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They’re just like us only fictional

An analysis on the materiality of LGBTQI+ representation

Bibliographic Data

ID12370113
AuthorsAriel Kizer (Louisiana State University, corresponding author), Ethan Hunter (0000-0001-8822-7602, Louisiana State University, corresponding author)
Year2022
Volume43
Issue1
Pages62-69
Publication date2022-03-07
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueText and Performance Quarterly (JOURNAL)
Journal identifiersISSN: 1046-2937 • E-ISSN: 1479-5760
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/10462937.2022.2046845
OpenAlexW4220807666
LanguageEN
Citations received2
References cited43

Practically Perfect is a two-person show about our experiences growing up Queer and trying to be perfect. It is a performance experiment through which we analyzed our memories of mediated LGBTQI+ characters and by which we document our research on the material impact those media representations had on our Queer identity building. Through Practically Perfect, we theorize performance methods as survival tactics for Queer adolescents in the process of identity building. Further, we assert that it is through the performance of coming-of-age personal narratives that we rewrite our traumas, relearn behaviors, and re-member new ways to grow up Queer

Aesthetics · Art · Identity (music · Literature · Materiality (auditing · Narrative · Political science · Politics · Queer · Representation (politics · Sociology · Gender Studies · Gender, Feminism, and Media · LGBTQ Health, Identity, and Policy · Media Studies and Communication · Psychology

  • Australian audience reactions to the ABC’s broadcast of Tales of the City , as seen in the Green Guide letters

    Open Access•Damien John O’meara•Continuum•2025

  • Interviewing out lesbian, gay and bisexual creatives and executives about getting queer stories in mainstream Australian scripted television

    Open Access•Damien John O’meara•Media Culture & Society•2026

  • Willful Subjects

    Sara Ahmed, Sara Ahmed Sayed Ali•Willful Subjects•2014

  • Unmarked

    Peggy Phelan•Unmarked•2003

  • Queer Migration Politics

    Karma R Chávez, Karma Chávez•Queer Migration Politics•2016

  • Here, and Not Yet Here

    Giuseppe Aiello, Giorgia Aiello et al.•Journal of International and…•2013

  • Whose sexuality is it anyway? Women’s experiences of viewing lesbians on screen

    Julie Scanlon, Ruth Lewis•Feminist Media Studies•2016

  • Media Representations of Lesbians, Gay Men, and Bisexuals on Dutch Television and People’s Stereotypes and Attitudes About LGBs

    Open Access•Megan May van Meer, Monique M H Pollmann•Sexuality & Culture•2021

  • Performing absence

    Linda M Park‐Fuller•Text and Performance Quarterly•2000

  • Reflection

    Jonathan Gray•Text and Performance Quarterly•2010

  • Just a bunch of therapy”

    Craig Gingrich-Philbrook, Craig Gingrich‐philbrook•Text and Performance Quarterly•2017

  • Everyday life performance and “the method” in the acting classroom

    Kathleen Juhl•Text and Performance Quarterly•1993

  • Artist's Statement

    Dustin Bradley Goltz•Text and Performance Quarterly•2007

  • Trail Mix

    Jonathan Gray•Text and Performance Quarterly•2010

  • Refreshment

    Craig Gingrich‐philbrook•Text and Performance Quarterly•1997

  • Novelizing” the stage

    Michael S Bowman•Text and Performance Quarterly•1995

  • Banging the Bishop

    Dustin Bradley Goltz•Text and Performance Quarterly•2007

  • Sextext

    Frederick C Corey, Thomas K Nakayama•Text and Performance Quarterly•1997

  • Toward an aesthetics of natural performance

    Nathan Stucky•Text and Performance Quarterly•1993

  • Ragan Fox is a Gay Slam Poet”

    Ragan Fox•Text and Performance Quarterly•2010

  • Tales of a Fighting Bobcat

    Ragan Fox•Text and Performance Quarterly•2010

  • From Heterophobia to Gayville

    Ragan Fox•Text and Performance Quarterly•2010

  • "Quare" studies, or (almost) everything I know about queer studies I learned from my grandmother

    E Patrick Johnson•Text and Performance Quarterly•2001

  • Homo”-work

    Ragan Fox•Text and Performance Quarterly•2013

  • Conversational dramatism and everyday life performance

    Robert Hopper•Text and Performance Quarterly•1993

  • Breathing Darrell

    Scott Dillard•Text and Performance Quarterly•2000

  • Inspiration and conversation

    Joanne Gilbert, Joanne R Gilbert•Text and Performance Quarterly•1993

  • From Page to Stage

    E Patrick Johnson•Text and Performance Quarterly•2012

  • The politics of personal narrative methodology

    Eric E Peterson, Kristin M Langellier•Text and Performance Quarterly•1997

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    Elizabeth Bell•Women s Studies in Communication•1996

  • The Indeterminate Third Person in Busted Flat in Baton Rouge

    Tracy Stephenson Shaffer•Text and Performance Quarterly•2005

  • Invisibility, homophobia and heterosexism

    Linda Steiner, Fred Fejes et al.•Critical Studies in Mass…•1993

  • That was my occupation

    D Soyini Madison•Text and Performance Quarterly•1993

  • Personal narrative, performance, performativity

    Kristin M Langellier•Text and Performance Quarterly•1999

  • The Dangerous Real

    Elizabeth Whitney•Comparative American Studies An…•2016

  • The Influence of Media Role Models on Gay, Lesbian, and Bisexual Identity

    Sarah C Gomillion, Traci A Giuliano•Journal of Homosexuality•2011

  • Queer Theory and Performance

    Craig Gingrich Philbrook•Journal of Homosexuality•2003

  • Can One TV Show Make a Difference?aWill & Graceand the Parasocial Contact Hypothesis

    Edward Schiappa, Peter B Gregg et al.•Journal of Homosexuality•2006

  • Punks, Bulldaggers, and Welfare Queens

    Cathy J Cohen, Cathy Cohen•GLQ A Journal of Lesbian and Gay…•1997

Unique citing works2
Citations per year2
Citation span2025 - 2026 (2)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 2
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