Dialectal and normative registers in Yangzhou storytelling
Bibliographic Data
| ID | 23024440 |
|---|---|
| Authors | Vibeke Børdahl (University of Copenhagen, corresponding author) |
| Year | 2010 |
| Volume | 1 |
| Issue | 1 |
| Pages | 94-123 |
| Publication date | 2010-06-24 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Chinese Language and Discourse An International and Interdisciplinary Journal (JOURNAL) |
| Journal identifiers | ISSN: 1877-7031 • E-ISSN: 1877-8798 |
| Publisher | John Benjamins Publishing Company (PUBLISHER • NL) |
| DOI | 10.1075/cld.1.1.04bor |
| OpenAlex | W2005686227 |
| Language | EN |
Chinese storytelling is inseparably bound up with local dialect. However, normative language also plays a distinctive role in many performance arts. In this paper the interplay of dialectal and normative registers in Yangzhou storytelling ( Yangzhou pinghua ) is analysed. Audio recordings of storytellers born during the late Qing and Republic demonstrate their subtle handling of linguistic registers: dialogue and narrative are regularly rendered in alternating registers, reflecting local Yangzhou dialect ( Yangzhou fangyan ), local Mandarin ( difang guanhua ) and Northern Mandarin ( Beifang guanhua ). The usage of storytelling registers provides new source material on the Yangzhou variety of difang guanhua . On this background the paper raises the question of the linguistic habits of former storytellers and — tentatively — offers a key to the riddle of the famous Liu Jingting’s (1592–1674) spoken language-in-performance.
Epistemology · Linguistics · Mandarin Chinese · Narrative · Normative · Register (sociolinguistics) · Sociology · Storytelling · Variety (cybernetics) · Artificial Intelligence · Asian Culture and Media Studies · Chinese history and philosophy · Computer Science · History · Philippine History and Culture · Philosophy
| Citation velocity | historical |
|---|---|
| Highly cited | No |