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Art, violence and memory in Taiwan

Telling the story of the beautiful island

Bibliographic Data

ID4480903
AuthorsMark Harrison (0000-0002-7020-9761, University of Tasmania), Mark Harrison MBE (0000-0001-7394-1918, University of Tasmania, corresponding author)
Year2018
Volume146
Issue1
Pages3-23
Publication date2018-06-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueThesis Eleven (JOURNAL)
Journal identifiersISSN: 0725-5136 • E-ISSN: 1461-7455
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/0725513618776665
OpenAlexW2808078373
LanguageEN
Citations received1
References cited27

Taiwan is a liminal site of modernity in Asia. It is a modern exemplar as a liberal democracy with a developed economy, but is mostly unrecognized as a nation-state in the international system. In its liminality, however, it traces contours of modern power and their epistemological expression. This paper presents an account of Taiwan as an object of knowledge and representation in instances of scholarship and policy, Taiwanese politics, urban development and art, arguing that the narratives through which Taiwan is understood embed a lived experience as Taiwanese under forms of epistemological domination. The paper then explores Taiwanese responses of co-option and resistance in alternative sites of knowledge, and it concludes that the critical unexamined force in Taiwan's experience of modernity is violence

Aesthetics · Democracy · Liminality · Modernity · Narrative · Political economy · Political science · Politics · Scholarship · Sociology · Anthropology · Gender Studies · Hong Kong and Taiwan Politics · Japanese History and Culture · Law · Philosophy · Socioeconomic Development in Asia

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Unique citing works1
Citations per year0,17
Citation span2020 - 2020 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1
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