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Basotho blankets

Ownership and Appropriation

Bibliographic Data

ID2254210
AuthorsTuulikki Pietilä (0000-0001-6938-6691, University of Helsinki, corresponding author)
Year2023
Volume29
Issue1
Pages124-144
Publication date2023-03-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of the Royal Anthropological Institute (JOURNAL)
Journal identifiersISSN: 1359-0987 • E-ISSN: 1467-9655
PublisherWiley (PUBLISHER • GB)
DOI10.1111/1467-9655.13823
OpenAlexW4296312726
LanguageEN
Citations received3
References cited26

This article examines claims of ownership and appropriation of Basotho blankets. Ingrained in the ritual and mundane reproduction of life among the Basotho people of Lesotho, the luminous blankets and their story have enticed many to deal in them. The blankets are manufactured and trademarked by Aranda Textile Mills, and in recent years they have been adapted by Basotho fashion designers, foreign private entrepreneurs, and the Louis Vuitton fashion house and depicted in Marvel's Black Panther film. The diversity of the actors involved has created a complex field of entitlement claims. The article develops a theoretical framework for understanding the processes through which actors claim, appropriate, and transform the value of 'heritage' items. This is done by viewing the actors' efforts as 'scale-making projects' across 'regimes of value' that aim to expand their 'spatiotemporal control' and by viewing the actors themselves as 'brands' posing as originators of value

Aesthetics · Appropriation · Archaeology · Art · Economics · Entitlement (fair division · Epistemology · Livelihood · Sociology · Value (mathematics · Computer Science · Cultural Heritage Management and Preservation · Fashion and Cultural Textiles · History · Public Spaces through Art

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Unique citing works3
Citations per year1,5
Citation span2024 - 2025 (2)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 3
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