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Dub is the new black

Modes of Identification and Tendencies of Appropriation in Late 1970s Post-Punk

Bibliographic Data

ID4304546
AuthorsMimi Haddon (0000-0002-3907-9874, University of Sussex, corresponding author)
Year2017
Volume36
Issue2
Pages283-301
Publication date2017-05-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenuePopular Music (JOURNAL)
Journal identifiersISSN: 0261-1430 • E-ISSN: 1474-0095
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0261143017000095
OpenAlexW2623566254
LanguageEN
Citations received1
References cited16

This article examines the complex racial and national politics that surrounded British post-punk musicians' incorporation of and identification with dub-reggae in the late 1970s. I analyse this historical moment from sociological, intra-musical and discursive perspectives, reading the musical incorporation of dub-reggae by The Police, Gang of Four and Joy Division against the backdrop of the era's music press discourse. I also unpack discursive representations of Jamaican musicians and ask: what role does subaltern performativity play in contributing to 'imaginary' critical conceptions of dub, particularly concerning the Jamaican melodica player Augustus Pablo? I conclude by suggesting that post-punk musicians' incorporation of dub-reggae represents neither an unencumbered post-colonial socio-musical alliance nor a purely colonial one, but rather exceeds and therefore problematises these two positions

Aesthetics · Appropriation · Art · Art history · Epistemology · Literature · Musical · Political science · Politics · Psychoanalysis · Punk · Sociology · The Imaginary · Caribbean history, culture, and politics · Gender Studies · Law · Migration, Ethnicity, and Economy · Music History and Culture · Philosophy · Psychology

  • The ‘Handsworth Self Portrait‘ Project

    Open Access•Na’ama Klorman-Eraqi•Visual Culture in Britain•2026

  • Dangerous crossroads

    George Lipsitz•Dangerous crossroads•1994

  • The black Atlantic

    Paul Gilroy•The black Atlantic•1993

  • Subculture

    Dick Hebdige•Subculture•1991

  • Dub in Babylon

    Christopher Partridge•Dub in Babylon•2010

  • Systems of articulation, logics of change

    Will Straw•Cultural Studies•1991

  • The Cultural Study of Music

    Michelle Clayton, Richard Middleton et al.•The cultural study of music•2013

  • White Riot

    D Pardue•Ethnic and Racial Studies•2012

  • Periodizing Modernism

    Susan Stanford Friedman•Modernism/modernity•2006

  • Open letter

    Open Access•Philip Tagg•Popular Music•1989

Unique citing works1
Citations per year1
Citation span2026 - 2026 (1)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 1
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