Nothing but My Own Whole Body”
Revisiting Radical Haiku Through Violet Kazue de Cristoforo’s Life and Work
Bibliographic Data
| ID | 10891007 |
|---|---|
| Authors | Mai-Linh K Hong (0000-0001-7807-7305, Literature, Languages, and Cultures, University of California, Merced, CA, USA, corresponding author) |
| Year | 2023 |
| Volume | 49 |
| Issue | 1-2 |
| Pages | 85-101 |
| Publication date | 2023-05-04 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Amerasia Journal (JOURNAL) |
| Journal identifiers | ISSN: 0044-7471 • E-ISSN: 2642-0228 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/00447471.2023.2298291 |
| OpenAlex | W4390741554 |
| Language | EN |
There Is Always Tomorrow (1997).A vivid, rule-breaking, highly social form that thrived in specialized clubs, Kaiko haiku began in Tokyo in the early 1900s and was brought by young emigrant writers to California, where it was transformed and almost erased by Japanese American incarceration
Archaeology · Art · Art history · Colonialism · Haiku · Literature · Nothing · Poetry · Sociology · Asian American and Pacific Histories · History · Latin American and Latino Studies · Philosophy
| Citation velocity | historical |
|---|---|
| Highly cited | No |