Creatively transforming periphery? Artists’ initiatives, social innovation, and responsibility for place
Bibliographic Data
| ID | 21363855 |
|---|---|
| Authors | Karin Coenen (Western Norway University of Applied Sciences, corresponding author) |
| Year | 2023 |
| Volume | 77 |
| Issue | 1 |
| Pages | 47-61 |
| Publication date | 2023-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Norsk Geografisk Tidsskrift - Norwegian Journal of Geography (JOURNAL) |
| Journal identifiers | ISSN: 0029-1951 • E-ISSN: 1502-5292 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/00291951.2023.2169193 |
| OpenAlex | W4320917990 |
| Language | EN |
| Citations received | 4 |
| References cited | 50 |
Creativity and geography have received little attention in the literature on responsible innovation. To address these shortcomings, the article places responsible innovation explicitly in a territorial and non-technocentric context by exploring how artist-led social innovation takes ‘responsibility for place’. The article is guided by the following research question: How can artist initiatives shape sustainable regional development in peripheral areas? To address this research question, the author draws on a conceptualization of artist-led social innovation processes geared to ‘deperipheralization’ that is applied to study two initiatives – Ifö Center in Bromölla, Sweden, and Rjukan Solarpunk Academy, in Rjukan, Norway – situated in peripheral old industrial towns. The study reveals a variety of ways by which artists can be agents of change that transform places but at the same time take responsibility for inclusion and participation. The author concludes that through social innovation, artists' initiatives can empower local citizens and other actors to experiment collectively with unconventional ideas related to social and environmental sustainability and take responsibility for place. The social innovations studied have enacted responsibility for development objectives that are intrinsically significant due to an ethos of care in both a temporal sense (care for future) and a spatial sense (care for place)
Conceptualization · Context (archaeology) · Corporate social responsibility · Creativity · Environmental ethics · Ethos · Geography · Political science · Public relations · Sense of place · Situated · Social responsibility · Social science · Sociology · Sustainability · Creativity in Education and Neuroscience · Cultural Industries and Urban Development · Innovative Approaches in Technology and Social Development
Exploring the normative turn in regional innovation policy
Innovation in the Periphery
Responsible Innovation and Responsible Research and Innovation
Prospects for technology assessment in a framework of responsible research and innovation
Firm collaboration and modes of innovation in Norway
Challenge-Driven Innovation Policy
Innovating in the Periphery
Innovation and Creativity in Organizations
Evolving geographies of innovation
Peripheralization
Face-to-Face, Buzz, and Knowledge Bases
Hooked up to the international artistic community
The International Handbook on Social Innovation
Art for Change
Walking across disciplines
Social innovation in question
Epistemic communities, localization and the dynamics of knowledge creation
How controversial innovation succeeds in the periphery? A network perspective of Basf Argentina
Peripheries within economic geography
Creative Cities
Creativity in time and space
Cultural economy and the creative field of the city
Creativity-related mobilities of peripheral artists and scientists
The complexity of innovation
Territorial Innovation Models
This place gives me space’
Interaction in the artistic knowledge creation process
Transformative social innovation and (dis)empowerment
Artists, Aestheticisation and the Field of Gentrification
Aestheticizing Space
Resources in Economic Geography
Creativity in arts and sciences
Marginality as strategy
Knowledge Bases, Talents, and Contexts
Five Misunderstandings About Case-Study Research
How Social Innovation 'Came to Be
| Unique citing works | 4 |
|---|---|
| Citations per year | 1,33 |
| Citation span | 2023 - 2026 (4) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 4 |