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Barbie Land as cyberfeminist utopia

Bibliographic Data

ID4367151
AuthorsRobyn Timothy (0009-0003-5955-8746, York St John University, corresponding author)
Year2024
Volume25
Issue4
Pages635-648
Publication date2024-12-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueFeminist Theory (JOURNAL)
Journal identifiersISSN: 1464-7001 • E-ISSN: 1741-2773
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/14647001241291462
OpenAlexW4404219956
LanguageDE
Citations received1
References cited19

I explore Barbie (2023) through the lens of cyberfeminism to argue that Barbie Land can be conceptualised as a cyberfeminist utopia. I draw specifically on Donna Haraway's concept of the cyborg, and Sadie Plant's literature, to examine how Stereotypical Barbie herself is produced as a cyborg in the film and how Barbie Land draws parallels to utopian fantasies of cyberspace. Themes of glitching, boundary blurring and transgression are central to this discussion, and I apply these concepts to key moments in the film such as Stereotypical Barbie's existential crisis, her travels between the Real World and Barbie Land and the final scene with Barbie visiting her gynaecologist. By placing the film in conversation with cyberfeminist thinking, I demonstrate how Barbie sits within a tradition of texts that place transgression and subversion at the core of feminist politics

Aesthetics · Art · Art history · Dystopia · Environmental ethics · Literature · Political science · Sociology · Utopia · Cinema and Media Studies · Gender, Feminism, and Media · Philosophy · Sexuality, Behavior, and Technology

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Unique citing works1
Citations per year1
Citation span2025 - 2025 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1
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