Andalusi musical origins at the Moroccan-Algerian frontier

Beyond charter myth

Bibliographic Data

ID2260706
AuthorsJonathan Glasser (Department of Anthropology Asian and Middle Eastern Studies; College of William and Mary; P.O. Box 8795 Williamsburg VA 23187-8795, corresponding author)
Year2015
Volume42
Issue4
Pages720-733
Publication date2015-11-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueAmerican Ethnologist (JOURNAL)
Journal identifiersISSN: 0094-0496 • E-ISSN: 1548-1425
PublisherWiley (PUBLISHER • GB)
DOI10.1111/amet.12166
OpenAlexW2199513954
LanguageEN
Citations received2
References cited37

For North African devotees of Andalusi music, the story of the repertoire's origins in al-Andalus (medieval Muslim Spain) and its post-1492 transfer to the Maghreb is a central part of the practice. The Andalusi origin narrative, with its attunement to current needs and projection of present onto past, echoes key aspects of Bronislaw Malinowski's "charter myth" hypothesis. Yet ethnographic investigation in Morocco and Algeria suggests that origin narrative goes beyond instrumental need and projection. Drawing on five case studies, I consider the feedback between origin narrative and the practice that it comments on and emerges from. I offer a rereading of Malinowski's charter myth hypothesis that emphasizes the dynamic, varied, and temporally extended nature of the relationship between practice and commentary on practice. [metapragmatics, charter myth, origin narrative, temporality, Andalusi music, North Africa, Spain

Archaeology · Art · Charter · Frontier · Islam · Literature · Musical · Mythology · Narrative · Sociology · Caribbean and African Literature and Culture · Hispanic-African Historical Relations · History · North African History and Literature