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Elizabeth W Bru

Biographic Data

ID995146
NAMEElizabeth W Bru
GIVEN NAMESElizabeth W
FAMILY NAMEBru
SIGNATUREBRU E W
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS5
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR1977
LATEST PUBLICATION YEAR1983
H-INDEX1
  • Beautiful Theories

    Stephen Melville, Elizabeth W Bru et al.•ARTICLE•SubStance•1983

  • Signs and practices

    Open Access•Elizabeth W Bru, Elizabeth W Bruss•ARTICLE•Poetics•1978•Cited by: 1

  • The Game of Literature and Some Literary Games

    Elizabeth W Bru, Elizabeth W Bruss•ARTICLE•New Literary History•1977•Cited by: 4

    I HE HISTORY OF WRITING is also the history of reading, but until recently criticism has ignored the full dimensions of the literary encounter, preferring the symmetries of verbal objects or the private gestures of a lone creator to the interaction between an author and an audience.' The good traditional reader is responsive, blessed insofar as he remains a shadow. But challenges to this tradition seem ever more frequent as literary theory feels …

  • The Game of Literature and Some Literary Games

    Elizabeth W Bru, Elizabeth W Bruss•ARTICLE•New Literary History•1977•Cited by: 4

    I HE HISTORY OF WRITING is also the history of reading, but until recently criticism has ignored the full dimensions of the literary encounter, preferring the symmetries of verbal objects or the private gestures of a lone creator to the interaction between an author and an audience.' The good traditional reader is responsive, blessed insofar as he remains a shadow. But challenges to this tradition seem ever more frequent as literary theory feels …

  • Signs and practices

    Open Access•Elizabeth W Bru, Elizabeth W Bruss•ARTICLE•Poetics•1978•Cited by: 1

  • The Game of Literature and Some Literary Games

    Elizabeth W Bru, Elizabeth W Bruss•ARTICLE•New Literary History•1977•Cited by: 4

    I HE HISTORY OF WRITING is also the history of reading, but until recently criticism has ignored the full dimensions of the literary encounter, preferring the symmetries of verbal objects or the private gestures of a lone creator to the interaction between an author and an audience.' The good traditional reader is responsive, blessed insofar as he remains a shadow. But challenges to this tradition seem ever more frequent as literary theory feels …

  • Signs and practices

    Open Access•Elizabeth W Bru, Elizabeth W Bruss•ARTICLE•Poetics•1978•Cited by: 1

  • Beautiful Theories

    Stephen Melville, Elizabeth W Bru et al.•ARTICLE•SubStance•1983

Aesthetics (3 works) · Art (3 works) · Epistemology (3 works) · Literature (3 works) · Philosophy (3 works) · Sociology (3 works) · Criticism (2 works) · Language, Metaphor, and Cognition (2 works) · Linguistics (2 works) · Semiotics (2 works)

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