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Art Criticism and the State of Feminist Art Criticism

Bibliographic Data

ID21974005
AuthorsKaty Deepwell (0000-0001-8188-0895, Middlesex University, corresponding author)
Year2020
Volume9
Issue1
Pages28
Publication date2020-02-25
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueArts (JOURNAL)
Journal identifiersISSN: 2076-0752 • E-ISSN: 2076-0752
PublisherMDPI AG (PUBLISHER • IT)
DOI10.3390/arts9010028
OpenAlexW2998883042
LanguageEN
Citations received5
References cited28

This essay is in four parts. The first offers a critique of James Elkins and Michael Newman’s book The State of Art Criticism (Routledge, 2008) for what it tells us about art criticism in academia and journalism and feminism; the second considers how a gendered analysis measures the “state” of art and art criticism as a feminist intervention; and the third, how neo-liberal mis-readings of Linda Nochlin and Laura Mulvey in the art world represent feminism in ideas about “greatness” and the “gaze”, whilst avoiding feminist arguments about women artists or their work, particularly on “motherhood”. In the fourth part, against the limits of the first three, the state of feminist art criticism across the last fifty years is reconsidered by highlighting the plurality of feminisms in transnational, transgenerational and progressive alliances

Aesthetics · Art · Art criticism · Art history · Criticism · Feminism · Literature · Performance art · Sociology · Art, Politics, and Modernism · Gender Studies · Latin American and Latino Studies · Poetry Analysis and Criticism

  • The Politics and Aesthetic Choices of Feminist Art Criticism

    Open Access•Katy Deepwell•Arts•2023

  • Special Issue

    Open Access•Stephen Moonie•Arts•2021

  • Roots Are Radical. Activist Embroidery in Central Europe

    Open Access•Alice Jedličková•Acta Universitatis Sapientiae…•2025

  • Visual Dialogues on Gender

    Open Access•Susana Fernandez Blanco•Gender Studies•2025

  • Feminist aesthetics

    Open Access•Natalia Anna Michna•Feminist Theory•2025

  • Old Mistresses

    Griselda Pollock, Rozsika Parker•Old Mistresses•1991

  • Talking visions

    Ella Shohat•Talking visions•1998

  • Visual and Other Pleasures

    Open Access•Laura Mulvey•Visual and Other Pleasures•1989

  • Why Stories Matter

    Caren Kaplan, Clare Hemmings et al.•Why Stories Matter•2011

  • Gender and Genius

    Christine Battersby•Gender and Genius•1989

  • This Sex Which is Not One

    Open Access•Luce Irigaray•Feminisms•1977

  • We Wanted a Revolution

    Open Access•Kim Bobier•Panorama•2022

  • Unsettled Visions

    Open Access•Margo Machida, Nicholas Thomas•Unsettled Visions•2008

  • Against globalization

    Open Access•Mads Anders Baggesgaard, Lotte Philipsen•Journal of AESTHETICS & CULTURE•2013

  • The Two Reproductions in (Feminist) Art and Theory since the 1970s

    Marina Vishmidt•Third Text•2017

  • Visual Pleasure and Narrative Cinema

    Laura Mulvey•Screen•1975

  • Textual Strategies

    J Barry, Sandy Flitterman•Screen•1980

  • Re-Viewing Modernist Criticism

    M Kelly, Martin J Kelly•Screen•1981

  • Telling stories about feminist art

    Open Access•Michelle Meagher•Feminist Theory•2011

  • Bodies That Matter

    Judith Butler•Bodies that matter•2011

  • Situated Knowledges

    Donna Haraway•Feminist Studies•1988

  • An Aesthetic Education in the Era of Globalization

    Open Access•Gayatri Chakravorty Spivak•Aesthetic Education in the Era of…•2013

  • What Ails Feminist Criticism

    Susan Gubar•Critical Inquiry•1998

Unique citing works5
Citations per year1
Citation span2021 - 2025 (5)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 5
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