Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Beyond national identity

Kuo Pao Kun’s contemporary theatre and an open culture

Bibliographic Data

ID12671237
AuthorsC J W L Wee (0000-0002-4271-1332, English, Nanyang Technological University, Singapore, corresponding author)
Year2020
Volume21
Issue2
Pages251-265
Publication date2020-04-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueInter-Asia Cultural Studies (JOURNAL)
Journal identifiersISSN: 1464-9373 • E-ISSN: 1469-8447
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/14649373.2020.1759889
OpenAlexW3037263048
LanguageEN
Citations received2
References cited9

This article argues that the artistic-cultural work of the late Kuo Pao Kun (1939–2002) from the mid-1990s commenced on what tentatively can be called an extraterritorial theatre practice that engaged with the modern state’s capacity to make national identity singular in the interests of political, military and economic goals, and in which cultural formation and identity must exceed the nation-state’s purview. The present, “globalised” moment requires freedom from local jurisdictions: this is the line of thought regarding a truly contemporary theatre’s direction cut short by his demise in 2002. Two plays represent Kuo’s new direction: Descendants of the Eunuch Admiral (1995) and the The Spirits Play (1998 and 2000). His deliberations on contemporary art and culture draw from older ideals of modern cultural formation and is conjoined, it may be contradictorily, with postmodernism’s rhetoric of the decentred and the multiple; but if so, this contradiction becomes an adumbration of the fraught attributes of the contemporary

Aesthetics · Art · Contradiction · Demise · Epistemology · Identity (music · Literature · National identity · Political science · Politics · Postmodernism · Rhetoric · Sociology · State (computer science · Theology · Art Education and Development · Diversity and Impact of Dance · Law · Philosophy · Theatre and Performance Studies

  • Contemporary Asian Literatures in English

    Open Access•Mohammad A Quayum•World Englishes•2026

  • Malaysia and Singapore

    Open Access•Ismail S Talib•The Journal of Commonwealth…•2023

  • Global Culture

    Kenichi Kawasaki, Diana Crane et al.•Global Culture•2016

  • Notes on Globalization as a Philosophical Issue

    Fredric Jameson•Cultures of Globalization•1998

  • Arts, Culture and the Making of Global Cities

    Open Access•L Kong, Ching Chia-ho et al.•Arts, Culture and the Making of…•2015

  • The End of Empire and the Making of Malaya

    Open Access•T N Harper•End of Empire and the Making of…•1999

  • Intellectual consciousness and the negation of the intellectual class

    Sy Ren Quah•Inter-Asia Cultural Studies•2020

  • Pride versus prudence

    Yi-Sheng Ng•Inter-Asia Cultural Studies•2017

  • The feeling of being watched

    Paul Rae•Inter-Asia Cultural Studies•2020

Unique citing works2
Citations per year0,09
Citation span2004 - 2026 (23)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 1
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae