A Tripod ‘Worth Seeing’ in the Olympieion at Athens (Paus. 1.18.8)

Bibliographic Data

ID21037922
AuthorsBrian Martens (0000-0002-6697-7872, University of St Andrews, corresponding author)
Year2023
Volume113
Pages137-169
Publication date2023-11-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueThe Journal of Roman Studies (JOURNAL)
Journal identifiersISSN: 0075-4358 • E-ISSN: 1753-528X
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0075435823000618
OpenAlexW4385635724
LanguageEN
References cited66

This study proposes a new reconstruction of the tripod that Pausanias (1.18.8) recorded in the Olympieion at Athens. According to his brief description, the bronze tripod was supported by Persians made from Phrygian marble. A sculptor's sketch found during the excavations of the Athenian Agora is identified as a representation of that monument. The sketch, carved from poros limestone, depicts a standing male figure dressed in eastern attire supporting the foot of a tripod. The figural type finds its closest parallels among the colossal statues from the Forum of Trajan in Rome, suggesting a new date and context for the monument in the Olympieion. The scenario favoured here is that the tripod was dedicated following Trajan's victories in Parthia, perhaps completed or commissioned by Hadrian. Cassius Dio (68.17.2) records that Trajan departed for his Parthian campaigns from Athens, where memories of Persian defeat were actively curated

Ancient history · Arabic · Art · Art history · Bronze · Linguistics · Parallels · Sketch · Tripod (photography) · Ancient Mediterranean Archaeology and History · Byzantine Studies and History · Classical Antiquity Studies · Computer Science · Engineering · History · Philosophy