The Live Concert Experience
An Introduction
Bibliographic Data
| ID | 23026197 |
|---|---|
| Authors | Nick Baxter‐Moore, Nick Baxter-Moore, Thomas M Kitts (0000-0002-2277-6948) |
| Year | 2016 |
| Volume | 3 |
| Issue | 1 |
| Pages | 1-4 |
| Publication date | 2016-01-02 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Rock Music Studies (JOURNAL) |
| Journal identifiers | ISSN: 1940-1159 • E-ISSN: 1940-1167 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/19401159.2015.1131923 |
| OpenAlex | W2306153484 |
| Language | EN |
| Citations received | 8 |
The digital upheaval of the late 1990s and early 2000s, combined with changing consumer preferences and behavior, profoundly changed the political economy of popular music. Sales of recorded music ...
Advertising · Aesthetics · Art · Business · Media studies · Music festival · Political science · Politics · Popular music · Sociology · Visual arts · History · Music History and Culture
Ce que le livestream fait au live
Put your hand against the screen’
Stages, Platforms, Streams
Holographic Abba
Popular Music Fans and the Value of Concert Tickets
Exploring the lived experience associated with fan-made goods
Music and Spirituality
The game is on!' Eventness at a distance at a livestream concert during lockdown
| Unique citing works | 8 |
|---|---|
| Citations per year | 1 |
| Citation span | 2018 - 2025 (8) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 8 |