The Burden of Representation
Essays on Photographies and Histories
Bibliographic Data
| ID | 23398686 |
|---|---|
| Editors | John Tagg (0000-0001-9477-6579) |
| Year | 1988 |
| Publication date | 1988-01-01 |
| Open Access | Yes |
| Type | BOOK |
| Venue | Burden of Representation (SOURCE_BOOK) |
| Publisher | Bloomsbury Publishing plc (PUBLISHER • GB) |
| DOI | 10.1007/978-1-349-19355-4 |
| OpenAlex | W4232979233 |
| Open Library | OL37439284M |
| ISBN | 9781349193554 |
| Language | EN |
| Citations received | 473 |
Photographs are used as documents, evidence, and records every day in courtrooms, hospitals, and police work, on passports, permits, and licenses. But how did such usages come to be established and accepted, and when? What kinds of photographs were seen seen as purely instrumental and able to function in this way? What sorts of agencies and institutions had the power to give them this status? And more generally, what conception of photographic representation did this involve, and what were its consequences?
Function (biology) · Political science · Politics · Power (physics) · Public relations · Representation (politics) · Work (physics) · Engineering · History · Law · Photography and Visual Culture · Documentary photography · Philosophy · Photographic criticism · Photography · Social aspects · Social aspects of Photography
Wie Katie Tingle sich weigerte, ordentlich zu posieren und Walker Evans darüber nicht grollte
Danse Macabre
Order is evidence
Authoritarian Legality as Legal Unknowability (Meçhullük)
Farocki/Godard
Negative epiphanies
Locating the political and the aesthetic in media spectacles in India
From Glass Architecture to Big Brother
Fotografia, história e antropologia
China as documentary
Politics, pleasure, violence
Seeing, Saving, and Remembering Barnardo’s Children
Conceptualizing ‘Science’ in the Photography Collections at the National Science and Media Museum
Visualizing sexual assault
More than meets the eye ... representations of black women in mid-19th-century french photography
Genevieve Naylor, fotógrafa
District Six Is Really My Gay Vicinity
Wie Katie Tingle Sich Weigerte, Ordentlich Zu Posieren und Walker Evans Darüber Nicht Grollte
Danse Macabre
Photography
Public Identity and Collective Memory in U.S. Iconic Photography
Roots and Routes of African Photographic Practices
Growing Up with Aborigines
The Japanese Colonial Eye
Yoruba Photography
Notes from the Surface of the Image
Spectral Perception and Ghostly Subjectivity at the Colonial Gender/Race/Sex Nexus
“Cover Your Ass”
Constructing Polar Heroism and National Myth-Making in Norwegian Sheet Music Covers
“Are you the translator?”
Images of liberation? Visual framing, humanitarianism and British press photography during the 2003 Iraq invasion
“I love this photo, I can feel their hearts!” How users across the world evaluate social media portraiture
Remembering Gotham
Reading and Writing the Passions in Duchenne de Boulogne's Mécanisme de la physionomie humaine
Revealing rays
Face Recognition and the Emergence of Smart Photography
Conflictual Media Events, Eyewitness Images, and the Boston Marathon Bombing (2013)
A newsmaker’s tool
Monsters and angels
Visual Culture, Public Space, and Piety in Focus on the Family'sCitizenMagazine
A pedra como memória
Whispers of forgotten tracks - a philosophical journey through the ruins of the Hijazi railway in Jordan
Photography, Anthropology of
Response to Commentaries on ‘Visualising human life in volumetric cities
Generative AI’s Family Portraits of Whiteness
China as Spectacle in Western Photography, Late Nineteenth to Early Twentieth Century
Das Archiv als Ort der Bildproduktion. Ein Expert*inneninterview mit Roland Meyer
“The Unseen Gulf War,” Disremembered Images and Method
The Zone of Photography
À la lettre (près)
The Failure that Remains Failure
Crisis Management in This Visual Era
“No Longer Interested in Convincing You of My Humanity”
Seeing is no longer believing
Camera Phantasma
More real, or just more surveillance? Panopticism and shifting authenticity paradigms in BeReal
Levha-i Sıhhat
Sanatsal İmgeden Tıbbi İmgeye
Identity, Diversity, and Semiotic Innovation in Contemporary Photojournalism
Through the camera lens
Conversing with Readers in Aunt Judy’s Magazine
Kreatywność i sztuczna inteligencja w sztukach wizualnych
From State Warfare to State Welfare
Cut-Off Low (Dana) in Valencia
The Representation of Biofuels in Political Cartoons
‘Forward from Wigan Pier’
Capturing the Moment
Perceptual Machines
Cultural relativism and the visual turn
Mid-Century Visions, Programmed Affinities
Migration, abjection and visibility
Photography and the Approximate
Representations of Post-Industrial Shanghai
The Theatre of Photography
Generative AI, agency and aesthetic disruption in photographic art
Family Photography and Persecuted Communities
A contrapuntal reading of Catherine Leroy’s photograph of a fedayee taken during the civil war in Lebanon (1975–1990)
The Drive to Archive
Globalisation and the Art Photography of Joel Sternfeld
Good Subjects, Bad Objects
Motherhood Reimag(in)ed
Miniature Landscapes
The World’s Most Amazing 100% Awesome Photography Theory
Disturbing Fine Memories? An empirical study of young people's camphone family pictures
Seductions and Flirtations
Image aforethought
Moblogging, Remediation and The New Vernacular
Archival Value
Trevor Paglen’s Border Abstractions in the Age of Machine Vision
Creation and Control in the Photographic Process
Constructing knowledge within the photographic apparatus
Joint spectatorship
Rephotography and the Era of Witness
Framing “The Photographic Self” in Education Programs for Photographers in Russia and Sweden
A Life More Photographic
Medical Archives and Digital Culture
Queer subjectivities, community building and care-taking in contemporary photography from the Middle East and its diaspora
Trusting the broken image
Photography, Higher Education and the Skills Agenda
New Mixtures
| Unique citing works | 473 |
|---|---|
| Citations per year | 13,14 |
| Citation span | 1990 - 2026 (37) |
| Citation velocity | current |
| Highly cited | Yes |
| Citation types | Neutral: 456 |