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A Natural History of Modernity

Bernhard Grzimek and the Globalization of EnvironmentalKulturkritik

Bibliographic Data

ID4070837
AuthorsThomas Lekan (0000-0003-4432-4333, corresponding author)
Year2016
Volume43
Issue2
Pages55-82
Publication date2016-08-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueNew German Critique (JOURNAL)
Journal identifiersISSN: 0094-033X • E-ISSN: 1558-1462
PublisherDuke University Press (PUBLISHER • US)
DOI10.1215/0094033x-3511871
OpenAlexW2516196891
LanguageEN
References cited27

This article explores the doomsday vision of humans and other animals found in the nonfiction books, documentary films, and autobiography of former Frankfurt Zoological Garden director and television star Bernhard Grzimek. Focusing on his career transition in the 1940s and 1950s from veterinarian to zoological director to global conservation activist, the article shows that the Malthusian fears that underpinned Grzimek's plea for national parks in sub-Saharan Africa that segregated people and wildlife had their origins in an environmental Kulturkritik born of post-Nazi and Cold War ruminations about human aggression and environmental destruction. Grzimek portrayed both the zoo and the national park as compensation for a "great extinction" that linked the industrialized slaughterhouse in Europe to trophy hunting in Africa. This natural history of modernity envisioned a global nature commons beyond the ideologies of Christian humanism and social democracy, yet it enfolded Africans into a European narrative of development that left no room for cultural landscapes created by customary tenure and vernacular ecologies

Civilization · Environmental ethics · Humanism · Ideology · Modernity · Political science · Politics · Sociology · Solidarity · European history and politics · Geographies of human-animal interactions · German Colonialism and Identity Studies · History · Law · Philosophy

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Citation velocityhistorical
Highly citedNo
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