Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

The Materiality of Contemporary Art in Vanuatu

Bibliographic Data

ID2390840
AuthorsH Geismar (0000-0002-3320-593X, Museum of Archaeology and Anthropology, Cambridge University, UK, corresponding author)
Year2004
Volume9
Issue1
Pages43-58
Publication date2004-03-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of Material Culture (JOURNAL)
Journal identifiersISSN: 1359-1835 • E-ISSN: 1460-3586
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/1359183504041089
OpenAlexW2158752897
LanguageEN
Citations received4
References cited10

Close examination of material forms and the social relations within which they are embedded soon reveals that things have the capability to affect the way people think. Here, I focus on the recent development of the category of contemporary art in Vanuatu, a nation comprising over 70 inhabited islands in the south-western Pacific ocean. Contemporary art in Vanuatu is a local classification that draws on both traditional objects and iconographies to create new objects in new media, thus making fundamental material distinctions between image and object, traditionalism and contemporaneity. Appropriating Gell's invocation to practise 'methodological philistinism', I came to realize during fieldwork, that artworks as well as artists were able to effect material negotiations between often competing rhetorical distinctions. In this way, the material distinctions made on the sites of objects categorized as 'art' reflect a series of cross-cultural encounters and exchanges. Here, understanding the materiality of art objects themselves, and the material concerns of their producers allows the anthropologist to disentangle complex sets of cultural classifications and values

Aesthetics · Art · Invocation · Linguistics · Literature · Materiality (auditing · Negotiation · Object (grammar · Rhetorical question · Social science · Sociology · Anthropological Studies and Insights · Anthropology · Cultural Heritage Management and Preservation · Geographies of human-animal interactions · Philosophy

  • Material Culture Studies: Objectification, Agency, and Intangibility

    Open Access•Mikkel Bille•Palgrave Handbook of the…•2022

  • Diverse Knowledges and Contact Zones within the Digital Museum

    Open Access•Ramesh Srinivasan, Katherine M Becvar et al.•Science Technology & Human Values•2010

  • Reproduction, creativity, restriction

    Open Access•H Geismar•Journal of Social Archaeology•2005

  • Art and anthropology

    Open Access•Karin Zitzewitz, M Ciotti•Journal of Material Culture•2022

  • Art And Agency

    Alfred Gell•Art and agency•1998

  • The Tree and the Canoe

    Joel Bonnemaison, Josée Pénot-Demetry•Tree and the Canoe•1994

  • Ancestral connections

    Howard Morphy•Ancestral connections•1991

  • Articulating Change in the "Last Unknown"

    Frederick Errington, Frederick K Errington et al.•Articulating Change in the Last…•2019

  • Custom and the Way of the Land

    Open Access•Margaret Jolly•Oceania•1992

  • Narratives of Nation in the South Pacific

    Liina Lindström, T Otto et al.•Journal of the Royal Anthropologica…•1998

  • Kastom in Melanesia

    Open Access•Rqger M Keesing•Mankind•2009

  • Culture and Identity in the South Pacific

    Robert E Norton, Robert Norton•Man•1993

  • Arts of Vanuatu

    James Leach, Joel Bonnemaison et al.•Journal of the Royal Anthropologica…•1999

Unique citing works4
Citations per year0,19
Citation span2005 - 2022 (18)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 4
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae