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The Beekeeper of Aleppo

A transnational collaboration

Bibliographic Data

ID12370161
AuthorsNesrin Alrefaai (London School of Economics and Political Science), Matthew Spangler (0009-0004-6201-1060, San Jose State University, corresponding author)
Year2022
Volume43
Issue3
Pages219-226
Publication date2022-06-28
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueText and Performance Quarterly (JOURNAL)
Journal identifiersISSN: 1046-2937 • E-ISSN: 1479-5760
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/10462937.2022.2088850
OpenAlexW4283661474
LanguageEN
References cited25

This article situates the adaptation of literature for the stage as a collaborative artistic practice and critical research methodology. We describe our experience of co-writing a play based on Christy Lefteri’s award-winning novel The Beekeeper of Aleppo (2019). As playwrights based in London and California, respectively, with life experiences rooted in Syria, the United Kingdom, and the United States, our collaborative process pushes against the borders of geography and our own identities. We share a belief in the power of theater for social change, and a desire to make visible the effects of inhumane immigration systems on refugees and asylum-seekers

Art · Immigration · Media studies · Political science · Power (physics · Refugee · Sociology · Visual arts · Education and experiences of immigrants and refugees · Gender Studies · History · Law · Migration, Health and Trauma · Migration, Refugees, and Integration

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Citation velocityhistorical
Highly citedNo
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