A Pragmatic Tradition
The Past in Ghanaian Education
Bibliographic Data
| ID | 3751143 |
|---|---|
| Authors | Del Mar (corresponding author), Sdel Mar del Mar, Del Mar Del Mar |
| Year | 2012 |
| Volume | 59 |
| Issue | 2 |
| Pages | 23 |
| Publication date | 2012-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Africa Today (JOURNAL) |
| Journal identifiers | ISSN: 0001-9887 • E-ISSN: 1527-1978 |
| Publisher | Indiana University Press (PUBLISHER • US) |
| DOI | 10.2979/africatoday.59.2.23 |
| OpenAlex | W2044716467 |
| Language | EN |
| Citations received | 2 |
| References cited | 39 |
This paper assesses how recently published Ghanaian social studies textbooks portray Ghana’s history and traditions. Unlike many histories written for adults, which urge Ghanaians to overcome the legacy of colonialism by cultivating ancient traditions, the textbooks often criticize indigenous practices and praise colonialism’s consequences. They judge tradition or culture to be useful, inasmuch as they contribute to unity and development, but although this pragmatic approach to education and historical interpretation seems dismissive of Ghanaian tradition, it is in fact deeply rooted in Ghana’s past. Ghana is rich in history and tradition. One of West Africa’s most powerful empires, Asante, expanded to control roughly the extent of the nation’s modern-day boundaries and fought off the British for generations. Africa’s “Black Star” became one of its first colonies to achieve independence, in 1957. Led by one of the continent’s most celebrated patriots and PanAfricanists, Dr. Kwame Nkrumah, the young nation inspired and attracted black nationalists across the world. Some of the nation’s intellectuals, however, have worried that the old ways are being forgotten in the rush toward Westernization and modernity. Ghana’s most distinguished novelist, Ayi Kwei Armah, has been perhaps the most eloquent advocate of precolonial tradition. His first two novels— The Beautyful Ones Are Not Yet Born (1968) and Fragments (1970)—are ruthlessly realistic portrayals of young, idealistic protagonists mired in corruption, cynicism, and materialism. In Two Thousand Seasons, by way of contrast, Armah finds in the past both perfect evil (white Arabs and Europeans) and perfect good (traditional black Africa), which he identifies as “the way” and “our way”: “Our way is reciprocity. The way is wholeness. Our way knows no oppression. The way destroys oppression” ([1973] 2000:76). Wright argues that this racial or moral dichotomy is calculated, that Armah is engaged in “a therapeutic exorcism” calculated “to cure an errant Africa of its diseased distrust in its own indigenous forms and values, not to reproduce the exact historical origins and developments of those forms and
Linguistics · Political science · Sociology · African cultural and philosophical studies · African Education and Politics · Philosophy
State and society in pre-colonial Asante
Growing-up modern
Cultural Universals and Particulars
Education and social change in Ghana
The Invention Of Tradition
Conflict and Harmony in Education in Tropical Africa
Reclaiming Heritage
A Modern History of Tanganyika
English-only language-in-education policy in multilingual classrooms in Ghana
Claiming place
Ayi Kwei Armah's Africa
Ethnicity and the Making of History in Northern Ghana
The Struggle For Liberation Is Not Yet Won
Children's Television in Ghana
What Is to Be Remembered
The Interpretation of Naavgmin- Missionary Ethnography, African Theology, and History Among the Lodagaa
Facing Two Ways
Chronicles from Gonja
Ghana in Africa and the World
Popular Ghanaian Cinema and ?African Heritage
What's Tourism Got to Do With It
"Find their Level". African American Roots Tourism in Sierra Leone and Ghana
Make a Complete Break with the past.' Memory and Post-Colonial Modernity in Ghanaian Pentecostalist Discourse
Black Star a View of the Life and Times of Kwame Nkrumah
Disguising chiefs and God as history
Rank and class among the Asante and Fante in the nineteenth century
Of Mimicry and Membership
African Modes of Self-Writing
Performing power, composing culture
Hiplife, Cultural Agency and the Youth Counter-Public in the Ghanaian Public Sphere
Tradition and colour at its best
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,17 |
| Citation span | 2014 - 2022 (9) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |