Vinyl leaves
Walt Disney World and America
Bibliographic Data
| ID | 24200476 |
|---|---|
| Authors | Stephen M Fjellman |
| Year | 1992 |
| Pages | 492 |
| Publication date | 1992-01-01 |
| Open Access | No |
| Type | BOOK |
| Venue | Vinyl leaves (SOURCE_BOOK) |
| Publisher | Westview Press (PUBLISHER) |
| Open Library | OL1562260M |
| ISBN | 9780813314723 |
| Language | EN |
| Citations received | 92 |
Walt Disney World is a pilgrimage site filled with utopian elements, craft, and whimsy. It's a pedestrian's world, where the streets are clean, the employees are friendly, and the trains run on time. All of its elements are themed, presented in a consistent architectural, decorative, horticultural, musical, even olfactory tone, with rides, shows, restaurants, scenery, and costumed characters coordinated to tell a consistent set of stories. It is beguiling and. Exasperating, a place of ambivalence and ambiguity. In Vinyl Leaves Professor Fjellman analyzes each ride and theater show of Walt Disney World and discusses the history, political economy, technical infrastructure, and urban planning of the area as well as its relationship with Metropolitan Orlando and the state of Florida. Vinyl Leaves argues that Disney, in pursuit of its own economic interests, acts as the muse for the allied transnational corporations that sponsor. It as well as for the world of late capitalism, where the commodity form has colonized much of human life. With brilliant technological legerdemain, Disney puts visitors into cinematically structured stories in which pieces of American and world culture become ideological tokens in arguments in favor of commodification and techno-corporate control. Culture is construed as spirit, colonialism and entrepreneurial violence as exotic zaniness, and the Other as child. Exhaustion and cognitive overload lead visitors into the bliss of Commodity Zen--the characteristic state of postmodern life. While we were watching for Orwell, Huxley rode into town, bringing soma, cable, and charge cards--and wearing mouse ears. This book is the story of our commodity fairyland.
Anthropology · Case studies · Culture populaire · Economic aspects · Economic aspects of Leisure · Economic aspects of Popular culture · Études de cas · Finance · Finances · General · History · Industrie · Leisure · Leisure industry · Loisir · Loisirs · Popular Culture · Social Science · united states · Walt Disney World · Walt disney world (fla.)
Thinking Through Food in South Africa
Tourism Geographies,Tourist Studiesand the Turn towardsMobilities
Remodelling a changing language of tourism
Men at the heart of mothering
“There's a Great Big Beautiful Tomorrow'
The Mountain Man Myth
Paradoxes of Authenticity in Liminal Consumption
The Future of Public Space
The Consumer Quest for Authenticity
World Heritage and Cultural Economics
Purchasing protection
The Reappearance of the Authentic
Document
Sites of Persuasion
Bulldaggers, Pansies, and Chocolate Babies
Authentically Disney, distinctly Chinese” and faintly American
Meteorology and the rhetoric of nature's cultural display
The atom according to Disney
The Limits to the Imagineered City
The Disneyization of Society
Foreign country theme parks
Circumnavigation with a difference? music, representation and the disney experience
Embodying Japanese Heritage
The hybridization of organizational culture in tokyo disneyland
‘Look at me! Oh Lord have mercy!’
A Dedicated Storytelling Organization
Mexico Goes to Disney World
Exploring Disney's Worlds Through Religious Studies
Representing Culture in Malaysian Cultural Theme Parks
Tourism and Cultural Identity
Experiential design and religious publicity at D.C.’s Museum of the Bible
Fairytale authenticity
I Got Voodoo, I Got Hoodoo
Consuming Morality
Happily (n)ever after
Inscribing the border
Searching for a New Enterprise
Tourism as Everyday Life
Tourism State' Cultural Production
Meet me on main street
Disney and the Imagineering of Histories
New Moscow Monuments, or, States of Innocence
"The Popular" in American Culture
The Anthropology of Cities
Crafting Culture
It's Called a Hustle, Sweetheart”
Simulated Tourism at Busch Gardens
Like Walking into a Movie”
Domesticating Disney
Reimagineering Tourism
Learning from the Euro Disney Experience
Cultural trends, troubles and transformations
Entangled in the imagination
Discipline and Pleasure
Pleasure and Politics in Disney’s Utopia
The Anthropological Unconscious
Life Spectacles
Magic everywhere
Escape from Tomorrow
Performing and the Real Thing in the Postmodern Museum
Getting down to the meat
Critical theme parks
Disney discourses of self and Other
Disney and the presentation of colonial America
Commercial mythmaking at the Holy Land Experience
Living a theme
Biraciality and nationhood in contemporary American art
Being in the Zone
Culture Sells
Leisure parks
Ethnographic Writing about American Culture
Laying Claim to Authenticity
Whose History
Ethnography then and now
Packaged Sentiments
Analyzing Public Space at a Metropolitan Scale
Constructing Alterity in Ile De France
Popular Cultural Practices in the “Postmodern City”
Mirror, Mirror for Us All
Kitchen Technologies
Public Relations, Private Security
Panic Ecology
The Shift to Constructivism in Social Inquiry
Tourism is the Edge—An Essay in Margins and Liminalities
Challenging Disney Myths
Wilderness state of mind
Noticing notices
Marketing paradise, making nation
Reconceptualizing object authenticity
Rethinking authenticity in tourism experience
The tourist experience
Leisure as symbolic consumption
| Unique citing works | 92 |
|---|---|
| Citations per year | 2,71 |
| Citation span | 1992 - 2025 (34) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 85 |