Bakhtin and the actor (with constant reference to Shakespeare)
Bibliographic Data
| ID | 12190814 |
|---|---|
| Authors | Charles Emerson (0009-0005-2182-2323, Princeton University, corresponding author) |
| Year | 2015 |
| Volume | 67 |
| Issue | 3-4 |
| Pages | 183-207 |
| Publication date | 2015-07-02 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Studies in East European Thought (JOURNAL) |
| Journal identifiers | ISSN: 0925-9392 • E-ISSN: 1573-0948 |
| Publisher | Springer Nature (PUBLISHER • SG) |
| DOI | 10.1007/s11212-015-9238-1 |
| OpenAlex | W1084559914 |
| Language | EN |
| Citations received | 2 |
| References cited | 23 |
Aesthetics · Art · Comedy · Dialogic · Epistemology · Gesture · Improvisation · Linguistics · Literature · Perspective (graphical · Repetition (rhetorical device · Seriousness · Sociology · Tragedy (event · Visual arts · Philosophy · Philosophy, Ethics, and Existentialism · Russian Literature and Bakhtin Studies · Theatre and Performance Studies
Critical Theory and Performance
Comedy, Seriously
Art and Answerability
Problems of Dostoevsky's Poetics
Performance Studies
Great Reckonings in Little Rooms
Problemy poètiki Dostoevskogo
Carnival and Other Christian Festivals
Intersubjectivities and Popular Culture
Role Playing and Identity
Stanislavsky in Focus
Toward a Phenomenological Model of the Actor's Embodied Modes of Experience
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,29 |
| Citation span | 2019 - 2023 (5) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |