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Delusions of Dialogue

Control and Choice in Interactive Art

Dados Bibliográficos

ID3287496
AutoresJim Campbell (0000-0002-2702-1122, (artist, engineer), 1161 De Haro Street, San Francisco, CA 94107, U.S.A. E-mail: <>., autor correspondente)
Ano2000
Volume33
Fascículo2
Páginas133-136
Data de publicação2000-04-01
Peer ReviewedSim
Open AccessNão
TipoARTICLE
PeriódicoLeonardo (JOURNAL)
Identificadores do periódicoISSN: 0024-094X • E-ISSN: 1530-9282
EditoraMIT Press - Journals (PUBLISHER)
DOI10.1162/002409400552397
OpenAlexW2015151984
IdiomaEN
Citações recebidas3

The author discusses the relationship of interactive art to the structure of the computer, in particular commenting on artists' choices in using different kinds of systems, programs and interface devices. He discusses the problems inherent in the reduction of an artist's concept to a mathematical representation, a transformation that is necessary to allow a work to be implemented on a computer. Discussing the potential of the computer to allow a work to be able to change and grow over time through the extraction and storage of information, he looks for new, untouched directions for interactive art

Art · Art history · Control (management) · Human–computer interaction · Interactive art · Interface (matter) · Multimedia · Representation (politics) · Transformation (genetics) · Visual arts · Work (physics) · Art, Technology, and Culture · Artificial Intelligence · Computer Science

  • Internet Artworks, Artists and Computer Programmers

    Jean-Paul Fourmentraux•Leonardo•2006

  • The Index and the Algorithm

    Braxton Soderman•differences•2007

  • Faire œuvre commune. Dynamiques d'attribution et de valorisation des coproductions en art numérique

    Open Access•Jean-Paul Fourmentraux•Sociologie du Travail•2007

Obras citantes distintas3
Citações por ano0,15
Intervalo de citações2006 - 2007 (2)
Velocidade de citaçãohistorical
Altamente citadoNão
Tipos de citaçãoNeutras: 2
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