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What is Sound

Bibliographic Data

ID3204875
AuthorsRobert Pasnau (0000-0003-0193-0261, Saint Joseph's University, corresponding author)
Year1999
Volume49
Issue196
Pages309-324
Publication date1999-07-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueThe Philosophical Quarterly (JOURNAL)
Journal identifiersISSN: 0031-8094 • E-ISSN: 1467-9213
PublisherOxford University Press (OUP) (PUBLISHER)
DOI10.1111/1467-9213.00144
OpenAlexW1994073910
LanguageEN
Citations received26
References cited2

Our standard view about sound is incoherent. On the one hand, we suppose that sound is a quality, not of the object that makes the sound, but of the surrounding medium. This is the supposition of our ordinary language, modern science and a long philosophical tradition. On the other hand, we suppose that sound is the object of hearing. This too is the assumption of ordinary language, modern science and a long philosophical tradition. Yet these two assumptions cannot both be right – not unless we wish to concede that hearing is illusory and that we do not listen to the objects that make sounds. To avoid these consequences we must recognize and repair the inconsistencies contained in our standard view of what sound is. I offer an account that describes sound as a quality belonging, not to the medium, but to the object that makes the sound

Acoustics · Epistemology · Linguistics · Object (grammar) · Physics · Quality (philosophy) · Sound (geography) · Sound Quality · Speech recognition · Computer Science · Embodied and Extended Cognition · Phenomenology and Existential Philosophy · Philosophy · Plant and Biological Electrophysiology Studies

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  • Seeing Dark Things

    R Sorensen•Seeing Dark Things•2007

  • Pragmatic Mental Imagery

    Open Access•Bence Nanay•Between Perception and Action•2013

  • Vicarious Perception

    Open Access•Bence Nanay•Between Perception and Action•2013

  • Pragmatic Representations

    Open Access•Bence Nanay•Between Perception and Action•2013

  • Perception

    Open Access•Bence Nanay•Between Perception and Action•2013

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    Open Access•Bence Nanay•Between Perception and Action•2013

  • The Nature of Timbre

    Open Access•Vivian Mizrahi•Ergo an Open Access Journal of…•2023

  • The Polysemy Theory of Sound

    Open Access•Anton Killin•Erkenntnis•2022

  • Awful noises

    Open Access•Tom Roberts•Philosophical Studies•2021

  • Do we hear compression waves

    Calvin K W Kwok•Inquiry•2024

  • The event-property view of sounds

    Jason Leddington•Inquiry•2025

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    Open Access•Hannes Ole Matthiessen•Theoria•2025

  • On Nonhuman Sound—Sound as Relation

    Open Access•G Born•Sound Objects•2019

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    Bronwyn Winter, Bodo Winter•Sensory Linguistics•2019

  • Hegel's Philosophy of Sound

    Open Access•Christopher Shambaugh•Hegel Bulletin•2025

  • A Theory of Perceptual Objects

    Open Access•Edward J Green•Philosophy and Phenomenological…•2018

  • Musical works are mind-independent artifacts

    Open Access•Elzė Sigutė Mikalonytė•Synthese•2023

  • Dissolving an epistemological puzzle of time perception

    Open Access•Adam J Bowen•Synthese•2013

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    Open Access•Pendaran Roberts, Kelly Ann Schmidtke•Synthese•2016

  • Hearing chimeras

    Open Access•Elvira Di Bona•Synthese•2022

  • Bringing back the voice

    Open Access•Anna Drożdżowicz•Synthese•2021

  • Sounds are broad events

    Open Access•Zachary Weinstein•Synthese•2024

  • Sensory language across lexical categories

    Open Access•Francesca Strik Lievers, Bronwyn Winter•Lingua•2018

  • Object Perception

    Open Access•Casey O’callaghan•Philosophy Compass•2008

  • Colour as a Secondary Quality 1

    Paul A Boghossian, Paul Boghossian et al.•Mind•1989

  • Qualities and Qualia

    Sydney Shoemaker•Philosophy and Phenomenological…•1990

Unique citing works26
Citations per year1,37
Citation span2007 - 2025 (19)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 25
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