Towards a new public space

Performance culture in 1980s South Africa

Datos Bibliográficos

ID2173065
AutoresTom Penfold
Año2015
Volumen27
Número3
Páginas311-325
Fecha de publicación2015-09-02
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaJournal of African Cultural Studies (JOURNAL)
Identificadores de la revistaISSN: 1369-6815 • E-ISSN: 1469-9346
EditorialInforma UK Limited (PUBLISHER • GB)
DOI10.1080/13696815.2015.1026882
OpenAlexW2088654613
IdiomaEN
Citas recibidas5
Referencias citadas14

Going as far as to discuss political violence and funerals alongside poetry and theatre, this article adopts an inclusive approach to culture and explores the changing nature of performance in 1980s South Africa. Focusing initially on trade unions and worker culture, before widening the discussion, it is shown that those marginalized by apartheid society were able to work at the boundaries of established genres to perform messages of mobilization that simultaneously created temporarily liberated areas inscribed with new forms of authority and agency. The article considers poetry by Alfred Qabula and Mzwakhe Mbuli; new developments in theatre; and political events and argues that each, by blurring the distinction between the performer and the audience, similarly acted as popular tools of communication. They replaced the literary imaginary of previous decades and created new public spaces

Aesthetics · Agency (philosophy · Art · Inscribed figure · Literature · Media studies · Performing arts · Poetry · Political science · Politics · Public space · Social science · Sociology · The Imaginary · Engineering · South African History and Culture · Law