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The knowledge worker and the projectified self

Domesticating and disciplining creativity

Bibliographic Data

ID21189695
AuthorsYannick Kalff (0000-0003-1595-175X, corresponding author), Yannick Kalff Yannick Kalff
Year2017
Volume11
Issue1
Publication date2017-04-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueWork Organisation Labour & Globalisation (JOURNAL)
Journal identifiersISSN: 1745-641X • E-ISSN: 1745-6428
PublisherPluto Journals (PUBLISHER • GB)
DOI10.13169/workorgalaboglob.11.1.0010
OpenAlexW2622541752
LanguageEN
Citations received3
References cited38

Since the 1970s, projects have become a widespread form of work and labour organisation. They represent complex temporary endeavours and suggest spontaneity and flexibility, albeit reliant on bureaucratic structures. In contrast to this, projects can also be seen as metaphors for late modern biographies and socialisation. Both notions directly affect knowledge work by domesticating knowledge and creativity to fit valorisation processes. Within obscured power relations, a subjectivising antinomy of predictability and flexibility arises: the projectified self. This form of subjectivity domesticates the knowledge worker contributing to new vulnerabilities to precarity due to flexible, spontaneous and uncertain biographies

Aesthetics · Antinomy · Art · Creativity · Economics · Epistemology · Management · Precarity · Sociology · Subjectivity · Communication · Digital Economy and Work Transformation · Gender Studies · Labor Movements and Unions · Management and Organizational Studies · Psychology · Social Psychology

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Unique citing works3
Citations per year0,5
Citation span2020 - 2025 (6)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 3
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