Structure in the Dimension of Liveness and Mediation
Bibliographic Data
| ID | 20486554 |
|---|---|
| Authors | Jeffrey M Morris (0000-0001-8941-8099, Mitchell Institute, corresponding author) |
| Year | 2008 |
| Volume | 18 |
| Pages | 59-61 |
| Publication date | 2008-12-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo Music Journal (JOURNAL) |
| Journal identifiers | ISSN: 0961-1215 • E-ISSN: 1531-4812 |
| Publisher | MIT Press (PUBLISHER • US) |
| DOI | 10.1162/lmj.2008.18.59 |
| OpenAlex | W2030679981 |
| Language | EN |
| Citations received | 2 |
| References cited | 4 |
While technological developments can replace some aspects of live performance, they have also opened a new dimension of musical structure: that of liveness and mediation, which requires live performance in order to be meaningful. Liveness itself can be used and manipulated as a distinct musical element. The author describes these concepts at work in his compositions that explore mediatization as a device of intermedial imitative counterpoint and formal structure
Aesthetics · Art · Cognitive science · Counterpoint · Epistemology · Human–computer interaction · Liveness · Mediation · Musical · Musical form · Political science · Sociology · Visual arts · Computer Science · Law · Mathematics · Music and Audio Processing · Music Technology and Sound Studies · Neuroscience and Music Perception · Philosophy · Psychology · Theoretical Computer Science
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,29 |
| Citation span | 2019 - 2024 (6) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 2 |