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Figuring out the Anguipede (‘snake-legged god’) and his relation to Judaism

Bibliographic Data

ID12372712
AuthorsÁrpád M Nagy (Museum of Fine Arts, corresponding author)
Year2002
Volume15
Pages159-172
Publication date2002-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of Roman Archaeology (JOURNAL)
Journal identifiersISSN: 1047-7594 • E-ISSN: 2331-5709
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s104775940001388x
OpenAlexW51414045
LanguageEN
Citations received4
References cited6

So-called magical gems constitute an especially rich body of material evidence for magic and religion in the Roman Empire. They differ from the ordinary run of gems in three respects: in their selection of iconographic types, normally divine images of one sort or another; by their use of magic words and occasionally longer texts, primarily in Greek script; and by their use of magic signs, usually called characteres . At least one of these three elements must be present for a gem to be identifiable as magical. These “Zaubergemmen” form the most easily distinguishable sub-group of the wider class of amuletic gems, that is, engraved stones of talismanic function. The majority of the iconographic schemes appearing on magical gems adhere closely to the classical Graeco-Roman and Egyptian traditions. Others, however, are unique to this class of gems: rare even on other magical objects, they are practically unknown outside this sphere in the whole variety of ancient art

Ancient art · Art · Art history · Literature · MAGIC (telescope · Roman Empire · Ancient Egypt and Archaeology · Classical Antiquity Studies · Classics · Historical, Religious, and Philosophical Studies

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Unique citing works4
Citations per year0,29
Citation span2012 - 2022 (11)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 4
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