The Digital Shoals
On Becoming and Sensation in Performance
Bibliographic Data
| ID | 12370028 |
|---|---|
| Authors | Michael LeVan (Covance (United States), corresponding author) |
| Year | 2012 |
| Volume | 32 |
| Issue | 3 |
| Pages | 209-219 |
| Publication date | 2012-06-22 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Text and Performance Quarterly (JOURNAL) |
| Journal identifiers | ISSN: 1046-2937 • E-ISSN: 1479-5760 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/10462937.2012.691327 |
| OpenAlex | W2170132879 |
| Language | EN |
| Citations received | 11 |
| References cited | 6 |
This essay explores digital modes and methods of performance, suggesting that the forms engendered by such work point to a potential site of confluence for research, scholarly expression, and aesthetic work in the Performance Studies field. At issue is the politics of performance, defined in terms of what philosopher Jacques Rancière calls the “distribution of the sensible.” In so doing, I revisit Wallace Bacon's metaphor of dangerous shores, extending it to account for performance in digital environments
Aesthetics · Art · Cognitive psychology · Cognitive science · Epistemology · Expression (computer science · Field (mathematics · Linguistics · Metaphor · Point (geometry · Political science · Politics · Sensation · Shoal · Sociology · Work (physics · Artistic and Creative Research · Computer Science · Engineering · Law · Mathematics · Philosophy · Posthumanist Ethics and Activism · Psychology · Theatre and Performance Studies · Geology · Mechanical Engineering
Depth beyond 3D
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Beckoning
Pandemic drama as an anti-racism scream of Asian-Americans through Covid-19 crisis
Spaces for which I sledge
The place of performance in performance studies
The Storyteller, Novelist, and Charlatan
Performance as Critical Posthuman Pedagogy
The planet, everyday
| Unique citing works | 11 |
|---|---|
| Citations per year | 0,85 |
| Citation span | 2013 - 2025 (13) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 11 |