Bad Jokes, Bad English, Good Copy
Sukiyaki Western Django , or How the West Was Won
Bibliographic Data
| ID | 12349378 |
|---|---|
| Authors | Olivia Khoo (0000-0001-8383-8877, Australian Regenerative Medicine Institute, corresponding author) |
| Year | 2013 |
| Volume | 37 |
| Issue | 1 |
| Pages | 80-95 |
| Publication date | 2013-03-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Asian Studies Review (JOURNAL) |
| Journal identifiers | ISSN: 1035-7823 • E-ISSN: 1467-8403 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/10357823.2012.760529 |
| OpenAlex | W1964181188 |
| Language | EN |
| Citations received | 1 |
| References cited | 19 |
Miike Takashi’s Sukiyaki Western Django is a contemporary remake of Sergio Corbucci’s Spaghetti Western Django. In this updated Japanese version all of the characters speak English and there is a notable cameo appearance by Quentin Tarantino that references the continuous series of filmic exchanges that have taken place between Asia and the West, most notably in the context of action cinema. Rather than conceiving of the various movements and exchanges between the two films (and their predecessors) in terms of the search for an “original” or for the conceptualisation of good or bad copies, this paper focuses on the question of genre and what it can bring to a discussion of cross-cultural value in cinema. In particular, the paper explores what the recurring turn to Westerns in Asia reveals about the search for new frontiers of value and aesthetics in global cinema. From the serious to the self-conscious to the downright “bad” (and bad-ass) Western, Sukiyaki Western Django is a notable recent example of how the “Asian Western” both localises and globalises a peculiarly American genre, and at once de-values and re-values the “original”
Action (physics · Archaeology · Art · Art history · Context (archaeology · Literature · Movie theater · Value (mathematics · Asian Culture and Media Studies · Computer Science · History · Hong Kong and Taiwan Politics · Japanese History and Culture
West of Everything
An Accented Cinema
English as a Global Language
Primitive passions
Spaghetti Westerns
East Asian Screen Industries
East Asian Cinemas
Asia as Method
Cultural value and viscerality in Sukiyaki Western Django
Communitarianism, or, how to build East Asian theory
De-Westernization and the governance of global cultural connectivity
Copying Kill Bill
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,08 |
| Citation span | 2014 - 2014 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |