Unpacking the Museum Register
Bibliographic Data
| ID | 16898476 |
|---|---|
| Authors | Emma Knight (0000-0002-4549-1531, corresponding author) |
| Year | 2017 |
| Volume | 5 |
| Issue | 1 |
| Publication date | 2017-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Museum Worlds (JOURNAL) |
| Journal identifiers | ISSN: 2049-6729 • E-ISSN: 2049-6737 |
| Publisher | Berghahn Books (PUBLISHER • GB) |
| DOI | 10.3167/armw.2017.050105 |
| OpenAlex | W2766246282 |
| Language | EN |
| References cited | 12 |
Working largely from archival documents, this article examines the material traces of the confiscated and repatriated Kwakwa̱ka̱’wakw potlatch collection that remains in the museum register. I unpack the museum register to demonstrate that, in lieu of a predetermined repatriation process, museum staff relied instead on existing administrative processes to navigate this largely uncharted territory of repatriation in the 1960s. These highly formalized processes or rituals served to reaffirm institutional identity in the face of an uncontrollable element—repatriation. Using the museum register, this article provides a historical lens through which to view the personal and institutional shifts that were necessary for this early repatriation to occur. The contemporary repatriation ceremonies performed by Kwakwa̱ka̱’wakw peoples and the contemporary significance of the repatriated regalia in Alert Bay and Cape Mudge point to the ways repatriation processes and relationships have changed over time
Aesthetics · Archaeology · Art · Ethnology · Face (sociological concept · Genealogy · Identity (music · Linguistics · Register (sociolinguistics · Repatriation · Social science · Sociology · Unpacking · Anthropological Studies and Insights · Cultural Heritage Management and Preservation · Global Maritime and Colonial Histories · History
| Citation velocity | historical |
|---|---|
| Highly cited | No |