanish, Portuguese, and French introduced carnival a half-millennium ago, one of the few aspects of colonialism that was welcomed by the aboriginal peoples. The greatest of all c…

  • Stylistic Analysis of African Art

    Daniel J Crowley•ARTICLE•African Arts•1976•Cited by: 2

    In 1946, Frans M. Olbrechts, then-Director of Musee Royal du Belge in Tervuren near Brussels, published a monograph, Plastiek ian Kongo, which William Fagg has called the classical work on Belgian sculpture, and the most systematic work yet produced for any large field of African Originally written as an extended catalogue for an exhibition entitled Arts of Belgian Congo held in Festival Hall of Antwerp in 1937-38, Flemish edition was delayed by …

  • Toward a Definition of Calypso (Part I)

    Daniel J Crowley•ARTICLE•Ethnomusicology•1959•Cited by: 2

    Problem: popularity of such songs as Day-O and r'amaica Farewell sung in pseudo-West Indian dialect and called requires a fresh investigation into this traditional Trinidadian musical form. recent craze which accounted for one fourth of popular record sales (Time, 1957:55) and wherein one Belafonte album sold nearly a million copies (Cappon, 1957) is not the first to occur in the United States. first calypso recordings were put out by Victor in 1…

  • The Midnight Robbers

    Daniel J Crowley•ARTICLE•Caribbean Quarterly•1956•Cited by: 2

  • Carnivals, Carnival, and Carnivalization, or How to Make a Living without Actually Working

    Open Access•Daniel J Crowley•ARTICLE•Western Folklore•1999•Cited by: 1

    A certain critic of mine, who shall be nameless, is quoted as having remarked that Crowley doesn't know Bakhtin (the Russian philosopher and sociolinguist) from Bactine, disinfectant. Following paradigm of man who didn't know shit from Shinola, and whose shoes as a result were quite a mess, it can be said that this address may be theoretically naive, but at least it will be clean, even antiseptic, and perhaps just a bit slick. But before I face u…

  • The Assam Dragon

    Daniel J Crowley•ARTICLE•Journal of American Folklore•1997•Cited by: 1

    attempt to survey folkloristic research in greater Assam, including major institutions, scholars, subjects, and theoretical approaches. But first, let me confess that the somewhat tired play on words in my title, originally the name of a World War II warplane in the Burma Theater of War, justly applies only to my own research predicament (and inability to resist a gag), and not the status of Assamese folklore research. In

  • Calypso Pioneers

    Daniel J Crowley, Richard K Spottswood•ARTICLE•Latin American Music Review•1990•Cited by: 1

  • The Bahian Market in African-Influenced Art

    Daniel J Crowley, Doran H Ross•ARTICLE•African Arts•1981•Cited by: 1

  • Napaskiak

    Daniel J Crowley, Wendell H Oswalt et al.•ARTICLE•Western Folklore•1965•Cited by: 1

  • Politics and Tribalism in the Katanga

    Daniel J Crowley•ARTICLE•The Western Political Quarterly•1963•Cited by: 1

  • Festivals of the Calendar in St. Lucia

    Daniel J Crowley•ARTICLE•Caribbean Quarterly•1955•Cited by: 1

    (1955). Festivals of the Calendar in St. Lucia. Caribbean Quarterly: Vol. 4, No. 2, pp. 99-121

  • Form and Style in a Bahamian Folktale

    Daniel J Crowley•ARTICLE•Caribbean Quarterly•1954

    (1954). Form and Style in a Bahamian Folktale. Caribbean Quarterly: Vol. 3, No. 4, pp. 218-234

  • Festivals of the Calendar in St. Lucia

    Daniel J Crowley•ARTICLE•Caribbean Quarterly•1955•Cited by: 1

    (1955). Festivals of the Calendar in St. Lucia. Caribbean Quarterly: Vol. 4, No. 2, pp. 99-121

  • The Midnight Robbers

    Daniel J Crowley•ARTICLE•Caribbean Quarterly•1956•Cited by: 2

  • The Traditional Masques of Carnival

    Daniel J Crowley•ARTICLE•Caribbean Quarterly•1956•Cited by: 12

    (1956). The Traditional Masques of Carnival. Caribbean Quarterly: Vol. 4, No. 3-4, pp. 194-223

  • Myth

    Daniel J Crowley, Thomas A Sebeok•ARTICLE•Journal of American Folklore•1957

  • Song and Dance in St. Lucia

    Daniel J Crowley•ARTICLE•Ethnomusicology•1957

    in the Lesser Antilles, 500 miles southeast of Puerto Rico. In the wars of the seventeenth and eighteenth centuries St. Lucia changed hands fourteen times between France and Britain. As a result, although her government has been that of the British Windward Islands since 1803, the 86,000 St. Lucians still speak French Creole patois and are largely Roman Catholics. This population, with the exception of a few hundred whites and a few thousand East…

  • L'héritage africain dans les Bahamas

    Daniel J Crowley•ARTICLE•Présence Africaine•1958

  • La Rose and La Marguerite Societies in St. Lucia

    Daniel J Crowley•ARTICLE•Journal of American Folklore•1958

    T HE population of St. Lucia for the last 200 years has been divided into two groups, the Roses and the Marguerites. Although both these groups are ostensibly only singing societies dedicated to praising the rose or the marguerite flower (bachelor's button, globe amaranth, gromphrena), they form important segments of the islands's social structure. In 1844, Henry H. Breen reported that although few persons, besides the labouring classes and domes…

  • Inteligencia do Folclore

    Daniel J Crowley, Renato Almeida et al.•ARTICLE•Journal of American Folklore•1958

  • The Shak-Shak in the Lesser Antilles

    Daniel J Crowley•ARTICLE•Ethnomusicology•1958

    ation; local traditions of Morris and Sword dancing, and other seasonal rites have received fresh impetus, or have been brought to life again by the interest aroused by the Society' s activities; fertilized by native folk airs English music has thrown up vigorous new growth. And this is more than ample fulfillment of Sir Hubert Parry's modest hope, expressed in his Vice-Presidential address at the inaugural meeting of the Folk Song Society in Jun…

  • Guy Fawkes Day at Fresh Creek, Andros Island, Bahamas

    Daniel J Crowley•ARTICLE•Man•1958•Cited by: 3

  • Art

    Open Access•Daniel J Crowley•ARTICLE•American Anthropologist•1959

  • Folk Songs of the Caribbean

    Daniel J Crowley, Jim Morse•ARTICLE•Journal of American Folklore•1959

  • Toward a Definition of Calypso (Part II)

    Daniel J Crowley•ARTICLE•Ethnomusicology•1959

  • Toward a Definition of Calypso (Part I)

    Daniel J Crowley•ARTICLE•Ethnomusicology•1959•Cited by: 2

    Problem: popularity of such songs as Day-O and r'amaica Farewell sung in pseudo-West Indian dialect and called requires a fresh investigation into this traditional Trinidadian musical form. recent craze which accounted for one fourth of popular record sales (Time, 1957:55) and wherein one Belafonte album sold nearly a million copies (Cappon, 1957) is not the first to occur in the United States. first calypso recordings were put out by Victor in 1…

  • Music from Oil Drums

    Daniel J Crowley, Pete Seeger•ARTICLE•Ethnomusicology•1959

  • Folklore Research in the Congo

    Daniel J Crowley•ARTICLE•Journal of American Folklore•1961

    Daniel J. Crowley, Folklore Research in the Congo, The Journal of American Folklore, Vol. 74, No. 294, Folklore Research around the World: A North American Point of View (Oct. - Dec., 1961), pp. 457-460

  • Continuity and Change in African Cultures

    Daniel J Crowley, William Bascom et al.•ARTICLE•The American Catholic Sociological…•1962

  • Africa, Its People and Their Culture History

    Daniel J Crowley, George Peter Murdock•ARTICLE•The American Catholic Sociological…•1962

  • Nigerian Folk Tales

    Daniel J Crowley, Warren S Walker et al.•ARTICLE•Journal of American Folklore•1962

  • The King of the Mountains

    Daniel J Crowley, M A Jagendorf et al.•ARTICLE•Journal of American Folklore•1962

  • The Drum and the Hoe, Life and Lore of the Haitian People

    Daniel J Crowley, Harold Courlander•ARTICLE•Ethnomusicology•1962

  • African Oral Literature

    Daniel J Crowley•ARTICLE•African Studies Review•1962•Cited by: 17

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Nigeria

    Open Access•Daniel J Crowley•ARTICLE•American Anthropologist•1963

  • Politics and Tribalism in the Katanga

    Open Access•Daniel J Crowley•ARTICLE•The Western Political Quarterly•1963

    HE FOURTEEN MILLION inhabitants of the former Belgian Congo are divided into an estimated 183 culturally distinct tribes and sub-tribes including Pygmies, Nilotics, Sudanese, and Bantu.The 144 Bantu-speaking tribes contain most of the population and inhabit at least two-thirds of the land area. Despite this diversity, the languages and cultures of the Congo are relatively homogeneous, and extend north and south of the political boundaries to incl…

History (78 works) · Art (75 works) · Sociology (40 works) · Geography (39 works) · History (38 works) · Visual arts (31 works) · Computer Science (25 works) · Anthropology (22 works) · Caribbean history, culture, and politics (22 works) · African history and culture studies (21 works)

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