Paratheatrical Performances in the Bosporan Kingdom
The Evidence of Terracotta Figurines
Bibliographic Data
| ID | 23411684 |
|---|---|
| Authors | Maya Muratov (corresponding author) |
| Year | 2019 |
| Pages | 400-432 |
| Publication date | 2019-11-30 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | CHAPTER |
| Venue | Ancient Theatre and Performance Culture Around the Black Sea (SOURCE_BOOK) |
| Publisher | Cambridge University Press (PUBLISHER • US) |
| DOI | 10.1017/9781316756621.019 |
| OpenAlex | W2983607131 |
| ISBN | 9781316756621 |
| Language | EN |
| References cited | 317 |
The term ‘paratheatre’ was coined by Jerzy Grotowski, a twentieth-century Polish theatre director and theatrical theoretician. One of the phases of his experimentation with performances, during which he was searching for different ways to bridge the gap between the actors and the spectators by involving the latter into interactive performances through a variety of communal rites, was referred to as ‘paratheatrical’. In this essay the word ‘paratheatrical’ is used to denote shared ceremonial activities, such as dancing, music-making and processions, that involved elements of dressing up, and might have been acted out by both professionals and laymen.
Aesthetics · Art · Bridge (graph theory) · Kingdom · Literature · Period (music) · Sociology · Variety (cybernetics) · Visual arts · Artificial Intelligence · Byzantine Studies and History · Central European Literary Studies · Classical Antiquity Studies · Computer Science · History · Medicine
North Coast of the Black Sea, Asia Minor
Murder Among Friends
The East Face of Helicon
Metapoetry in Euripides
Lost Dramas of Classical Athens
Greek Religion and Cults in the Black Sea Region
Dionysius Scytobrachion
Performance, Iconography, Reception
Female Acts in Greek Tragedy
The Poetics Of Colonization
Greek Tragedy and the Historian
Reading Fiction with Lucian
The Greek Theatre and Festivals
Lykophron: Alexandra (Revised Edition)
The Art of Euripides
The Classical Plot and the Invention of Western Narrative
The Dance of the Islands
Eratosthenes' "Geography"
The Structure and Performance of Euripides' Helen
A Companion to Ancient Thrace
Regional Theatre in the Fourth Century. The Evidence of Comic Figurines of Boeotia, Corinth and Cyprus
The Black Sea Area
The Archaeology of the ‘Rural’ Dionysia in Attica
Tragedy Performances Outside Athens in the Late Fifth and the Fourth Centuries BC
Classical Olbia and the Scythian World
The Boastful Chef
Asylia
Hieron's Aeschylus
Herodotus and tragedy
Cypria
Visions and revisions of Homer
Aristagoras (5.49–55, 97)
A Theseus outside Athens
Comic vases in South Italy
Pantomime Performance and Figured Scenes on Roman Sarcophagi
Map is not Territory
Greek Nymphs
The Haunted Stage
History of classical scholarship from 1300 to 1850
Intellectual life in the late Roman Republic
Illustrations of Greek drama
Pots & plays
A Selection of Greek historical inscriptions to the end of the fifth century B.C.
Herodotus and his "sources"
Performance Culture and Athenian Democracy
The Edges of the Earth in Ancient Thought
Greek Popular Religion in Greek Philosophy
Greek drama and political theory
Epigrammata Graeca ex lapidibus conlecta
Elektra, Taurische Iphigenie und Helena
Aristotle
The Cynics
Deukalion the Scythian
Wonder and the Marvellous from Homer to the Hellenistic World
Theatre, Religion, and Politics at Alexander’s Travelling Royal Court
Regional Schools in Hellenistic Sculpture
Medea in Kolchis
Philippus in acie tutior quam in theatro fuit … (Curtius 9, 6, 25)
Epinician and tragic worlds
The Theatre of Dionysus Eleuthereus in Athens
The Evolution of Comedy in the Fourth Century
Representing Women on Roman Sarcophagi
Heracles’ Footprint by the River Tyras
Medea, the Enchantress from Afar
Changing Contexts
Herodotus’ Spartan Scythians
Penthée-Skylès ou les périls de l’acculturation
Corinthian Medea and the Cult of Hera Akraia
The Andromache and Euripidean Tragedy
Black Odysseys
Euripides
Feeding the Democracy
The Play of Texts and Fragments
Aeschylus Homericus
Greek Vases
Trusting Performance
War and Society in the Greek World
Myth, Literature, and the Creation of the Topography of Thebes
Theater Outside Athens
Seneca’s Tragedies and the Aesthetics of Pantomime
The Greek Epic Cycle and its Ancient Reception
Performance in Greek and Roman Theatre
Tragedy in Athens
Performing Greek Comedy
Belonging and Isolation in the Hellenistic World
Roman Festivals in the Greek East
Catullus
The Cambridge Companion to Herodotus
Euripides and the Politics of Form
Inventing the barbarian
A Commentary on Euripides' Iphigenia in Tauris
The Encyclopedia of Greek Tragedy
Myths of the Underworld Journey
Reading Roman Comedy
Dictionary of Classical Antiquities, Mythology, Religion, Literature and Art
Athens, Thrace, and the Shaping of Athenian Leadership
The Cambridge Companion to Greek Tragedy
Homer between History and Fiction in Imperial Greek Literature
Myth and Thought among the Greeks
The Argonautica of Apollonius
| Citation velocity | historical |
|---|---|
| Highly cited | No |